Norman Mailer

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Norman Mailer
Norman Mailer, 1988.jpg
Norman Mailer at the Miami Book Fair International of 1988
Born Norman Kingsley Mailer
(1923-01-31)January 31, 1923
Long Branch, New Jersey, U.S.
Died November 10, 2007(2007-11-10) (aged 84)
New York City, New York, U.S.
Pen name Andreas Wilson
Occupation Novelist, essayist, journalist, columnist, poet, playwright
Nationality American
Genres Fiction, non-fiction
Spouse(s) Beatrice Silverman (1944-1952; 1 child)
Adele Morales (1954-1962; divorced; 2 children)
Jeanne Campbell (1962-1963; divorced; 1 child)
Beverly Bentley (1963-1980; divorced; 3 children)
Carol Stevens (1980-1980; divorced; 1 child)
Norris Church Mailer (Barbara Jean Davis) (1980-2007; his death; 1 child)

Portal icon Literature portal

Norman Kingsley Mailer (January 31, 1923 – November 10, 2007) was an American novelist, journalist, essayist, playwright, film maker, actor and political candidate. His first novel was The Naked and the Dead, published in 1948. His best work was widely considered to be The Executioner's Song, which was published in 1979, and for which he won one of his two Pulitzer Prizes. In addition to the Pulitzer Prize, Mailer's book Armies of the Night was awarded the National Book Award.

Along with the likes of Truman Capote, Hunter S. Thompson and Tom Wolfe, Mailer is considered an innovator of creative nonfiction, a genre sometimes called New Journalism, which superimposes the style and devices of literary fiction onto fact-based journalism.

Mailer was also known for his essays, the most renowned of which was The White Negro. He was a major cultural commentator and critic, both through his novels, his journalism, his essays and his frequent media appearances.

In 1955, Mailer and three others founded The Village Voice, an arts and politics oriented weekly newspaper distributed in Greenwich Village.

Early life[edit]

Mailer was born to a well-known Jewish family in Long Branch, New Jersey.[1] His father, Isaac Barnett Mailer, was a South African-born accountant, and his mother, Fanny Schneider, ran a housekeeping and nursing agency. Mailer's sister, Barbara, was born in 1927.[2]

Raised in Brooklyn, New York City, New York, Mailer graduated from Boys' High School and entered Harvard University in 1939, when he was just 16 years old. As an undergraduate, he was a member of The Signet Society. At Harvard, he studied aeronautical engineering, and became interested in writing and published his first story at the age of 18, winning Story magazine's college contest in 1941. After graduating in 1943, he was drafted into the U.S. Army. Hoping to defer from the war, Mailer argued that he was writing an “important literary work” which pertained to the war itself.[3] This deferral was denied, and Mailer was forced to enter the Army. Having received training at Fort Bragg, Mailer was then stationed in the Philippines with the 112th Cavalry.[4] During his time in the Philippines, Mailer worked as a cook and saw little combat. He did, however, participate in a patrol on the island of Leyte. When asked about his war experiences, Mailer stated that “the army gave me but one lesson over and over again: when it came to taking care of myself, I had little to offer next to the practical sense of an illiterate sharecropper.”[5] This lesson inspired Mailer to write his first novel, The Naked and the Dead.

Literary career[edit]

Novels[edit]

In 1948, while continuing his studies at the Sorbonne in Paris, Mailer published The Naked and the Dead, a novel based on his military service in World War II. A New York Times best seller for 62 weeks, it was hailed by many as one of the best American wartime novels and named one of the "one hundred best novels in English language" by the Modern Library, although the book that made his reputation is rarely read today.[1] The same newspaper described the book as:

a hard read today, a sprawling, cumbersome saga that reads like the fusion of literary ambition and severely limited artistic experience – as indeed it was. Its anachronistic use of "fug" and "fugging" in place of the real words now seems merely quaint, and the prose alternates between pedestrian and purple – little wonder that the young Mailer likened himself to Theodore Dreiser, arguably the worst prose stylist, none the less considered a major American novelist.[1]

Barbary Shore (1951) was "mauled" by the critics.[1] It was a surreal parable of Cold War left politics set in a Brooklyn rooming-house. His 1955 novel The Deer Park drew on his experiences working as a screenwriter in Hollywood in 1949–50. It was initially rejected by seven publishers due to its purportedly sexual content before being published by Putnam's. It was also not a success; at one point Mailer took out a full-page advertisement that defiantly quoted his many bad reviews.[1]

Mailer wrote his fourth novel, An American Dream, as a serial in Esquire magazine over eight months (January to August 1964), publishing the first chapter only two months after he wrote it. In March 1965, Dial Press published a revised version. His editor was E. L. Doctorow. The novel received mixed reviews, but was a best seller. Joan Didion praised it in a review in National Review (April 20, 1965) and John W. Aldridge did the same in Life (March 19, 1965), while Elizabeth Hardwick panned it in Partisan Review (spring 1965).

