Nik Bärtsch

From Wikipedia, the free encyclopedia
Nik Bärtsch (2016)

Nik Bärtsch (born 3 August 1971) is a Swiss pianist, composer, bandleader, record producer[1][2] and author from Zürich.

Career[edit]

The band Ronin (Thomy Jordi, Sha, Kaspar Rast) 2016
Nik Bärtsch (2008)

Bärtsch studied piano and percussion before the age of ten, prior to his studies at the Academy of Music, he was taught for 5 years (1986-1991) by Boris Mersson (1921-2013). Then he went to the Zurich Musikhochschule where he graduated in 1997.[1] Additionally, he studied linguistics, musicology, and philosophy at the University of Zurich from 1998 to 2001. He grew interested in the work of avant-garde composers John Cage, Steve Reich, and Morton Feldman.[1] He formed his band Mobile in 1997, and his band Ronin in 2001. Manfred Eicher signed the band Ronin to his label, ECM Records, and released 2006 the first album Stoa.[3] During the next year, Bärtsch became co-owner of a club in Zurich. Bärtsch's music has been called zen funk, but with the album Llyria, he moved toward contemporary classical music.[4] He was instructor of Practical Aesthetics at the Musikhochschule Zurich-Winterthur from 2000–2003.

Bärtsch lives with his wife, a biologist with a doctorate, shiatsu therapist as well as aikido teacher, and his three daughters in Zurich, where he plays every Monday in "Exil."[5]

Influences and style[edit]

Repetition and change are central motifs in Nik Bärtsch's music and performance practice.[5]

Nik Bärtsch's work is at the intersection of contemporary music, jazz and funk influences. The use of repetition, as well as structures based on interweaving elements in his music suggests the influence of minimalist music, and in particular of Steve Reich.[6] Bärtsch is also influenced by oriental philosophy and the ostinato of James Brown.[6] He has also taken a close interest in the work of the American composers John Cage and Morton Feldman.[7]

Bärtsch is fascinated by the Japanese Zen culture. His musical attitude is also influenced by his interest in the Japanese martial art (Aikido) and Zen, among other things. It is his Zen practice of awareness that does not get lost in the multiple, but reduces the multiple as much as possible and concentrates on the essential.[8]

For all the diversity of its influences, this music always reveals its own signature. Although elements from a wide variety of musical worlds have found their way into it - from funk and jazz to new classical music and the sounds of Japanese ritual music[9] - these forms are not juxtaposed or quoted in a postmodern way, but rather merge to form a new style. The result is a grooving, tonally and rhythmically highly differentiated music, composed of a few phrases and motifs that are combined and overlaid in ever new and varied ways.[10]

At the European jazz competition of the german Leverkusen Jazztage in 1995, Bärtsch reached the finals with Menico Ferrari's band Groove Cooperative. In 1999 and 2002 he was awarded the UBS Culture Foundation Promotion Prize. In 2002 he was awarded the Werkjahr of the Swiss city of Zurich. In 2004 he received the culture prize of the municipality of Zollikon (recognition prize). In 2007 he received a composition commission from Pro Helvetia for a music and dance program with Hideto Heshiki. Bärtsch was simultaneously supported by Pro Helvetia as part of the Priority Jazz Promotion 2007-2009. In 2015 he was nominated for the Swiss Music Prize of the Federal Office of Culture.[11] In 2016 he won the category "Rising Stars Keyboards" of DownBeat magazine.[12] In 2019 he received the Art Prize of the City of Zurich. In 2021 he won an award from DownBeat magazine for the second time, this time in the "Critics Poll" in the category "Rising star piano" piano".[13] These awards are among the most important prizes in the jazz world.

