The Operative: No One Lives Forever
|The Operative: No One Lives Forever|
No One Lives Forever box art, portraying protagonist Cate Archer
|Composer(s)||Guy Whitmore (Windows, Mac)
Becky Kneubuhl (PS2)
|Series||No One Lives Forever|
|Genre(s)||First-person shooter, Stealth|
|Mode(s)||Single-player, multiplayer (Windows, Mac)|
|Distribution||2 CD-ROMs (Windows, Mac),
1 DVD-ROM (PS2)
The Operative: No One Lives Forever is a first-person shooter video game with stealth gameplay elements, developed by Monolith Productions and published by Fox Interactive, released for Microsoft Windows in 2000. The game was ported later to the PlayStation 2 and Mac OS X.
A story-driven game set in the 1960s, No One Lives Forever has been critically acclaimed for, among other things, its stylistic representation of the era in the spirit of many spy films and television series of that decade, as well as for its humor. Players control female protagonist Cate Archer, who works for a secret organization that watches over world peace. In addition to a range of firearms, the game contains several gadgets, which are disguised as ordinary female fashion items.
At the time of its release, many reviewers felt that No One Lives Forever was the best first-person shooter since 1998's critically acclaimed Half-Life. After receiving several Game of the Year awards in the press, a special Game of the Year Edition was released in 2001, which included an additional mission. The Operative: No One Lives Forever was followed by a sequel entitled No One Lives Forever 2: A Spy in H.A.R.M.'s Way released in 2002, and a spin-off that takes place during the time between the first two games entitled Contract J.A.C.K. released in 2003, both developed by Monolith.
- 1 Gameplay
- 2 Plot
- 3 Production
- 4 Design
- 5 Releases and ports
- 6 Reception and legacy
- 7 Sequel and spin-off
- 8 References
- 9 External links
The Operative: No One Lives Forever is a story-driven video game, set in the 1960s, and stars spy Cate Archer as the eponymous Operative, who works for UNITY – a secret international organization "dedicated to protecting humanity from megalomaniacs bent upon world domination." During the story of the game, Archer is sent on missions to a number of locales, including Morocco, East and West Germany, the Caribbean, and the Alps, where she gets into intense situations, such as scuba diving a shipwreck, free-falling from an airplane without a parachute, and exploring a space station in outer space, all the while fighting armed villains.
The game is a mixture of a first-person shooter and a stealth game. Most, but not all, missions can be solved in multiple ways: using sneaking to avoid danger or by going in with guns blazing. A stealthy approach can be taken to evade security cameras, guard dogs and other obstacles. Enemies are aware of noise made by the player, including footsteps and weapon fire, and they also react to footprints in the snow, and dead bodies left lying around. The game features a wide variety of firearms, including a semi-automatic pistol, a revolver, a submachine gun, a sniper rifle, and an assault rifle. Some of the weapons can be loaded with different types of ammunition, including standard full metal jacket bullets, dum dum rounds that expand on impact, and phosphorus-coated tracer bullets that continue to burn upon impact. Silencers and scopes can also be fitted on some weapons.
A novel feature of the game is its array of gadgets, often disguised as ordinary female fashion objects. For example, lipsticks double as various explosives, perfume bottles hold materials such as sleeping gas, a barrette also functions as a lockpick, sunglasses can be used for photographing evidence and detecting land mines, and a stylish belt buckle hides a zipcord inside it. Other over-the-top gadgets include a body-removing powder for disposing of incriminating corpses, a robotic poodle to distract guard dogs, and a rocket launcher disguised as a briefcase. An ordinary coin can be thrown to confuse enemies, giving the player the opportunity to sneak by without a guard noticing. A cigarette lighter can also be used as a miniature welder. These ingenious gadgets come from UNITY's gadget lab, led by its main inventor and scientist, Santa. "Santa's Workshop" continuously works on these covert gadgets, and provides Cate with them as the game progresses.
In various sections of the game, the player can ride a Triumph motorcycle, or a snowmobile. Other segments of the game involve boss fights. If the player chooses to be sneaky, they can overhear humorous conversations between non-player characters, such as guards, scientists and civilians. Occasionally, the player can engage in conversations with such characters. In certain cutscenes, the game uses a dialog tree, in which the player can choose between different questions and responses when talking to another character.
The missions in the game are littered with "intelligence items": briefcases, envelopes, and manila folders containing textual notes which often provide humorous side-notes and helpful hints to the game. The collection of intelligence items is optional. Special power-ups, called "gear" items are also available for collection during the game, such as "fuzzy slippers" that reduce noise made by movement, earplugs that reduce damage from explosions, and a fire extinguisher that protects the player from burn damage. These gear items are sometimes located in hard-to-reach areas. At the start of each mission, the player can choose which weapons, gadgets and gear to take with them. Some intelligence and gear items cannot be collected on the first playthrough of the game, as the necessary gadgets to reach them are not unlocked until later in the game. If the player wants to collect these items, they have to revisit the mission with the appropriate equipment.[i]
At the end of each mission, the game displays various statistics, as well as any awards and bonuses earned during the mission. Awards are humorous textual notes given for the player's performance during a mission; these include awards for using a very low or a very high amount of bullets, or a "Thanks For Not Getting Hurt Award" for avoiding damage. The player also receives a rank, such as "Trainee" or "Super Spy", which is based on the number of intelligence items obtained during the mission. Achieving a high mission rank increases the player's maximum health, armor and ammo capacity, as well as stealth, the amount of inflicted damage, and the accuracy of their shots.