Norman Mailer photographed by Carl Van Vechten in 1948

In 1980, The Executioner's Song—Mailer's novelization of the life and death of murderer Gary Gilmore—won the Pulitzer Prize for fiction.

Mailer spent a longer time writing Ancient Evenings—his novel of Egypt in the XX dynasty (about 1100 BCE.)—than any of his other books, working on it off and on from 1972 until 1983. It was also a bestseller, although reviews were generally negative.

Harlot's Ghost, Mailer's longest novel (1310 pages), appeared in 1991. It is an exploration of the unspoken dramas of the CIA from the end of World War II to 1965. He performed a huge amount of research for the novel, which is still on CIA reading lists.[citation needed] He ended the novel with the words "To be continued," and planned to write a sequel, titled Harlot's Grave, but other projects intervened and he never wrote it. Harlot's Ghost sold well.

His final novel, The Castle in the Forest, which focused on Hitler's childhood, reached number five on the Times best-seller list after publication in January 2007, and received stronger reviews than any of his books since The Executioner's Song. Castle was intended to be the first volume of a trilogy, but Mailer died several months after it was completed. The Castle in the Forest was awarded a Bad Sex in Fiction Award by the Literary Review magazine.[6]

Mailer wrote over 40 books. He published 11 novels over a 59-year span.

The New Journalism[edit]

From the mid-1950s, Mailer became known for his counter-cultural essays. In 1955, he co-founded The Village Voice for which he wrote a column from January to April 1956.[7] Mailer's famous essay "The White Negro"[8] (1957) "analyzes and partly defends the moral radicalism of the outsider and hipster."[8][9] It is one of the most anthologized, and controversial, essays of the postwar period. Mailer republished it in 1959 in a collection of essays entitled Advertisements for Myself.[1]

In 1960, Mailer wrote Superman Comes to the Supermarket for Esquire magazine, an account of the emergence of John F. Kennedy during the Democratic party convention. The essay was an important breakthrough for the New Journalism of the nineteen sixties, but when the magazine's editors changed the title toSuperman Comes to the Supermart, Mailer was enraged, and would not write for Esquire for years. (The magazine later apologized, and subsequent references are to the original title.) One direct consequence of his anger was the publication of his long article, On the Steps of the Pentagon, a personal account of the massive October, 1967 anti-war demonstrations in Washington, D.C., which Mailer sold to Harper's magazine. He later expanded the article to a book, The Armies of the Night (1968), awarded a National Book Award[10] and a Pulitzer Prize. His major New Journalism books also include Miami and the Siege of Chicago (1968); Of a Fire on the Moon (1971); and The Prisoner of Sex (1971). Hallmarks of these works are a highly subjectivized style and a greater application of techniques from fiction-writing than common in journalism.

Mailer wrote a Playboy article about Elmo Henderson, a boxer who had defeated Muhammad Ali in 1972.[11] In the 1970s Henderson filed a $1 million libel action against Mailer and Playboy. The magazine and Mailer lost the lawsuit.[12]

The White Negro[edit]

"The White Negro: Superficial Reflections on the Hipster" is a 9,000 word essay by Norman Mailer originally published in the 1957 issue of Dissent. This essay records the emerging trend of white appropriation of black culture, particularly with regards to jazz. These “white Negros” distanced themselves from white society and adopted black styles of clothing, music, language, and philosophy. Notions of the apocalypse, however, pervade this essay and define Mailer’s literary career up until 1980.

Norman Mailer’s first reflections upon the apocalypse appeared during the 1950s. The Cold War loomed large in American society as McCarthyism raged on Capitol Hill. The twenty-eight atomic detonations between 1946 and 1958 on Bikini Atoll, which many viewed as grandstanding on behalf of the United States, served to reaffirm the nuclear anxiety which Americans felt during the ‘age of conformity.’ Norman Mailer observed this anxiety in his controversial essay The White Negro: Superficial Reflections on the Hipster. Discussing the incalculable psychic scarring that the Second World War and the Cold War have had upon the collective American psyche, Mailer writes,

For the first time in civilized history, perhaps for the first time in all of history, we have been forced to live with the suppressed knowledge that the smallest facets of our personality or the most minor projection of our ideas, or indeed the absence of ideas and the absence of personality, could mean equally well that we might still be doomed to die as a cipher in some vast statistical operation in which our teeth would be counted, and our hair would be saved, but our death itself would be unknown, unhonored, and unremarked… a death by dues ex machina in a gas chamber or a radioactive city.[13]

