Neil the Horse

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Neil the Horse
Publication information
Publisher Aardvark-Vanaheim
Renegade Press
First appearance newspaper strip: 1975
comics: Charlton Bullseye #2 (July 1981)
Created by Arn Saba
In-story information
Species Horse
Partnerships Soapy
Mam'selle Poupée
Neil the Horse Comics and Stories
Series publication information
Schedule Monthly
Format Ongoing series
Genre Funny animal
Publication date (Aardvark-Vanaheim series)
Feb. 1983 – Dec. 1984
(Renegade Press series)
Apr. 1985 – Aug. 1988
Number of issues 15
Main character(s) Neil the Horse

Neil the Horse is a comic book character created by Canadian cartoonist Arn Saba (now Katherine Collins) in the mid-1970s. Neil is a happy, singing and dancing horse who likes bananas and milkshakes. Neil's adventures were syndicated in Canadian newspapers, published in a comic book series, and adapted for a radio musical.

The comic book series featured Neil and his friends Soapy the Cat and Mam'selle Poupée. All three of the characters sing, dance, and play music. The more developed comics stories primarily revolve around the trio's attempts to attain show-business success. While existing as a fantasy with nostalgic style, Neil the Horse also pays tribute to the era it was made (the 1980s). A typical issue included a story in prose with illustrations, a few short comic strips, and a longer comic-strip adventure. As the motto of Neil the Horse was "Making the World Safe for Musical Comedy" all issues also included original sheet music for the songs sung by the characters in the course of their adventures.

Characters overview[edit]

Neil is a happy go-lucky (and not too bright) horse with a mania for bananas. In some issues he breakdances in urban streets to the accompaniment of a boombox.

Mam'selle Poupée is a hopeless romantic living doll from France. Poupée's body is jointed like a Barbie figurine. With the red circles on her cheeks, curly hair, large bust and thin waistline, the French-accented Poupée appears to be a cross between Raggedy Ann and Dolly Parton. She wears headbands and works out à la Olivia Newton-John. In "Video Wars" (issues 4-7), the gang comes in contact with characters that inhabit an arcade game.

Soapy is a street-wise and cynical (with a heart of gold) orange cat,a cigar-smoker and a drinker, who serves as their manager and the brains of the operation.

Publication history[edit]

Syndicated strip[edit]

Neil the Horse started life in 1975 as a weekly newspaper comic strip, self-syndicated by Vancouver cartoonist Saba to Canadian regional newspapers. In 1977, Saba and Toronto cartoonist Jeff Wakefield (Bubblegummers) joined forces to found 'Great Lakes Publishing" (GLP), a cartoon syndicate dedicated to promoting Canadian newspaper comics. At its height, GLP sold weekly comic strips, including Neil the Horse, to about 30 newspapers. GLP quietly faded out of existence in 1982. The early Neil strips were reprinted in The Menomonee Falls Guardian.

For the first two years, Neil was a double-tier comedy-adventure continuity strip, afterward switching to a single-tier gag format. The purported gags were highly surreal, and in fact at times deliberately nonsensical and without a real punchline. Saba has referred to these strips as having "symbolized a comic strip", rather than actually being one.

Neil the Horse Comics and Stories[edit]

In 1980 and 1981, Neil the Horse appeared as a comics feature in the Canadian Children's Annual, and The 1980 Comics Annual, published by Potlatch Publications of Hamilton, Ontario. This work was seen by Dave Sim and Deni Loubert of the Kitchener, Ontario-based publisher Aardvark-Vanaheim, which led to their offering to publish a Neil as a periodical comic book. Neil the Horse's first comic book appearance was in Charlton Comics's Charlton Bullseye #2 (July 1981).

Neil the Horse Comics and Stories was published between 1983 and 1988 - first by Aardvark-Vanaheim and then by Renegade Press, also under Deni Loubert. Issues #11 and 13 of Neil the Horse involved a tribute to Fred Astaire with song-and-dance routines that flowed from page to page. Letters to Neil the Horse were always (ostensibly) "answered" by Neil and his friends, instead of the comics' creator. Some of the material were reprints from the 1970s newspaper comic strip.

Creator Saba always worked with other cartoonists as assistants/collaborators. His primary pairings were with David Roman of Toronto and Barb Rausch of Los Angeles. It was common for the original art pages to be sent by courier back and forth between the two cities to be worked on; throughout the 1980s Saba frequently moved back and forth from one city to the other, and as well often worked while in transit, setting up a temporary studio in guest rooms and even once in a gazebo in Oakland, California.[citation needed]

Animation adaptation attempts[edit]

Saba's ambition was to adapt Neil for animation — preferably a full-length feature, but failing that, a television series. To that end, starting in 1985, he began a major adaptation effort, employing David Roman and a fluctuating number (3-12) of experienced animation artists and writers. As a business partner, John Gertz of Berkeley, California-based Zorro Productions was the salesman, advisor, and liaison with Hollywood studios.[citation needed] Between 1988 and 1993, Neil was "optioned" several times by major animation studios and television networks, but no program was ever produced.

The last published appearance of Neil the Horse was in 1991, in the last issue of Fantagraphics' Critters. There exists a Neil graphic novel which has never been published.[citation needed]

Radio musical[edit]

In 1982 Arn Saba wrote a two-and-a-half hour radio musical called Neil and the Big Banana that was twice broadcast in five episodes, in Canada on CBC Radio. Saba wrote the book, music and lyrics, and played the part of Neil. The play was unanimously reviewed with raves across the country, but subsequent efforts to mount later musical-comedy projects were unsuccessful.

In 1986, Saba wrote and produced a twelve-song Neil the Horse music tape, with all new material, which was sold through the comic book. Both the play and the tape were produced with a full twelve-piece band, and live tap-dancers, in jazzy Broadway style.[citation needed]

References[edit]

External links[edit]