No One Lives Forever also includes multiplayer gameplay online or over a local area network. There are two multiplayer modes available: standard deathmatch, and "H.A.R.M. vs. UNITY". The latter is a team deathmatch mode, where the goal is to capture as much intelligence for a player's team as possible, by sneaking in to the enemy team's base, finding the item, and photographing it.
It is the 1960s, and UNITY, a secret international organization headquartered somewhere in the United Kingdom protects humanity from groups that want to take over the world. Over half of the active UNITY agents are murdered within a week around the world, suspected to be the work of a traitor within the agency. This leaves UNITY with a critical manpower shortage, and they are forced to send agent Cate Archer and her mentor, agent Bruno Lawrie, on a series of high-profile missions. Archer is an ex-cat burglar, and is the organization's first female spy operative; UNITY's leaders, chief Jones and his advisor Smith, are skeptical of a woman working as a field agent, and have previously relegated her to more mundane assignments. The clues point to known Russian assassin Dmitrij Volkov and a new terrorist organization calling itself H.A.R.M. as the ones behind the attacks. During Archer's first serious assignment in Morocco, she and Lawrie discover that they have walked into an ambush, and the surprise attack results in Volkov killing Lawrie. Archer manages to escape unharmed. Jones and Smith reveal that they suspect that Lawrie was the traitor and that Volkov probably killed him to ensure his silence, to which Agent Archer reacts with disbelief.
Archer is immediately tasked with helping Dr. Otto Schenker, an East German scientist, defect to the West. Although she succeeds in freeing Schenker, he is soon captured by H.A.R.M. agents, under the leadership of Magnus Armstrong. Armstrong spares Archer's life, because she is a fellow Scot. Soon, Archer is given a new partner, Tom Goodman, from UNITY's American branch. She meets Goodman in a nightclub in Hamburg, where they are ambushed by H.A.R.M. agents, but they both manage to escape. The club is owned by a German woman named Inge Wagner, whom Archer suspects has fallen in with H.A.R.M. Archer and Goodman's task is to investigate a freighter, aboard which are several suspicious chemical containers – UNITY believes that they are linked to Dr. Schenker. Archer slips aboard the freighter, where Armstrong knocks her unconscious a second time, but again spares her life and locks her in the cargo hold, despite Wagner's insistence that she be liquidated. As the ship is heading out toward sea, the freighter slowly begins to sink, due to a huge explosion. Wagner and Armstrong are able to escape immediately, but Archer has to fight her way out of the bowels of the ship. As she could not obtain the required information, Goodman and she decide to return to the sunken freighter to finish gathering the vital intelligence aboard. Only Archer goes scuba diving, and while investigating the wreck, she is ambushed by a legion of H.A.R.M. divers from a submarine commanded by Armstrong and Wagner. Archer manages to collect the intelligence she needs and escapes.
After some investigation, Archer finds a connection between H.A.R.M. and a large manufacturing firm known as Dumas Industrial Enterprises, run by Baron Archibald Dumas. However, it soon becomes clear that the Baron lacks the intelligence necessary to be involved with the terrorist organization. Archer infiltrates the Dumas corporate headquarters, gaining access to their highly guarded safe, and photographing some relevant documents, despite heavy opposition, including an ear-splitting deathmatch with Wagner. However, as she and Goodman are about to escape, Volkov appears and shoots Goodman to death. Once again, Archer manages to get away.
Meanwhile, H.A.R.M. starts infecting and killing innocent people, using a biological explosive developed by Dr. Schenker. The chemical is injected into the living host, and it feeds on organic material until it culminates in a massive explosion. H.A.R.M. states that if their ransom demands are not met, they will continue to use human time bombs to cause destruction around the world. Archer embarks to Washington state, where Dr. Schenker is believed to be held, and manages to spirit the doctor to safety from an underground base. Schenker reveals that the antidote for the chemical reagent can only be produced in outer space, and that H.A.R.M. has its own space station. After infiltrating a secret launch facility on a small island in the Caribbean, Archer finds out that a rocket is being sent up to the space station that afternoon, to collect some antidote. Disguised, Archer boards the rocket and travels to the space station herself. While looking for the antidote, the space station is suddenly hit by a meteor shower, causing it to begin to implode. Archer grabs a large antidote sample and manages to use an escape pod to get back to earth safely.