The Holocaust, Hiroshima, and the Cold War led Mailer to reflect upon the lifestyles of African Americans in the African American and jazz cultures of the United States. Jazz was a reflection of what Mailer labeled the apocalyptic orgasm: living for instant gratification. Africans Americans, who have always lived on the fringes of America’s democratic society, Mailer argues, thrive in the post-war environment where the possibility of nuclear annihilation looms large in the American imagination. The “hipsters” African Americans to create meaning in their life through “orgasmically” surrendering to their primal urges and rejecting conformity as African Americans have historically. These individuals, therefore, are psychopathic: they embrace reality and reject the conformity of life in the 1950s, which tends to ignore the high probability of nuclear humiliation. In light of the Second World War, humanity stares into the abyss of its own nature searching for something with which to define itself; yet the “hipsters” who live orgasmically acquire the truth of life: this truth is not Democracy of Communism, but rather the intrinsic primal urges of humanity. The culture of conformity in the 1950s, therefore, is psychotic (legally insane): 1950s society refuses to realize the brutality of the world in which it exists—men and women continue working and living as if nuclear war were not frighteningly imminent. The hipster psychopaths are an accurate reflection of post-war life while the conventional suburban psychotics insanely ignore reality and continue the banality of their own existence.

However, Mailer does not subscribe to the philosophy of “hip.” Inherent in the philosophy of hip exists a strain of nihilism—doing what one wants whenever one wants given the looming threat of nuclear war. This nihilism, arguably, is embodied in the portrayal of Gary Gilmore in The Executioner’s Song: this man lives as he wants, often stealing, and ultimately kills simply because he can. Artists, for Mailer, represent the only hope for post-war America. “God is in danger of dying,” he writes. God cannot save humanity from the Cold War, or from human nature itself. The Shits are Killing Us demonstrates that Mailer does not subscribe to nihilist principles. Mailer writes,

There’s a great danger that the nihilism of Hip will destroy civilization. But it seems to me that the danger which is even more paramount—the danger which has brought on the Hip—is that civilization is so strong itself, so divorced from the senses, that we have come to the point where we can liquidate millions of people in concentration camps by orderly process.[14]

Individuals, particularly “hipsters,” do not have to simply accept their apocalyptic fate. However, the politicians and policies of the United States offer no alternative to living apocalyptically: politicians encourage the Cold War by invading Vietnam and ignore the problems facing humanity by simply leaving earth and going to the moon. Artists, therefore, represent the only hope for post-war society. The goal of the artist, Mailer writes, is to “intensify, even, if necessary, exacerbate the moral consciousness of people.” Therefore, the responsibility for artists lies in creating a foundation upon which to construct a morality to awaken humanity to its fragile existence and guide it back from the brink of the apocalypse. In essence, artists must act as a new god for society. The themes of 'apocalypse' and morality pervade nearly all of Mailer's post-war work, and illuminate his beliefs regarding politics, war, and even women's liberation.

Work for film[edit]

In addition to his experimental fiction and nonfiction novels, Mailer produced a play version of The Deer Park (staged at the Theatre De Lys in Greenwich Village in 1967[15]), and in the late 1960s directed a number of improvisational avant-garde films in a Warhol style, including Maidstone (1970), which includes a spontaneous and brutal brawl between Norman T. Kingsley, played by Mailer, and Kingsley's brother, played by Rip Torn. Mailer received a head injury when Torn struck him with a hammer. In 1987, he adapted and directed a film version of his novel Tough Guys Don't Dance, starring Ryan O'Neal and Isabella Rossellini, which has become a minor camp classic.

Political activism[edit]

A number of Mailer's nonfiction works, such as The Armies of the Night and The Presidential Papers, are political. He covered the Republican and Democratic National Conventions in 1960, 1964, 1968, 1972, 1992, and 1996, although his account of the 1996 Democratic convention has never been published. In the early 1960s he was fixated on the figure of President John F. Kennedy, whom he regarded as an "existential hero." In the late 1950s and throughout the 1960s and 1970s his work mingled autobiography, social commentary, history, fiction, and poetry in a formally original way that influenced the development of New Journalism.

