Nicolas Slonimsky

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For other people with the same last name, see Slonimsky.

Nicolas Slonimsky (April 27 [O.S. April 15] 1894 – December 25, 1995), born Nikolai Leonidovich Slonimskiy (Russian: Никола́й Леони́дович Сло́нимский), was a Russian-born American conductor, author, pianist, composer and lexicographer. Best known for his writing and musical reference work, he wrote the Thesaurus of Scales and Melodic Patterns and the Lexicon of Musical Invective, and edited Baker's Biographical Dictionary of Musicians.

Life and work[edit]

Early life in Russia and Europe[edit]

Slonimsky was born Nikolai Leonidovich Slonimskiy in Saint Petersburg. He was of Jewish origin; his grandfather was Rabbi Chaim Zelig Slonimsky. His parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church.[1] His maternal aunt, Isabelle Vengerova, later a founder of Philadelphia's Curtis Institute, was his first piano teacher.

He grew up in the intelligentsia, and after the Russian revolution he moved south first to Kiev, then to Constantinople, and ultimately to Paris, where many other Russian musicians had already fled. He worked as accompanist to conductor Serge Koussevitzky, and toured Europe in 1921-22 as accompanist to Vladimir Rosing. In 1923 Rosing became director of opera at the Eastman School of Music in Rochester, NY, and invited Slonimsky to join him.

His younger brother Mikhail remained in Russia and became an author, and his nephew Sergei became a composer.

Conducting career[edit]

In Rochester, Slonimsky continued his composition and conducting studies, with Albert Coates and Eugene Goossens, and accompanied Rosing at many vocal recitals, including a performance at Carnegie Hall in October 1924. After two years, he moved to Boston, where Koussevitzky had become conductor of the Boston Symphony Orchestra, and resumed his position as his pianist and now bilingual secretary. During this time, Slonimsky taught music theory at the Boston Conservatory and the Malkin Conservatory, and began to write music articles for The Boston Evening Transcript, The Christian Science Monitor and the magazine The Etude.[2]

"Grandmother chord" About this sound Play , first used by Nicolas Slonimsky

Slonimsky began writing songs and other incidental pieces, and performed as a piano soloist and vocal accompanist. In 1927 he formed the Boston Chamber Orchestra, for which he solicited music from contemporary composers. Slonimsky was a great champion of contemporary music,[2] and through his interest in performing it met Henry Cowell and Charles Ives. He conducted the world premieres of Ives' Three Places in New England in 1931 (in New York's Town Hall), Edgard Varèse's Ionisation for thirteen percussionists in 1933, and various other works.

In 1931 Slonimsky married Dorothy Adlow, art critic of the Boston Christian Science Monitor. She was active as a critic and lectured extensively around the U.S., serving on panels and art juries. They married in Paris, with Varèse as best man. Their daughter, Electra, later edited his letters and collected works.[3]

In 1932, Slonimsky conducted a series of concerts in Havana highlighting Ives, Ruggles, Cowell, Amadeo Roldán and Alejandro García Caturla. He then traveled to Paris, Berlin and Budapest to conduct further concerts. He mentioned at the time he found conducting to be "the nearest approximation to music in motion." Thanks to the popularity of these tours, he was invited to conduct five concerts in the Hollywood Bowl in the summer of 1933. These were controversial and received mixed critical reviews.

Writings and musical criticism[edit]

Throughout his life, Slonimsky wrote extensively for periodicals and newspapers, produced program and liner notes, and contributed to numerous reference works. He described himself as a "diaskeuast" (from Greek διασκευαστής), a "reviser or interpolator". When his conducting career slowed, he spent more time writing about music. He produced the chronology Music Since 1900, and later after travelling in Latin America, produced the first thorough coverage in English, Music of Latin America. In 1947 he published the Thesaurus of Scales and Melodic Patterns, which would later become one of his most influential works as a sourcebook for composers and performers. It influenced many jazz musicians and composers, including John Coltrane, Frank Zappa and Paul Grabowsky, and remained in print 60 years later, but was largely ignored for years after its publication.

Two books for children followed, The Road to Music and A Thing or Two About Music, with jokes, anecdotes and puzzles. Then in 1953, Slonimsky brought out the Lexicon of Musical Invective ("Critical Assaults on Composers since Beethoven's Time"), a collection of hilariously scathing, insulting, vituperative, and enraged contemporary critiques of musical greats in their time. In 1958, he became editor of Baker's Biographical Dictionary of Musicians, developing a reputation for citing primary sources,[citation needed] and remained its head editor until 1992.