Now in possession of the antidote, UNITY needs the list of infected people to know whom to administer it. Archer believes that the real mastermind behind H.A.R.M. is the Baron's wife, Baroness Felicity Dumas, and that she might be in possession of the list. Archer infiltrates the Dumas' château in the German Alps, but she is again knocked unconscious by Armstrong, who locks her in a cell. After the Baroness appears and gloats to Archer about her plans to take over the world, she leaves, and Archer provokes Armstrong into a hand-to-hand fight, during which she defeats him and he agrees to let her go. Not wanting to be a part of H.A.R.M. anymore, he defects by telling her the location of the list of names. Cate got infected herself while she was unconscious by Inge Wagner in Hamburg days ago. Baroness mentions that Inge Wagner set the count-down to 10 days instead of 10 hours. Archer finds antidote in time and soon afterwards the list in the Baroness's hidden lair. On the way down the mountain, Archer meets Volkov, and during their duel, an avalanche caused by an explosion sends Volkov off the edge of a cliff. At the base of the mountain Archer is confronted by the Baroness, who reveals that she has infected herself and is about to detonate. Archer hurries to clear the streets of civilians, and hides inside a building until the explosion is over.
Back at UNITY's headquarters, Archer is congratulated for a mission well done, and everybody leaves for some rest. Archer comes to the graveyard where her mentor, Lawrie, is buried, to pay her respects, but is ambushed by the supposedly dead Goodman. He reveals that he is in fact the traitor within UNITY, and a gun duel begins. Archer wounds Goodman and is about to arrest him, but Smith appears and kills Goodman. Smith then tries to shoot Archer as well, but is himself gunned down by Jones. Archer is shocked to see that the supposedly dead Lawrie is also alive. With Goodman and Smith dead, Jones and Lawrie reveal to Cate the truth, that Lawrie falsified his death in order to find the real traitor. In order to sabotage UNITY, Smith used his position in H.A.R.M. to kill the real Tom Goodman, and replace him with an impostor. When H.A.R.M.'s plan was ultimately foiled by Archer, both Smith and Goodman's impostor were forced to reveal their true nature.
In a scene after the credits, it is revealed that Volkov survived the avalanche, and reports back to H.A.R.M.'s mysterious Director, a middle-aged drunk man who Archer has seen several times in different countries during the game. In a level exclusive to the Game of the Year Edition, Archer is sent on vacation to a small island, only to discover and destroy a secret H.A.R.M. base.
- Cate Archer (voiced by Kit Harris) – A Scottish former cat burglar and the first female operative in UNITY. Main protagonist of the game.
- Bruno Lawrie (John Patrick Lowrie) – A legend among UNITY operatives, Bruno is also Cate's best friend and mentor, who brought her into organization nine years ago.
- Mr. Jones (Nigel Neale) – UNITY's chief. A calm and wise man, Jones once was an operative himself.
- Mr. Smith (Roger Curtis) – Jones' right-hand-man and also a former operative. He is a very competent leader, but distrusts Cate's abilities.
- Tom Goodman (Mike Madeoy) – UNITY's American operative, Tom Goodman is a well-built man with a charming smile.
- Dr. Otto Schenker – A scientist from East Germany, he defects to the West and is about to join UNITY. However, he is captured by H.A.R.M. and has to be saved.
- Santa (Ken Boynton) – UNITY's main scientist and inventor, he provides Cate with gadgets between the missions.
- Dmitrij Volkov (Jock Blaney) – H.A.R.M.'s "Director of Executive Action". The Russian-born Volkov is strong, intelligent, and wears an eye-patch. In H.A.R.M., he is second only to the mysterious Director. He is also the vice-president of Dumas Industrial Enterprises, under the assumed name of Damascus Valentine.
- Inge Wagner (Kit Harris) – A H.A.R.M. agent supervisor, Inge is an overweight German woman who believes herself to be a great singer, while in reality her vocalizations are terrible and feared among her subordinates. She is also the owner of a popular nightclub in Hamburg. She commands H.A.R.M. troops on-field and is one of Cate's main enemies. She is also supposedly a distant relation of Richard Wagner.
- Magnus Armstrong (David Stalker) – A former military man, the kilt-wearing Scotsman is known to be a nice man, who, however, enjoys a fight. He is one of H.A.R.M.'s field commanders. He respects fellow countrymen above all else, and he spares Cate's life on more than one occasion.
- Baron Archibald Dumas (Jeff Steitzer) – The president and owner of Dumas Industrial Enterprises is fabulously wealthy and reclusive. Not really a H.A.R.M. member, the childish and silly baron is manipulated by his wife. He claims to be a great safari hunter, but is in fact not, as all his trophies are secretly bought.
- Baroness Felicity Dumas (Barbara Dirickson) – The de facto owner of Dumas Industrial Enterprises, she is one of the true leaders of H.A.R.M., being the sponsor behind much of the organization's activities.