In September 1961 Mailer was one of the original twenty-nine prominent American sponsors of the Fair Play for Cuba Committee organization that was the same organization that John F. Kennedy assassin Lee Harvey Oswald also became a member of in 1963. In December 1963 Mailer and several of the other sponsors left it. (some of the original twenty-nine sponsors of the group included Truman Capote, Robert Taber, James Baldwin, Robert F. Williams, Waldo Frank, Carleton Beals, Simone de Beauvoir, Robert Colodny, Donald Harrington, and Jean-Paul Sartre[16])

In October 1967, he was arrested for his involvement in an Anti-Vietnam War demonstration at the Pentagon sponsored by the National Mobilization Committee to End the War in Vietnam. In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.[17]

At the December 15, 1971, taping of The Dick Cavett Show, with Janet Flanner and Gore Vidal, Mailer, annoyed with a less-than-stellar review by Vidal of Prisoner of Sex, apparently headbutted Vidal and traded insults with him backstage.[18] As the show began taping, a visibly belligerent Mailer, who admitted he had been drinking,[18] goaded Vidal and Cavett into trading insults with him on air and continually referred to his "greater intellect". He openly taunted and mocked Vidal (who responded in kind), finally earning the ire of Flanner, who announced during the discussion that she was "becoming very, very bored", telling Mailer "You act as if you're the only people here." As Cavett made jokes comparing Mailer's intellect to his ego, Mailer stated "Why don't you look at your question sheet and ask your question?", to which Cavett responded "Why don't you fold it 5 ways and put it where the moon don't shine?"[18] A long laugh ensued, after which Mailer asked Cavett if he had come up with that line and Cavett replied "I have to tell you a quote from Tolstoy?".[19] The headbutting and later on-air altercation was described by Mailer himself in his essay "Of a Small and Modest Malignancy, Wicked and Bristling with Dots."

In 1980, Mailer spearheaded convicted killer Jack Abbott's successful bid for parole. In 1977, Abbott had read about Mailer's work on The Executioner's Song and wrote to Mailer, offering to enlighten the author about Abbott's time behind bars and the conditions he was experiencing. Mailer, impressed, helped to publish In the Belly of the Beast, a book on life in the prison system consisting of Abbott's letters to Mailer. Once paroled, Abbott committed a murder in New York City six weeks after his release, stabbing to death 22-year-old Richard Adan. Consequently, Mailer was subject to criticism for his role. In a 1992 interview with the Buffalo News, he conceded that his involvement was "another episode in my life in which I can find nothing to cheer about or nothing to take pride in."[20]

The 1986 meeting of PEN in New York City featured key speeches by then-Secretary of State George Shultz and Mailer. The appearance of a government official was derided by many, and as Shultz ended his speech, the crowd seethed, with some calling to "read the protest" that had been circulated to criticize Shultz's appearance. Mailer, who was next to speak, responded by shouting to the crowd: "Up yours!"[21]

In 1989, Mailer joined with a number of other prominent authors in publicly expressing support for colleague Salman Rushdie in the wake of the fatwa calling for Rushdie's assassination issued by Iran's Islamic government for his having authored The Satanic Verses.[22]

In 2003, in a speech to the Commonwealth Club in San Francisco, just before the invasion of Iraq, Mailer said: "Fascism is more of a natural state than democracy. To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad. Democracy is a state of grace that is attained only by those countries who have a host of individuals not only ready to enjoy freedom but to undergo the heavy labor of maintaining it."[23]

From 1980 until his death in 2007, he contributed to Democratic Party candidacies for political office.[24]

Mayoral campaign[edit]

In 1969, at the suggestion of Gloria Steinem,[25] his friend the political essayist Noel Parmentel and others, he ran unsuccessfully in the Democratic Party primary for Mayor of New York City, allied with columnist Jimmy Breslin (who ran for City Council President), proposing the creation a 51st state through New York City secession.[26] Although Mailer took stands on a wide range of issues, from opposing "compulsory fluoridation of the water supply" to advocating the release of Black Panther Party leader Huey Newton, decentralization was the overriding issue of the campaign.[26] Mailer "foresaw the city, its independence secured, splintering into townships and neighborhoods, with their own school systems, police departments, housing programs, and governing philosophies."[27] Their slogan was "throw the rascals in". Mailer was endorsed by libertarian economist Murray Rothbard, who "believed that 'smashing the urban government apparatus and fragmenting it into a myriad of constituent fragments' offered the only answer to the ills plaguing American cities," and called Mailer's campaign “the most refreshing libertarian political campaign in decades.”[26][27] He came in fourth in a field of five.[28] Looking back on the campaign, journalist and historian Theodore White called it "one of the most serious campaigns run in the United States in the last five years. . . . [H]is campaign was considered and thoughtful, the beginning of an attempt to apply ideas to a political situation."[27]

Biographical subjects[edit]

His biographical subjects included Pablo Picasso, Muhammad Ali, Gary Gilmore, Lee Harvey Oswald, and Marilyn Monroe.

