The many regions of the Nordic countries share certain traditions, many of which have diverged significantly. It is possible to group together the Baltic states (or, sometimes, only Estonia) and parts of northwest Russia as sharing cultural similarities, contrasted with Norway, Sweden, Denmark and the Atlantic islands of, Iceland and the Faroe Islands. Greenland's Inuit culture has its own musical traditions, influenced by Scandinavian culture. Finland shares many cultural similarities with both the Baltic nations and the Scandinavian nations. The Saami of Sweden, Norway, Finland and Russia have their own unique culture, with ties to the neighboring cultures.
The dulcimer and fiddle are the two most characteristic instruments found throughout Scandinavia. In Norway, the eight- or nine-stringed hardanger fiddle is also found. Gammaldans are a kind of dance song played by harmonica and accordion, popular in both Sweden and Norway in the late 19th and early 20th century.
Circle dancing while singing ballads are a historic part of the folk traditions of all of northern Europe. Only the Faroe Islands have maintained this tradition to the present day, though it has been revived in some other areas. Iceland is home to many ancient musical practices no longer found elsewhere in the Nordic area, such as the use of parallel fifths and organum.
Finland was long ruled by Sweden, so much of Finnish culture is influenced by Swedish. There are a number of Swedes living in Finland, and vice versa. These communities have produced traditional and neo-folk musicians like the Swedish-Finn Scea Jansson and Gjallarhorn, and the Finnish-Swedish Norlåtar and JP Nyströms.
Finland's musical ties are primarily to the Balto-Finnic peoples of Russia and Estonia (Cronshaw, 91). Runolaulu (runo-song) is a kind of song found throughout this area. Estonia and Finland both have national epics based on interconnected forms of runo-song, Kalevipoeg and Kalevala, respectively. "Estonian runo-song has the same basic form as the Finnish variety to which it is related: the line has eight beats, the melody rarely spans more than the first five notes of a diatonic scale and its short phrases tend to use descending patterns" (Cronshaw, 16).
The kantele is a type of instrument played throughout Finland, the Baltic states and northwest Russia. The board-zither or chord-zither is played in Estonia, Latvia and Lithuania; these are instruments that are more closely designed to German factory-made zithers and autoharps than the kantele. A bowed lyre (Swedish tagelharpa, Estonian talharpa or hiiurootsi kannel, Finnish jouhikko or jouhikantele) was formerly played among Swedes living in Estonia, but usage declined until a recent revival.
In the 19th century, all the Baltic states saw an influx of foreign instruments and styles, resulting in fusions like the German-influenced zinge singing style of Latvia.
The Sami are found in Norway, Sweden, Finland and the northwest corner of Russia. The only traditional Sami instruments are drums and the flute, though modern bands use a variety of instrumentation. Joiks, unrhymed works without definite structure, are the most characteristic kind of song.
During the time of the Vikings, music was regarded as personal, therefore songs were composed without lyrics, for each listener had its own story to tell. Viking songs is the oldest significant evidence of harmony used in singing and is therefore regarded as the first time harmony singing took root in music.
Finland's Roma (Gypsy) population helped to keep traditional Finnish music alive when ethnic Finns failed to do so, a role played by the Roma throughout much of Europe (Cronshaw, 99).
Nettl, Bruno. Folk and Traditional Music of the Western Continents. 1965. Prentice-Hall. Eaglewood Cliffs, New Jersey.
Broughton, Simon and Mark Ellingham with James McConnachie and Orla Duane (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0, The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts (Music Culture)