- The Elite Guard – Three multiracial go-go girls who are an elite H.A.R.M. squad. They are seen in sporadical scenes throughout the game, complaining of how bored they are. They attack Cate Archer near the end of the game.
- The Director – H.A.R.M.'s chief and the most mysterious character of the game. He is mentioned several times by antagonists and intelligence items and appears in several missions as a harmless drunkard. His true identity is revealed at the very end.
Work on No One Lives Forever started in 1998, after the release of Monolith Productions' previous game, Shogo: Mobile Armor Division. Craig Hubbard, game designer for Shogo and NOLF expressed that Shogo "(although critically successful) fell embarrassingly short of [the team's] original design goals", and "it is a grim reminder of the perils of wild optimism and unchecked ambition" exercised by the relatively small development team. The team (which included approximately 18 core members during development of NOLF) was determined not to make the same mistakes again with their next game. Describing the pressure on Monolith, Hubbard said that they "were still trying to live down the stigma" of their 1998 game, Blood II: The Chosen, and that the company "had a lot to prove, both to ourselves and the gaming public."
Signing a contract with a publisher was a very difficult task for Monolith. Development had been going on for months, and the project had been approved by different publishers four times, before they were able to actually sign a deal with one. During this long time for finding a publishing partner, No One Lives Forever "mutated constantly in order to please prospective producers and marketing departments. The game actually started off as a mission-based, anime-inspired, paramilitary action thriller intended as a spiritual sequel to Shogo and ended up as a 60s spy adventure in the tradition of Our Man Flint and countless other 60s spy movies and shows." This final theme for the game was settled on through discussions with Fox Interactive, the final publisher of NOLF. (Parts of the initial "paramilitary action thriller" concept evolved into F.E.A.R., another Monolith game, released after the NOLF series, in 2005.) Monolith's producer for the game, Samantha Ryan said that before the deal was signed, "[t]here was a period where Monolith was two weeks from death. And Jason ["Jace" Hall, CEO and co-founder of Monolith] closed the deal with Fox Interactive that basically saved the company."
After finally signing a contract with Fox (which partnership was announced to the public on August 24, 1999), the team was able to draft a mission statement, which stood as a point of reference during every aspect of developing the game.
Our primary aim was to make the player feel like the hero of a 60s action/adventure/espionage movie. We came up with a list of the characteristics we felt were necessary to achieve our objective. The game must have a strong narrative, with twists and turns in the spirit of Charade or Where Eagles Dare. It must feature a fiercely competent hero and an assortment of despicable villains. The hero must have access to an impressive arsenal of weapons and gadgets worthy of Our Man Flint, Danger: Diabolik, or Get Smart. There must be memorable, death-defying situations, opportunities for stealth as well as all-out action, and a variety of exotic locales to explore. Finally, every aspect of the presentation must convincingly evoke the era.—Craig Hubbard, game designer of No One Lives Forever
The game was announced at the 1999 Electronic Entertainment Expo (E3) conference show. While at this time – as described in the mission statement above – the game was already set out to be a spy-themed shooter set in the 1960s, the version that was previewed to the press at this time had many differences to the finished product, with regard to characters, plot and setting. The game's protagonist was originally set out to be a male character called Adam Church who worked for MI0, "Her Majesty's Most Secret Service". However, many of the final gameplay and story elements are known to have been present in this earlier iteration of the game: the H.A.R.M. organization; the defection of an East German biophysicist for information about a top-secret Soviet weapons program; the presence of humor in the game; some locations, such as the sunken cargo freighter; the use of gadgets, such as the rocket launching briefcase; etc.
By at least July 1999, Monolith has decided to introduce many major changes to the game; the main reason being that the gaming press unexpectedly started comparing the game to James Bond games, like GoldenEye 007 (1997). Hubbard mentioned that their intention was to "make a 60s spy game", and that they "didn't want to make a 'Bond' style game, so when people were obviously drawing that comparison, we decided to rework things a bit. We wanted to get away from the Bond comparisons that people were making, so we've changed the main character and the back-story a fair amount." As a result, the player controls a female protagonist in the final game, Cate Archer, who works for an organization called UNITY. Changing the main character to a woman not only helped the separation of the game from the Bond franchise, but also allowed for "more interesting dramatic possibilities", and the "list of gadgets got a lot more visually interesting". As Hubbard said, before switching to a female protagonist, he had been "struggling with trying to distinguish him from all the other male superspies from the era—extraordinarily handsome, intelligent, knowledgeable, resourceful, and so on. But a woman with those same characteristics immediately stood out because of the social climate of the time. No matter how qualified she might be, she'd have to overcome some serious barriers just to get a chance to prove herself. And if things didn't go flawlessly on a mission, she'd catch more heat than she deserved."