Marilyn Monroe[edit]

Mailer's 1973 biography of Monroe (usually designated Marilyn: A Biography)[a] was particularly controversial. The book's final chapter states that Monroe was murdered by agents of the FBI and CIA who resented her supposed affair with Robert F. Kennedy. In his own 1987 autobiography Timebends, the playwright Arthur Miller, a former husband to Monroe, wrote scathingly of Mailer: "[Mailer] was himself in drag, acting out his own Hollywood fantasies of fame and sex unlimited and power."

The book was also enormously successful, selling more copies than any of his works except The Naked and the Dead. It remained in print for decades, but was out of print in the United States as of 2009.[citation needed] It was the inspiration for the Emmy-nominated TV movie, Marilyn: The Untold Story, which aired in 1980.[citation needed]

Two later works co-written by Mailer presented imagined words and thoughts in Monroe's voice: the 1980 book Of Women and Their Elegance and the 1986 play Strawhead, which was produced off Broadway starring his daughter Kate Mailer.

Personal life[edit]

Marriages and children[edit]

Norman Mailer was married six times and had nine children. He fathered eight children by his various wives and also raised and informally adopted Norris' son Matthew, from another marriage.

Norman's first marriage was in 1944, to Beatrice Silverman, whom he divorced in 1952. They had one child, Susan.

Mailer married his second wife, Adele Morales, in 1954. They had two daughters, Danielle and Elizabeth. On one occasion Mailer drunkenly stabbed her twice with a penknife, puncturing her pericardium and necessitating emergency surgery.[29] His wife would not press charges, and he later pleaded guilty to a reduced charge of assault, and was given a suspended sentence.[30][31] While in the short term, Morales made a physical recovery, in 1997 she published a memoir of their marriage entitled The Last Party, which recounted her husband stabbing her at a party and the aftermath. This incident has been a focal point for feminist critics of Mailer, who point to themes of sexual violence in his work.[32]

His third wife, whom he married in 1962, and divorced in 1963, was the British heiress and journalist Lady Jeanne Campbell (1929–2007), the only daughter of Ian Campbell, 11th Duke of Argyll and a granddaughter of the press baron Lord Beaverbrook. The couple had a daughter, Kate Mailer, who is an actress.

His fourth marriage, in 1963, was to Beverly Bentley, a former model turned actress. She was the mother of his producer son Michael Mailer and his actor son Stephen Mailer. They divorced in 1980.

His fifth wife was Carol Stevens, a jazz singer whom he married on November 7, 1980, and divorced in Haiti on November 8, 1980, thereby legitimating their daughter Maggie, born in 1971.

His sixth and last wife, whom he married in 1980, was Norris Church Mailer (née Barbara Davis, 1949–2010), an art teacher. They had one son together, John Buffalo Mailer, a writer and actor, and Mailer informally adopted Matthew Norris, her son by her first husband, Larry Norris. Living in Brooklyn, New York and Provincetown, Massachusetts with Mailer, Church worked as a model, wrote and painted.

Works with his children[edit]

In 2005, Mailer co-wrote a book with his youngest child, John Buffalo Mailer, titled The Big Empty.

Mailer appeared in an episode of Gilmore Girls titled "Norman Mailer, I'm Pregnant!" with his son Stephen Mailer.

Other relationships[edit]

Over the course of his life mailer was connected with several women other than his wives.[33] People such as former mistress Carole Mallory who wrote a "tell all" biography titled Loving Mailer after his death.[34]

Gloria Leonard[edit]

In a chance meeting in an Upper East Side New York restaurant in 1982, Gloria Leonard first met Mailer. He struck up a conversation with Leonard after recognizing her.[35] The meeting was rumored to have led to a brief affair between the two.[36] Later, Leonard was approached by a group of movie distributors from the Midwest to finance what was described as "the world's first million-dollar pornographic movie."[36] She invited Mailer to lunch and made her pitch for his services as a writer. In an interview Leonard said that the author "sat straight up in his chair and said, 'I always knew I'd one day make a porny.'" Leonard then asked what his fee would be and Mailer responded with "Two-hundred fifty thousand". Leonard then asked if he'd be interested in adapting his novel-biography of Marilyn Monroe, but Mailer replied that he wanted to do something original. The project later ended due to scheduling conflicts between the two.[35]

Personality[edit]

According to his obituary in The Independent, his "relentless machismo seemed out of place in a man who was actually quite small – though perhaps that was where the aggression originated."[1]

Death and legacy[edit]

Mailer died of acute renal failure on November 10, 2007, a month after undergoing lung surgery at Mount Sinai Hospital in Manhattan, New York.[37]

The papers of the two-time Pulitzer Prize author may be found at the Harry Ransom Humanities Research Center at the University of Texas, Austin.[38][39]

In 2008, Carole Mallory, a former mistress, sold seven boxes of documents and photographs to Harvard University, Norman Mailer's Alma Mater. They contain extracts of her letters, books and journals.[40][41]

In 2008, The Norman Mailer Center and The Norman Mailer Writers Colony, a non-profit organization for educational purposes, was established to honor Norman Mailer.[42] Among its programs is the Norman Mailer Prize established in 2009.

