||This biographical article needs additional citations for verification. (June 2010)|
Nick Martinelli - 2004
|Born||July 5, 1952|
|Origin||Philadelphia, United States|
West End Records
|Associated acts||Loose Ends
Gladys Knight and the Pips
Nick Martinelli (born July 5, 1952) is an American R&B and pop record producer. During the 1980s he worked with many R&B and pop music artistss, many of them based in the UK. Acts he worked with include Loose Ends, Five Star, Stephanie Mills and Regina Belle.
Martinelli cut his teeth as a teenager in 1969 in the Chips warehouse, an independent record distributor for Motown. He was promoted to warehouse manager as he developed an understanding of distribution and retail sales. In 1977, Motown rewarded Nick's diligence by giving him additional responsibilities handling dance promotion for the Northeast region which covered from New York to Washington.
It was in the clubs that Martinelli found an outlet to express himself creatively — behind the turntables. In 1978, WMOT Records hired him for a national sales position. He finally made the transition to A&R a year later. This enabled him to sign and develop new talent on the Philadelphia scene at the time.
Influenced by “The Sound of Philadelphia”, Martinelli credits Dexter Wansel for his technical studio training. Although Martinelli and WMOT did well in America with Frankie Smith's "Double Dutch Bus", it took a trip overseas for him to create a niche with his production style; he co-produced "Zoom" for Fat Larry's Band, and it rose to the top of the British pop singles chart in 1981. Martinelli then spent two years remixing many hits for various artists including the Ray Parker Jr. hit, "Ghost Busters".
Martinelli is also accredited to have produced and mixed Lady B's vinyl record "To the Beat Y'all". This is notable due to the fact that Lady B was one of the first ever female rappers to hit the rap scene back in 1979.
Martinelli is perhaps best known for working with the successful English R&B band Loose Ends during the mid-1980s when he produced two of their all time biggest selling albums, So Where Are You? in 1985 and Zagora in 1986. So Where Are You? included Loose Ends biggest hit to date "Hangin' on a String (Contemplating)" which reached number one on the Billboard Hot R&B/Hip-Hop Songs chart. Zagora featured another highly successful hit "Slow Down", which also reached number one on the same chart. He also worked with members of Loose Ends on Five Star's debut album Luxury of Life, which was released in 1985, including the R&B hits "All Fall Down" (number 16 in 1985) and "Let Me Be The One" (number two in 1986).
In the mid-'80s, Martinelli's accomplishments continued, producing some of the most talented signature vocalists in music, including Stephanie Mills (with #1 singles for "I Feel Good All Over" and "Home"), Gladys Knight & The Pips (All Our Love' album - gold), Teddy Pendergrass (#1 Joy album - gold), and Miki Howard (#1 single with "Love Under New Management" and "Baby Be Mine").
Martinelli entered the 1990s with Regina Belle's #1 album, Stay with Me, spawning two #1 hit singles, one which garnered a Grammy nomination ("Make It Like It Was"). Long-time mentor Kenny Gamble selected him to work with Phyllis Hyman. Having written two selections for Hyman including the Top 10 single, "When You Get Right Down To It". he produced her #1 R&B hit, "Don't Wanna Change the World". In 1993, Martinelli relocated to Los Angeles, where he wrote and produced songs for Jomanda, Regina Belle, Robin S., Howard Hewett, Gerald Alston, Lulu, Ru Paul, Chaka Khan and his lifelong idol, Diana Ross.
He achieved quadruple Platinum status with his new productions on the Diana Ross greatest hits, One Woman Collection. In 1994 he branched out by doing a Gold-BPI certified symphonic Christmas CD, A Very Special Season for Diana Ross in the U.K. In early 1995, Martinelli was called back to London to produce the original cast album for the hit musical Mama, I Want to Sing!, starring Chaka Khan.
In 1988, Martinelli received the Philadelphia Music Foundation Award for notching the most Top 10 singles in one year. Two years later they honored him again by naming him Best Urban Producer. In the U.K. he was always included in the Blues and Soul Top 10 producer list.
- 1985: Loose Ends - "Hangin' on a String (Contemplating)"
- 1985: Five Star - "Let Me Be the One"
- 1985: 52nd Street - "Tell Me (How It Feels)"
- 1986: Phyllis Hyman - "Ain't You Had Enough Love"
- 1986: Loose Ends - "Slow Down"
- 1987: Miki Howard - "Baby Be Mine"
- 1988: Miki Howard - "Love Under New Management"
- 1988: Teddy Pendergrass - "This is the Last Time"
- 1989: Stephanie Mills - "Home"
- 1989: Kiara and Shanice Wilson - "This Time"
- 1992: Regina Belle: "If I Could"
- 1993: Jomanda: "After All This Love"