The female protagonist "went through numerous concept sketches, costume designs, hairstyles, names, and even nationalities." According to Hubbard, it was a challenge to find a look for her that was not only evocative of era, "but also worked as a 3D model." In the end, the in-game model of Cate Archer was styled after model and actress Mitzi Martin. This was a marketing decision made by the publisher, Fox Interactive, which used its feature film casting department to look for an appropriate model internationally. Archer's voice was provided by American voice actress Kit Harris, who also did the voice of the Inge Wagner character. Originally, Harris recorded the Scottish protagonist's voice in a stronger Scottish accent. This was changed after a Scottish producer of the game felt that the particular accent used was too lower class, and an inappropriate choice; Harris re-recorded her lines with a "British bent" instead. Both the face and the voice of the character were changed in the game's sequel, No One Lives Forever 2: A Spy in H.A.R.M.'s Way.
Along with the character and plot changes, it was also decided to change the game's working title, No One Lives Forever, to something else, for similar reasons related to the Bond franchise (in particular, the novel Nobody Lives for Ever), as well as possible legal considerations. However, the title, in fact, stayed throughout the development, and "The Operative" (referring to the game's heroine, Agent Archer) was added to the beginning of the title.
After the game's release, Hubbard identified the realistic expectations set by the team as a strong point in the game's development, saying that "given our budget, team size, and development cycle, the best we could hope to do was to create a fun, engaging 60s espionage game that would make up in presentation what it lacked in innovation." Other positive aspects of the process included the aforementioned mission statement, along with the flexible systems used in development, the cohesion of the team, and effective scheduling. On the other hand, Hubbard cited difficulties in fleshing out the final team, as well as inefficient pre-production, delays due to waiting on technology, and the major difficulties in finding a publisher. Hubbard also mentioned the cinematic cutscenes as lengthy and problematic, partly because of technical difficulties, and partly because of conceptual flaws on his behalf, with regard to screenwriting. Regarding gameplay, he said that "[o]ne of the main failings of NOLF [...] was that it ended up feeling a lot more scripted and linear than it was intended to be". Hubbard also expressed dissatisfaction with the balance between action and intrigue: "Unfortunately, we came up a little short on intrigue. Stealth was too unforgiving. Once you were spotted, you were playing an action game." The team paid attention to these points while developing No One Lives Forever 2.
According to Hubbard, the team's "greatest asset was [probably] the list of mistakes we made during Shogo. We started this project with a pretty sober view of what we could achieve. As a result, every major feature we outlined made it into the game, as well as a few additional items we came up with during the project." However, there were still things that the team didn't have enough time to implement. For example, No One Lives Forever's team-based multiplayer portion was originally going to be a story-driven cooperative gameplay mode (similar to the "Assault" game type in the 1999 first-person shooter Unreal Tournament), including objectives and obstacles for the two teams. Like the single-player story in the game, this gameplay mode was also going to incorporate humor; for example, in one map, a goal of each team was to find a special watermelon for a mayor in a Moroccan marketplace. While this mode was publicly discussed even in July 2000, it is not present as such in the final product (which went gold on October 20). The different objectives were changed to a general goal for both teams in all maps: photographing the other team's intelligence item. However, a number of remnants stemming from the earlier gameplay design can be seen in some of the released maps, such as the office of the aforementioned mayor seen in the Morocco map. Fully realized co-operative multiplayer was, however, a feature of No One Lives Forever 2.
No One Lives Forever utilizes the Lithtech game engine, which was originally developed by Monolith, and later by its subsidiary, LithTech, Inc (later known as Touchdown Entertainment). The game is based on Lithtech 2.5 (the first game to use this version), with many custom additions and modifications to support the game's design, such as support for vehicles. According to the game's creators, characters in NOLF were built from more polygons than any other PC action game at the time, with Cate Archer's model having approximately 1700 polygons.
The artificial intelligence (AI) in NOLF was significantly advanced at the time of the game's release. Enemy AI can react to eleven different stimuli, including hearing the player's footsteps or weapon firing, seeing the player's footprints in the snow, or hearing an ally scream in pain. The AI can try and investigate the source of these stimuli, by following the footprints for example, and can sound alarms or call for backup. During combat, the AI finds cover positions, and, to some extent, can also use its environment for protection, such as flipping over a table and hiding behind it. After advancing AI technology in their subsequent games, Monolith likened the way NOLF's AIs pop randomly in and out of cover to a shooting gallery. Groups of AI guards make use of a group logic when investigating and combating the player. For example, one guard might start firing at the player, while another runs and calls for backup. The game's AI includes friendly and enemy humans, as well as dogs, sharks, and helicopters.
Influences and humor
In terms of video games, Monolith drew inspiration from a number of stealth/action games, such as Metal Gear Solid (1998), Tenchu: Stealth Assassins (1998), Syphon Filter (1999), and GoldenEye 007 (1997), because the team was "interested in a blend of stealth and action rather than focusing on one or the other exclusively." The original release of the 1981 stealth game Castle Wolfenstein was also cited as being influential.