Cultural references[edit]

I been Norman Mailer'd, Maxwell Taylor'd. I been John O'Hara'd, McNamara'd. I been Rolling Stoned and Beatled till I'm blind. I been Ayn Rand'd, nearly branded Communist, 'cause I'm left-handed. That's the hand I use, well, never mind!

  • In the comedy Sleeper, Woody Allen remarks that Mailer "donated his ego to the Harvard Medical School."
  • The group Savage Garden mentions him in the song "Santa Monica" as follows, "But on the telephone line I am anyone, I am anything I want to be. I could be a supermodel or Norman Mailer, And you wouldn't know the difference. Or would you?"
  • The group GWAR mentions him in the song "Vlad the Impaler" as follows (in reference to Mailer stabbing his second wife):

Vlad, Vlad, Vlad the Impaler. Vlad, Vlad, he could have been a sailor but he's Vlad, Vlad, Vlad the Impaler. Vlad, Vlad, he could have been a whaler, could have been a tailor. He turned out to be Norman Mailer.

  • In the novel The Rules of Attraction by Bret Easton Ellis, a minor character, Clay (who is a major character in Ellis' other novels Less Than Zero and Imperial Bedrooms) recounts seeing a girl who left him because she saw "a spider the size of Norman Mailer" in his bathroom; Clay remarks 'I didn't ask her who Norman Mailer was, and I didn't ask her to come back.'
  • In an episode of The Simpsons, Bart is reading Itchy and Scratchy: The Movie: The Novel, and it is written by Norman Mailer.
  • In the remix to the Kanye West song "Power", Jay-Z references him, "To be continued, we on that Norman Mailer shit", referring to the last line in Mailer's novel, Harlot's Ghost (the book ends with the words "To be continued."):[43]

One’s condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one’s being, one becomes aware of the enormous apparatus of nothingness — the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others.

  • He is also referenced in the Red Hot Chili Peppers song, "Animal Bar", in the line: "Ever lovin' mug of Mr. Norman Mailer, Turn another page at the Animal Bar."
  • The 10cc song "Somewhere in Hollywood" satirically references Mailer and his interest in Marilyn Monroe:

Norman Mailer, Waits to nail her. He's under her bed, and he's waiting for her to be dead. He's out on the patio with his Polaroid and scenario. And he's armed and he's dangerous... ly... close... Was the weather when I was a kid...

  • In the first season episode of The Mary Tyler Moore Show, "We Closed in Minneapolis", Lou Grant (Edward Asner) mentions that he wrote a novel about his experiences in Iwo Jima and Guadalcanal in the hopes that he would become "the next Norman Mailer", despite 22 publishers describing his manuscript as "dull".
  • Comedian Ron White references the death of Norman Mailer in a Comedy Central special, Behavioral Problems, by amusingly pointing out the parallels between himself and Mailer, "He drank to excess everyday, he smoked pot, he was married six times, he stabbed his second wife. I've never read one of his books, but I gotta tell ya, I'm a huge fan!"
  • Rapper Talib Kweli mentions Mailer in his song "Get By"
  • Talk show host Jimmy Kimmel's music video, "I'm Fucking Ben Affleck" (made in response to Sarah Silverman's "I'm Fucking Matt Damon") is dedicated to Norman Mailer.

Selected bibliography[edit]

Fiction[edit]

Novels

Plays

Short Stories

Non-fiction[edit]

General non-fiction

Essay collections

Biographies

Famous essays and articles

Other[edit]

  • The Time of Our Time. New York: Random House, 1998. (an anthology)

Decorations and awards[edit]

This article incorporates information from the equivalent article on the German Wikipedia.

See also[edit]

Notes[edit]

  1. ^ a b The book is commonly referenced as Marilyn: A Biography, e.g. in Michael Lennon's Critical essays ... and an Oxford reference book. But that is a dubitable title. The display type on the title page begins with "Marilyn" on the top line, "a biography by" on another, and "Norman" and "Mailer" on two more.