Later life and work[edit]

In 1964 Slonimsky's wife died, and he moved to Los Angeles. He taught at UCLA for three years, and lectured and spoke about music. He possessed a sly sense of humor, and was a regular guest on radio and television programs, including Johnny Carson's Tonight Show. New York public television station WNET filmed an interview with him for the "Aging" segment of the PBS Series The Mind.

He became a friend of avant-garde composer and rock guitarist Frank Zappa, and performed some of his own compositions at a Zappa concert in Santa Monica, California in 1981. He named his cat Grody-to-the-Max after learning the phrase from Zappa's daughter Moon Zappa.[1][2]

Slonimsky wrote the Lectionary of Music as a "reading dictionary," as he called it. Then in 1988, he published his autobiography, Perfect Pitch, filled with anecdotes about musical figures of the 20th century, including his mentors and colleagues.

For his 98th birthday, he visited St. Petersburg to participate in a music festival - his first visit to Russia since 1963. A documentary of his life including video of this visit, A Touch of Genius, was broadcast by Film America on his 100th birthday. He died in Los Angeles in 1995, at the age of 101.

Compositions[edit]

Piano[edit]

  • Minitudes
  • Variations on a Kindergarten Tune
  • Yellowstone Park Suite
  • Russian Nocturne
  • Two Etudes
  • Silhouettes Iberiennes
  • Russian Prelude
  • Modinha
  • Variations on a Brazilian Tune (My Toy Balloon)
  • Studies in Black and White

Chamber music[edit]

  • Muss Perpetuo
  • Suite (Сюита)
  • Piccolo Divertimento

Commercial and satire[edit]

  • Five Advertising Songs
  • Gravestones at Hancock, New Hampshire (1945)
  • A Very Great Musician
  • I Owe a Debt to A Monkey (A Humorous Encore Song)

Books and other writings[edit]

Books[edit]

  • Music Since 1900 (1937)[4]
    • Supplement to Music since 1900 (1986)[5]
  • Music of Latin America (1945)[6]
  • Thesaurus of Scales and Melodic Patterns (1947)[7]
  • The Road to Music New York (1947)[8]
  • A Thing or Two about Music (1948)[9]
  • Lexicon of Musical Invective (1953)[10]
  • Baker's Biographical Dictionary of Musicians (1958).[11]
  • The Concise Baker's Biographical Dictionary of Musicians (1987)[12]
  • Perfect Pitch (1988)[1]
  • Lectionary of Music (1989)[13]

Collected writings[edit]

  • Nicolas Slonimsky: The First Hundred Years (1994)[14]
  • The Great Composers and Their Works (Reissued as The Listener's Companion) (2000)[15]
  • Nicolas Slonimsky: Writings on Music (2004)[16]
  • Dear Dorothy - Letters from Nicolas Slonimsky to Dorothy Adlow (2012)[17]

References[edit]

  1. ^ a b c Slonimsky, Nicolas (1988). Perfect Pitch: A Life Story. London, England: Oxford University Press. ISBN 0-19-315155-3. 
  2. ^ a b c Kozinn, Allan (December 27, 1995). "Nicolas Slonimsky, Author of Widely Used Reference Works on Music, Dies at 101". The New York Times. Retrieved August 4, 2008 (blocked by NY Times to non-subscribers). 
  3. ^ Some of his letters, books, photos, sheet music and recordings are maintained at slonimsky.net.
  4. ^ First published 1937 by Coleman-Ross. Republished in 2001 by Schirmer Reference, New York.
  5. ^ Charles Scribner's Sons, New York
  6. ^ First published 1945 by Thomas Y. Crowell. Republished in 1972 by Da Capo Press, New York.
  7. ^ Coleman-Ross. Republished in 1975 by Music Sales, New York.
  8. ^ Dodd, Mead. Republished in 1966.
  9. ^ New York: Allen, Towne & Heath. Reprinted in 200 as Slonimsky's Book of Musical Anecdotes, Routledge.
  10. ^ Coleman-Ross. Republished in 2000 by W. W. Norton.
  11. ^ G. Schirmer. Republished in 2000 by Schirmer Books.
  12. ^ New York by Schirmer Books.
  13. ^ McGraw-Hill. Republished in 1990 by Anchor Books.
  14. ^ Ed. Richard Kostelanetz. New York: Schirmer Books.
  15. ^ Ed. Electra Slonimsky Yourke, 2 vols. Schirmer Books, New York.
  16. ^ Ed. Electra Slonimsky Yourke, 4 vols. Routledge, New York.
  17. ^ Ed. Electra Slonimsky Yourke, University of Rochester Press.

External links[edit]

Listening to Slonimsky[edit]