Thematically, influences behind The Operative: No One Lives Forever were primarily 1960s spy-themed films, novels, television shows, as well as historical references. When it was decided that NOLF was going to be a 1960s spy game, lead designer Craig Hubbard started immersing himself in the subject matter, in order to "develop some fluency" in it. As he explained, he "was a big fan of early Bond films, but didn't know a lot about the whole spy craze. So I watched the Derek Flint movies [Our Man Flint, In Like Flint], Modesty Blaise, Matt Helm, Danger: Diabolik, Avengers – anything I could get my hands on." Other influences included books, such as The Spy Who Came in from the Cold, TV shows like The Saint, The Pink Panther films, commando movies, such as The Guns of Navarone, as well as "lots of historical references, encompassing everything from books and documentaries on the spy trade to fashion catalogs and interior-design books." The basis for the biological explosives plot was the 1967 film Casino Royale. According to Hubbard, "the idea was to create a game that would make you feel like a superspy, so we tried to come up with situations, characters, and settings to support that goal." During the course of the game, the player can hear explicit popular culture references, including the TV series The Prisoner and The Fugitive, the Matt Helm films The Silencers and The Ambushers,[ii] and exotica musicians Les Baxter and Sondi Sodsai.[iii] Other conversations allude to major events of the time, such as the studio years of The Beatles,[iv] and the commercial failure of the Edsel automobile.[v]
Humor plays an important role in No One Lives Forever. As Hubbard explained, the game's intention is "to make you laugh, but not at the expense of providing a broader, more satisfying emotional experience than a spoof generally allows, so that even if you don't chuckle once, you can still have plenty of fun playing the game. At heart, NOLF is an action/adventure/espionage game with a healthy dose of levity." Humor is presented mainly via visual gags, overheard conversations, textual intelligence items, and cutscenes. The humor includes "situational humor, and even a dash of absurdity and bathroom humor for good measure. Some of it is subtle, some of it isn't." The name of UNITY, H.A.R.M., and other fictional organizations mentioned in the game follow the spy genre formula of using contrived acronyms for organizations (see List of fictional espionage organizations). What H.A.R.M. actually stands for is never revealed, and speculation about its true meaning is used as a running gag in the game and its sequel.
Regarding comparisons between the game and the Austin Powers film series, Hubbard pointed out on several occasions that, unlike Austin Powers, No One Lives Forever is not a parody of the spy genre. Contrasting the source of the humor in the two series, Hubbard noted that while the game is "campy and silly, [...] the underlying premise borders on apocalyptic. That dichotomy in tone results in a very different style of humor from a parody, where everything is in good fun and nobody, including the characters, takes anything very seriously."
The score of No One Lives Forever dynamically changes during gameplay. In this sample from the "Ambush" theme, the music transitions from the "super ambient" music state into the "suspense/sneak" state.
Bundled with No One Lives Forever is an album of bonus 1960s-inspired music, titled In the Lounge. This track, called "The Operative", is the only original song on the album with lyrics. Written by Rebecca Kneubuhl, with a vocal performance from Lisa Kable.[vi]
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The soundtrack for the original version of No One Lives Forever (as well as the later Mac OS X port) was chiefly composed and produced by Guy Whitmore. The game uses DirectMusic technology, and its music is an example of an adaptive score: the music smoothly and flexibly adapts to the situations that players finds themselves in, in order to simulate film soundtracks. For instance, the music increases in tempo or urgency when the player is in a combat situation, or if enemies become aware of the player's presence. Whitmore's task as composer was "to capture the flavor of the '50s/'60s spy genre, without infringing on any existing copyrights." In order to avoid any legal troubles over music from the James Bond franchise of films and games, Whitmore was initially asked to refrain from using brass instruments; a directive he compared to "being asked to produce a blues album without guitars". While some of the instrument sounds came from professional collections, others were home-made samples, including solo cello sounds performed by Lori Goldston, used in the H.A.R.M. theme. Influences for the score included German composer Peter Thomas, the soundtrack of the 1968 film Barbarella, and "and an array of Italian composers who did beautiful scores for low budget European erotic films."
Whitmore's adaptive score was not used for the PlayStation 2 version of the game. Instead, it featured original music by Rebecca Kneubuhl, and mixed by Gabriel Mann. The No One Lives Forever theme song was created by Rich Ragsdale. Kneubuhl and Mann also provided vocals for the title theme.
In the Lounge
The game was released with bonus 1960s-inspired music on the second CD. The songs available on this album, titled In the Lounge, were not featured in the game, but were specifically written as extra material. The 9 songs were written by Rebecca Kneubuhl (who created the in-game score for the later PlayStation 2 port as well), and were recorded at Asylum Studios.[vi] The CD also features two songs by independent artists: "Void" by Red Delicious and "El Dorado" by Archie Thompson. These were selected for inclusion as part of a NOLF online "music search", organized by Fox Interactive and Indiespace.com.