References[edit]

  1. ^ a b c d e f g Norman Mailer - Obituaries - News - The Independent
  2. ^ "Norman Mailer, Towering Writer With Matching Ego, Dies at 84." New York Times. 2007-11-10.
  3. ^ Christopher Beha, Does Mailer Matter? The Young Writer and the last literary celebrity Harper’s Magazine, 88.
  4. ^ Frost's Meditations, http://www.martinfrost.ws/htmlfiles/jan2009/norman-mailer.html.
  5. ^ Mailer, Norman. Second Advertisement for Myself: Barbary Shore” from Advertisements for Myself.1959.
  6. ^ "Late Mailer wins 'bad sex' award." BBC News. November 27, 2008.
  7. ^ "Villagevoice.com". Villagevoice.com. Retrieved 2010-04-06. 
  8. ^ a b "Norman Mailer (1924–2007)."[dead link] Dissentmagazine.org.
  9. ^ Grundmann, Roy (2003). Andy Warhol's Blow job. Culture and the moving image. Temple University Press. pp. 169–177. ISBN 1-56639-972-6. 
  10. ^ "National Book Awards – 1969". National Book Foundation. Retrieved 2012-03-10.
    The U.S. National Book Award in category Arts and Letters was awarded annually from 1964 to 1976.
  11. ^ Spong, John. "The shot not heard round the world: the way Elmo Henderson tells it, his entire life can be boiled down to a single moment in 1972, when he stepped into the ring in San Antonio and knocked out the greatest fighter on the planet. But honestly, that's just where his story begins." (Pay version link[dead link]) Texas Monthly. December 1, 2004. Printed in the December 2004 issue. Retrieved 2011-04-05.
  12. ^ "Norman Mailer, Playboy lose boxer's suit." The Baltimore Sun. November 17, 1977. A3. Retrieved 2011-04-05. "[...]to a south Texas boxer who had filed a $1 million libel suit against them. The jury ruled yesterday that $100,000 must be paid to Elmo Henderson by Play[...]"
  13. ^ Mailer, Norman (1998). Time of Our Time. New York: Random House. p. 211. 
  14. ^ Mailer, Norman (1998). Time of Our Time. New York: Random House. p. 298. 
  15. ^ Guernsey, Otis L. "Curtain Times: The New York Theater 1965–1987". Applause 1987. Play review page 78.
  16. ^ "Pro-Castro Organization Now Defunct" United Press International. December 29, 1963.
  17. ^ “Writers and Editors War Tax Protest” January 30, 1968 New York Post
  18. ^ a b c "The Guest From Hell: Savoring Norman Mailer's legendary appearance on The Dick Cavett Show". Slate.com. Retrieved April 13, 2012. 
  19. ^ 4-minute YouTube excerpt from show
  20. ^ Ulin, David L. "Mailer: an ego with an insecure streak." Los Angeles Times. November 11, 2007.
  21. ^ Shultz, George. Turmoil and Triumph, 1993, ISBN 0-684-19325-6 pp. 697-98.
  22. ^ Kaufman, Michael T. "Literary World Lashes Out After a Week of Hesitation." New York Times. February 22, 1989.
  23. ^ "Only In America." Commonwealth Club. February 20, 2003.
  24. ^ "Campaign contributions." Newsmeat.com. Retrieved 2008-01-25.
  25. ^ Mailer, Norman (November 1971). The Prisoner of Sex. The New American Library: Signet. pp. 18–19. ISBN 70-157475 Check |isbn= value (help). 
  26. ^ a b c Mailer for Mayor, The Libertarian Forum (May 15, 1969)
  27. ^ a b c Mailer, John Buffalo (2009-05-24) Summer of '69, The American Conservative
  28. ^ Posted by fruminator on November 20, 2007 1:04 PM (2007-11-20). "Campaign poster". Frumin.net. Retrieved 2010-04-06. 
  29. ^ Obituary: Norman Mailer | World news | The Guardian
  30. ^ "Of Time and the Rebel". Time. December 5, 1960. Retrieved 2008-04-26.
  31. ^ "Crime and Punishment; Norman Mailer Stabs His Wife At A Party In Their New York Apartment". Entertainment Weekly, November 15, 1991. Retrieved 2008-04-26.
  32. ^ Millet, Kate. Sexual Politics Virago, 1991. pp. 314–5.
  33. ^ Wolcott, James. "The Norman Conquests". Vanity Fair. Retrieved 8 March 2014. 
  34. ^ Mallory, Carole (2010). Loving Mailer. Beverly Hills, Calif.: Phoenix Books. ISBN 1607477157. 
  35. ^ a b Anolik, Lili. "How Norman Mailer Came This Close to Making a Million-Dollar Porn". The L Magazine. Retrieved 8 March 2014. 
  36. ^ a b Kernes, Mark. "Norman Mailer's Brush With Porn ... and Gloria Leonard As Gloria Leonard tells it, he would have penned 'The Gone With the Wind of fuck films'". Adult Video News. Retrieved 8 March 2014. 
  37. ^ "Author Norman Mailer dies at 84." BBC. November 10, 2007
  38. ^ "2005 press release". Hrc.utexas.edu. 2005-04-25. Retrieved 2010-04-06. 
  39. ^ "Mailer visit to Ransom Center in Texas". Hrc.utexas.edu. Retrieved 2010-04-06. 
  40. ^ Allyen, Richard. "Mailer's mistress reveals 'real man' in steamy bedroom accounts." Sydney Morning Herald. April 26, 2008
  41. ^ "Mailer Sex Stories Arrive at Harvard."[dead link] Harvard Crimson. April 26, 2008.
  42. ^ The Norman Mailer Center, official website.
  43. ^ "Norman Mailer marijuana quotes" Marijuanaquote.com. October 17, 2012
  44. ^ Mailer, Norman (March 1971). "The Prisoner of Sex". Harper’s Magazine. Retrieved 2009-09-13. 
  45. ^ "Reply to a parliamentary question" (PDF) (in German). p. 1517. Retrieved 15 January 2013. 

