The New York Trilogy

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The New York Trilogy
TheNewYorkTrilogycover.jpg
Author Paul Auster
Country United States
Language English
Genre Mystery novel
Publisher Faber & Faber
Publication date
1987
Media type Print (hardback & paperback)
Pages 478 pp (hardback edition)
ISBN ISBN 0-571-14925-1 (hardback edition)
OCLC 16683990
Preceded by The Invention of Solitude
Followed by In the Country of Last Things

The New York Trilogy is a series of novels by Paul Auster. Originally published sequentially as City of Glass (1985), Ghosts (1986) and The Locked Room (1986), it has since been collected into a single volume.

Plot introduction[edit]

Ostensibly presented as detective fiction, the stories of The New York Trilogy have been described as "meta-detective-fiction", "anti-detective fiction", "mysteries about mysteries", a "strangely humorous working of the detective novel", "very soft-boiled", a "metamystery" and a "mixture between the detective story and the nouveau roman"[citation needed]. This may classify Auster as a postmodern writer whose works are influenced by the "classical literary movement" of American postmodernism through the 1960s and 70s[citation needed]. There is, however, "a certain coherence in the narrative discourse, a neo-realistic approach and a show of responsibility for social and moral aspects going beyond mere metafictional and subversive elements"[citation needed], which distinguish him from a "traditional" postmodern writer. The New York Trilogy is a particular form of postmodern detective fiction which still uses well-known elements of the detective novel (the classical and hardboiled varieties, for example) but also creates a new form that links "the traditional features of the genre with the experimental, metafictional and ironic features of postmodernism."

A 2006 reissue by Penguin Books is fronted by new pulp magazine-style covers by comic book illustrator Art Spiegelman.

City of Glass[edit]

The first story, City of Glass, features a detective-fiction writer become private investigator who descends into madness as he becomes embroiled in a case. It explores layers of identity and reality, from Paul Auster the writer of the novel to the unnamed "author" who reports the events as reality to "Paul Auster the writer", a character in the story, to "Paul Auster the detective", who may or may not exist in the novel, to Peter Stillman the younger to Peter Stillman the elder and, finally, to Daniel Quinn, protagonist.

"City of Glass" has an intertextual relationship with Cervantes' Don Quixote. Not only does the protagonist Daniel Quinn share his initials with the knight, but when Quinn finds "Paul Auster the writer," Auster is in the midst of writing an article about the authorship of Don Quixote. "Auster" calls his article an "imaginative reading," and in it he examines possible identities of Cide Hamete Benengeli, the narrator of the Quixote.

Ghosts[edit]

The second story, Ghosts, is about a private eye called Blue, trained by Brown, who is investigating a man named Black on Orange Street for a client named White. Blue writes written reports to White who in turn pays him for his work. Blue becomes frustrated and loses himself as he becomes immersed in the life of Black.

The Locked Room[edit]

The Locked Room is the story of a writer who lacks the creativity to produce fiction. Fanshawe,[1] his childhood friend, has produced creative work, and when he disappears the writer publishes his work and replaces him in his family. The title is a reference to a "locked room mystery", a popular form of early detective fiction.

Adaptations[edit]

City of Glass was adapted in 1994 into a critically acclaimed experimental graphic novel by Paul Karasik and David Mazzucchelli. It was published as City of Glass: A Graphic Mystery in 2004.

In 2009, Audible.com produced an audio version of The New York Trilogy, narrated by Joe Barrett, as part of its Modern Vanguard line of audiobooks.

Bibliography[edit]

Notes[edit]

  1. ^ Reference to Nathaniel Hawthorne's novel Fanshawe' – Heiko Jakubzik: Paul Auster und die Klassiker der American Renaissance. Dissertation, Universität Heidelberg 1999, p. 7 (online text)

External links[edit]