A different version of In the Lounge was also created. This includes the same 9 original tracks, although in a slightly different order. It does not include the two indie songs; however, it does feature Rich Ragsdale's NOLF title theme, as well as remixes of 6 of the original songs, by Gabriel Mann.
|In the Lounge, basic version|
|3.||"Be-boppin' Shoo-woppin' Along"||2:43|
|5.||"Elevator of Love"||2:57|
|6.||"No One Grooves Forever"||3:11|
|10.||"El Dorado" (Archie Thompson)||2:41|
|11.||"Void" (Red Delicious)||3:54|
|In the Lounge, remix version|
|3.||"Be-boppin' Shoo-woppin' Along"||2:43|
|5.||"Elevator of Love"||2:57|
|6.||"No One Grooves Forever"||3:11|
|10.||"No One Lives Forever title theme" (Rich Ragsdale)||1:44|
|11.||"Goodman's Surprise" (Remix)||3:03|
|12.||"Santa's Workshop" (Remix)||2:58|
|13.||"The Operative" (Remix)||3:44|
|14.||"No One Grooves Forever" (Remix)||3:10|
|16.||"UNITY's Spy" (Remix)||3:17|
Releases and ports
Original release and Game of the Year Edition
The Operative: No One Lives Forever was originally released for Windows (PC) in the United States on November 9, 2000, by Fox Interactive, after it went gold on October 20. Before the game's release, a tech demo was released that included four single player missions, with one being a training mission. After the game's release, another demo was released, dubbed "Mega Mix Demo", which contained four single player levels and two multiplayer maps. A number of patches and map packs had also been made freely available for the game.
After receiving a number of Game of the Year (GOTY) awards, a special Game of the Year Edition was released on October 4, 2001. Published jointly by Sierra Entertainment and Fox Interactive, this re-released version includes an exclusive mission otherwise not available in the original game, titled "Rest and Relaxation", which is available after the original story. The GOTY edition comes with the game's official Prima strategy guide, and it also contains more multiplayer maps, which were also made available as a download for owners of the original game.
In 2001, Monolith Productions released a set of editing tools for No One Lives Forever that included the level editor and model editor used for development. The team also released the source code for NOLF (version 1.003 on Windows) that year to "support the fan base by offering the tools to create their own levels". It is available both as a download, as well as on the Game of the Year Edition CD-ROM.
PlayStation 2 port
The game's developer, Monolith Productions ported No One Lives Forever – Game of the Year Edition to the PlayStation 2 console. This port of the game was released on April 18, 2002 (although it was originally intended for a 2001 release), and was again published jointly by Sierra and Fox.
The PlayStation 2 version of the game included three exclusive flashback levels not available in other releases of the game titled "Nine Years Ago", in which the player controls a younger Cate Archer, when she used to be a cat burglar. Each of the new levels is accessed during several moments in the original story, when Cate is knocked out by Armstrong. All three levels use new textures, new character models, and feature Cate's cat burglar outfit, as well as two exclusive gadgets. The port does not feature Guy Whitmore's original interactive score; instead, it uses different original music by Rebecca Kneubuhl. Multiplayer mode is not present in this version of the game.
Mac OS X port
A port of No One Lives Forever – Game of the Year Edition for the Mac OS X operating system was developed by MumboJumbo, and published by MacPlay. It was released on November 21, 2002, soon after the original Windows release of No One Lives Forever 2: A Spy in H.A.R.M.'s Way (which was also ported to Mac OS X by MacPlay later). Similarly to the Windows version of the game, the Mac OS X port also uses GameSpy technology for its online multiplayer mode, allowing players to play with each other, no matter which platform they use.
Reception and legacy
No One Lives Forever received critical acclaim upon its release, and has an 88.34% ranking on the aggregate site GameRankings (based on 28 reviews), and a score of 91 out of 100 on Metacritic (32 reviews). Many reviewers said at the time that No One Lives Forever was among the best first-person shooters since the influential and critically acclaimed 1998 title Half-Life.
In his review, GameSpot's Erik Wolpaw gave No One Lives Forever a score of 9.3 out of 10, and praised the "game's unrelenting inventiveness [which] shows in virtually every aspect of its design." In IGN's review the game was given a 9.1 overall rating ("Outstanding") out of 10, and was called "one of the best shooters of the year". Eurogamer gave the game a score of 8 out of 10, and called it "thoroughly commendable." Computer Games Magazine gave the game 5 stars out of 5, and claimed that "No One Lives Forever combines a fantastic sense of style with great animation and voice acting, clever AI, industry-leading interactive music, a wry sense of humor, and gameplay that keeps you coming back for more."
Critical reception of the PlayStation 2 port of No One Lives Forever was much less positive than the original version. It has a 70.12% ranking on GameRankings (42 reviews), and a score of 67 out of 100 on Metacritic (23 reviews). IGN gave the PlayStation 2 version an overall rating of 6.9 ("Passable") out of 10. The PlayStation 2 port received a 4.6 score ("Poor") out of 10 from GameSpot, and was panned mainly for the lack of the quicksave feature available in the PC version. The Mac OS X version of the game was given a 9.1 rating overall ("Outstanding") by IGN, and was called "a fabulous Mac version of this top notch game."