Further reading[edit]

  • Lennon, J. Michael. Norman Mailer: A Double Life (Simon & Schuster; 2013) 947 pages; scholarly biography
  • Glenday, Michael K. Norman Mailer New York: St. Martin's Press, 1995.
  • Radical Fictions and the Novels of Norman Mailer by Nigel Leigh. New York: St. Martin's Press, 1990.
  • Norman Mailer: Works and Days by J. Michael and Donna P. Lennon. Westport, MA: Sligo Press, 2000. Comprehensive, annotated primary and secondary bibliography with life chronology.
  • Norman Mailer: The Man and His Work, edited by Robert F. Lucid. Boston: Little, Brown. The first collection of essays on Mailer.
  • Norman Mailer by Philip Bufithis. New York: Ungar, 1978. Perhaps the most readable and reliable study of Mailer's early work.
  • Acts of Regeneration: Allegory and Archetype in the Works of Norman Mailer by Robert J. Begiebing. Columbia: University of Missouri Press, 1980. Fine discussion of Mailer's "heroic consciousness."
  • The Enduring Vision of Norman Mailer by Barry H. Leeds. Bainbridge, WA: Pleasure Boat Studio, 2002.
  • Political Fiction and the American Self by John Whalen-Bridge. Urbana: University of Illinois Press, 1998. Subtle examination of Mailer's dual aptitude of representing and resisting American mythologies.
  • Critical Essays on Norman Mailer, edited by J.Michael Lennon: Boston, G.K.Hall and Co., 1986.
  • Norman Mailer, by Richard Poirier. New York: Viking,1972. One of the best studies of Mailer's writing, tracking his career through the early Eighties.
  • Norman Mailer by Richard Jackson Foster. University of Minnesota Press, 1968. Pamphlet.
  • The Structured Vision of Norman Mailer by Barry H. Leeds, New York University Press,1969.
  • Norman Mailer Revisited by Robert Merrill. Twayne, 1992. Contains perhaps the best analysis of The Executioner's Song
  • Mailer: His Life and Times, edited by Peter Manso. New York: Simon and Schuster, 1985. Highly readable, but controversial "oral" biography of Mailer created by cross-cutting interviews with friends, enemies, acquaintances, relatives, wives of Mailer and Mailer himself.
  • Conversations with Norman Mailer, edited by J. Michael Lennon. Jackson, MS: University Press of Mississippi, 1988.
  • Norman Mailer: A Collection of Critical Essays edited by Leo Braudy. Englewood Cliffs, NJ: Prentice-Hall, 1972. Contains useful insights on Miami and the Siege of Chicago.
  • Existential Battles: The Growth of Norman Mailer by Laura Adams. Athens: University of Ohio Press, 1976. Good discussion of early narrators.
  • Time to Murder and Create: The Contemporary Novel in Crisis by John W. Aldridge. New York: David McKay, 1966. Contains Aldridge's important essay on An American Dream.
  • The Portable Beat Reader, edited by Ann Charters, Penguin Books. New York. 1992. ISBN 0-670-83885-3 (hc); ISBN 0-14-015102-8 (pbk). Contains "The White Negro."
  • The Norman Mailer Review, edited by Phillip Sipiora. New periodical co-sponsored by the University of South Florida and The Norman Mailer Society (www.normanmailersociety.com).
  • The Encyclopedia of Arkansas History and Culture: Francis Irby Gwaltney http://encyclopediaofarkansas.net/encyclopedia/entry-detail.aspx?entryID=3034
  • Van A. Tyson http://www.atkinschronicle.com/vantyson.htm

External links[edit]