Discography[edit]

Year recorded Title Label Notes
2001 Ritual Groove Music Ronin Rhythm Records Nik Bärtsch's Mobile with Don Li, Mats Eser and Kaspar Rast
2002 Randori Ronin Rhythm Records Nik Bärtsch's Ronin with Björn Meyer, Kaspar Rast and Andy Pupato
2002 Hishiryo: Piano Solo Ronin Rhythm Records Solo piano and percussion
2003 Live Ronin Rhythm Records Nik Bärtsch's Ronin with Meyer, Kaspar Rast and Pupato
2004 Rea Ronin Rhythm Records Nik Bärtsch's Ronin with Meyer, Kaspar Rast, Pupato and guests Sha, Thomy Geiger and Michael Gassmann
2004 Aer Ronin Rhythm Records Nik Bärtsch's Mobile with Sha, Kaspar Rast and Mats Eser
2006 Stoa ECM Nik Bärtsch's Ronin with Sha, Meyer, Kaspar Rast and Pupato
2008 Holon ECM Nik Bärtsch's Ronin with Sha, Meyer, Kaspar Rast and Pupato
2010 Llyria ECM Nik Bärtsch's Ronin with Sha, Meyer, Kaspar Rast and Pupato
2012 Nik Bärtsch's Ronin Live ECM Nik Bärtsch's Ronin with Sha, Meyer, Kaspar Rast, Pupato and Thomy Jordi
2016 Continuum ECM Nik Bärtsch's Mobile with Sha, Kaspar Rast, Nicolas Stocker, string quintet with Etienne Abelin and Ola Sendecka (violin), David Schnee (viola), Ambrosius Huber and Solme Hong (Celli)
2018 Awase ECM Nik Bärtsch's Ronin with Sha, Jordi and Kaspar Rast
2021 Entendre ECM Nik Bärtsch solo, released in March 2021

As sideman[edit]

With Menico Ferrari

  • About Roses and Thorns (Unit, 1995)

With Don Li

  • Gen (Tonus Music, 2004)

As producer[edit]

  • We Need to Repeat, Ingrid Lukas (Ronin Rhythm, 2009)
  • RACE, Dee Day Dub (Ronin Rhythm, 2014)
  • Demimonde, Ingrid Lukas (Ronin Rhythm Records 2015)
  • Echo, Ikarus (Ronin Rhythm Records 2015)

Books[edit]

  • Nik Bärtsch: Listening - Music, Movement, Mind. Lars Müller publishers, Zürich 2021, ISBN 978-3-03778-670-3

References[edit]

  1. ^ a b c Nastos, Michael G. Allmusic: Nik Bärtsch Biography Archived 2017-12-01 at the Wayback Machine, accessed May 25, 2018
  2. ^ "Musiktipps von Nik Bärtsch"Was hörst Du?"" (in German). Deutschlandfunk. Archived from the original on 2021-09-12.
  3. ^ ECM Records: artist information Archived 2018-05-25 at the Wayback Machine, accessed May 25, 2018
  4. ^ Nastos, Michael G. "Nik Bärtsch". AllMusic. Archived from the original on 1 December 2017. Retrieved 21 November 2017.
  5. ^ a b Bärtsch, Nik. "Immer wieder, immer weiter". Schaffhausener Jazzfestival (in German). Retrieved 2021-07-02.
  6. ^ a b Lake; Griffiths, Steve; Paul (2007). Horizons touched: the music of ECM. Granta UK. pp. 361–362. ISBN 978-1-86207-880-2.{{cite book}}: CS1 maint: multiple names: authors list (link)
  7. ^ "Critique de Stoa, de Ronin". Pianobleu (in French). 2021-06-17. Archived from the original on 2021-05-18. Retrieved 2021-06-17.
  8. ^ "Jazz und Zen" (in German). 2021-06-17. Archived from the original on 2021-05-15. Retrieved 2021-06-17.
  9. ^ "Rohheit und Abstraktionswille" (PDF). Rohheit und Abstraktionswille (in German). Archived (PDF) from the original on 2020-01-27. Retrieved 2012-06-18.
  10. ^ "Module - zu meiner musikalischen Konzeption". Internet Archive. Archived from the original on 2014-09-15. Retrieved 2021-06-18.
  11. ^ Bärtsch, Nik. "Nik Bärtsch Nominierte 2015". Archived from the original on 2019-02-17.
  12. ^ "Washington, Iyer Among Winners in 2016 DownBeat Critics Poll". DownBeat Magazine. 2016-07-01. Archived from the original on 2021-06-13.
  13. ^ "69th annual Downbeat critics poll". Downbeat August 2021 Critic Polls. DownBeat magazine. Archived from the original on 2021-09-02.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Nik_Bärtsch&oldid=1219263818"