No One Lives Forever has earned several Game of the Year (GOTY) awards in the video game press. NOLF was named "Game of the Year" and "Action Game of the Year" by Computer Games Magazine. It also received "Action Game of the Year" awards from Computer Gaming World and PC Gamer magazines. In 2001, the game was nominated by the Academy of Interactive Arts & Sciences for their annual Interactive Achievement Award in the "Game Play Engineering" and "PC Action/Adventure" categories. NOLF was also nominated for the International Game Developers Association's 2001 Game Developers Choice Awards in four categories: Game of the Year, Original Character of the Year, Excellence in Level Design, and Game Spotlight Awards. Out of these, the game earned a Game Spotlight Award for innovation.
Retrospective articles written about the game have also been positive. In a 2003 GameSpy feature called "The Top 25 Underrated Games of All Time", No One Lives Forever was ranked as #19, dubbing it and its sequel "two of the most memorable games of the past 10 years." In an article written in 2009 (nine years after the game's release), Eurogamer states that the game has "dated enormously but survives well", and that "you simply couldn't make No One Lives Forever today. You couldn't because it would be too long, require far too many assets, and most significantly of all, risk all the cost of development on a comedy game – a genre that no longer exists." In a 2010 online PC Gamer feature titled "Why you must replay No One Lives Forever", Tim Stone hailed the 10-year-old game's use of humor, and wrote that NOLF "is every bit the amusing, inventive, life-affirming experience I remembered."
Sequel and spin-off
The Operative: No One Lives Forever is the first game in the No One Lives Forever series. It was followed by a sequel in 2002, entitled No One Lives Forever 2: A Spy in H.A.R.M.'s Way. In 2003, a spin-off of the first two game was released, entitled Contract J.A.C.K.. Being a prequel to No One Lives Forever 2, it is chronologically set between the first two No One Lives Forever games. This stand-alone expansion pack is a shorter game, and unlike the previous titles, its main protagonist is not Cate Archer, but John Jack, who works for H.A.R.M. The game also focuses more on action gameplay, rather than on stealth.
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References from the game
- Monolith Productions (April 27, 2001). The Operative: No One Lives Forever. Windows (v1.003). Fox Interactive.
- Level: "Misfortune in Morocco", Scene 2. (Intelligence item). "Cate, you may sometimes come across intelligence items that you cannot recover because you lack a necessary gadget. If you want to collect these items, you'll need to come back later with different equipment. - Bruno"
- Level: "Safecracker", Scene 5. (Overheard conversation). "Guard 1: Did you catch the final episode of The Fugitive last month? / Guard 2: I sure did! That's the way to wrap up a series. / [...] / Guard 2: [...] I'm looking forward to The Prisoner. I guess that's starting next Friday. / Guard 1: I haven't heard too much about that one. / Guard 2: It sounds kind of strange. More of a science fiction thing, but I'm willing to give it a shot. / [...] / Guard 1: You like Our Man Flint? / Guard 2: That was a funny movie. I wish In Like Flint was a little better, though. / Guard 1: Well, it's better than The Silencers. Matt Helm doesn't do much for me. / Guard 2: Yeah, there's a new one coming out around Christmas. The Ambushers. / Guard 1: I'll probably see it, but I'm not expecting much."
- Level: "A Tenuous Lead", Scene 3. (Overheard conversation). "Guard 1: You play drums, right? / Guard 2: Yeah? / Guard 1: What kind of music do you like? / Guard 2: Exotica, mostly. Les Baxter, Sondi Sodasi, people like that."
- Level: "A Man of Influence", Scene 1. (Overheard conversation). "Guard 1: You like The Beatles? / Guard 2: Sure. / Guard 1: I wish they'd go on tour again. / Guard 2: Don't hold your breath. / Guard 1: Well, as long as they keep making records, I'm happy. I just hope they don't break up."
- Level: "Rescue Attempt", Scene 3. (Overheard conversation). "Guard 1: [...] I talked her into giving me the money instead. / Guard 2: What'd you do with it? / Guard 1: First thing I did was buy a '59 Edsel. / Guard 2: Ooo, bad call. / Guard 1: What are you talking about? It's a great car. That thing purrs like a kitten at 90 miles per hour. Hell, I can get her up to 120 without breaking a sweat. / Guard 2: Really? But I thought Edsels bombed. / Guard 1: They didn't meet sales expectations, but Ford still sold over 100,000 of them. / Guard 2: You're kidding! / Guard 1: No, I mean it. A car doesn't have to sell a million units to be successful. It's all about projections. Unfortunately, the Edsel didn't sell as well as Ford expected, but it definitely sold. If you ask me, it was just bad timing. There was a recession and people were looking for more economical cars. / Guard 2: Wow, I never realized. / Guard 1: Just goes to show you how the press can twist things around."
- Closing credits. Level: "Such is the Nature of Revenge", Scene 2.
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