Asia in 565 AD, showing the Northern Qi Dynasty and its neighbors
|-||550-559||Emperor Wenxuan of Northern Qi|
|-||559-560||Emperor Fei of Northern Qi|
|-||560-561||Emperor Xiaozhao of Northern Qi|
|-||561-565||Emperor Wucheng of Northern Qi|
|Historical era||Northern Dynasties|
|-||Established||9 June 550 550|
|-||Gao Wei and Gao Heng's capture by Northern Zhou, usually viewed as disestablishment||28 February 577 577|
|-||Gao Shaoyi's capture by Northern Zhou||27 July 580|
|-||550||1,000,000 km² (386,102 sq mi)|
The Chinese state of Northern Qi was the successor state of the Chinese/Xianbei state of Eastern Wei and was founded by Emperor Wenxuan. Emperor Wenxuan had a Han Chinese father Gao Huan, and a Xianbei mother, Lou Zhaojun. As Eastern Wei's paramount general Gao Huan was succeeded by his sons Gao Cheng and Gao Yang, who took the throne from Emperor Xiaojing of Eastern Wei in 550 and established Northern Qi as Emperor Wenxuan. Although Northern Qi was plagued by violence and/or incompetent emperors (Emperor Wenxuan, Emperor Wucheng, and Gao Wei), corrupt officials, and deteriorating armies for most of its existence, it was the strongest state of the three main Chinese states (along with Northern Zhou state and Chen Dynasty) when it was established. It was destroyed by Northern Zhou in 577. Emperor Wenxuan's son Gao Shaoyi, the Prince of Fanyang, under protection by Tujue, later declared himself the emperor of Northern Qi in exile, but was turned over by Tujue to Northern Zhou in 580 and exiled to modern Sichuan. It is a matter of controversy whether Gao Shaoyi should properly be considered a Northern Qi emperor, but in any case the year 577 is generally considered by historians as the ending date for Northern Qi.
|Posthumous Names ( Shi Hao 諡號)||Born Names||Period of Reigns||Era Names (Nian Hao 年號) and their according range of years|
|Northern Qi Dynasty 550-577|
|Convention: Northern Qi + posthumous name|
|Wen Xuan Di (文宣帝 wén xuān dì)||Gao Yang (高洋 gāo yáng)||550-559||Tianbao (天保 tiān bǎo) 550-559|
|Fei Di (廢帝 fèi dì)||Gao Yin (高殷 gāo yīn)||559-560||Qianming (乾明 qián míng) 560|
|Xiao Zhao Di (孝昭帝 xiào zhāo dì)||Gao Yan (高演 gāo yǎn)||560-561||Huangjian (皇建 huáng jiàn) 560-561|
|Wu Cheng Di (武成帝 wǔ chéng dì)||Gao Dan (高湛 gāo dān)||561-565||Taining (太寧 tài níng) 561-562
Heqing (河清 hé qīng) 562-565
|Hou Zhu (後主 hòu zhǔ)||Gao Wei (高緯 gāo wěi)||565-577||Tiantong (天統 tiān tǒng) 565-569
Wuping (武平 wǔ píng) 570-576
Longhua (隆化 lóng huà) 576
|You Zhu (幼主 yòu zhǔ)||Gao Heng (高恆 gāo héng)||577||Chengguang (承光 chéng guāng) 577|
Emperors family tree
|Gao Huan 高欢 (496-547)|
|Gao Cheng 高澄 (521-549)||Gao Yang 高洋 (526–559)
Wenxuan (r. 550-559)
|Gao Yan 高演 (535-561)
Xiaozhao (r. 560-561)
|Gao Dan 高湛 (537–569)
Wucheng (r. 561-565)
|Gao Jie 高湝 (?-577)|
|Gao Yanzong 高延宗
|Gao Yin 高殷 (545-561)
Fei (r. 559-560)
|Gao Shaoyi 高紹義
(b. 546; r.578-580)
|Gao Wei 高緯 (557–577)
Houzhu (r. 565-577)
|Gao Yan 高儼 (558–571)|
|Gao Heng 高恆 (570–577)
Youzhu (r. 577)
Northern Qi arts
Northern Qi ceramics mark a revival of Chinese ceramic art, following the disastrous invasions and the social chaos of the 4th century. Northern Qi tombs have revealed some beautiful artifacts, such as porcellaneous ware with splashed green designs, previously thought to have been developed under the Tang dynasty.
Markedly unique from earlier depictions of the Buddha, Northern Qi statues tend to be smaller, around three feet tall, and columnar in shape.
Also, brown glazed wares designed with Sasanian-style figures have been found in these tombs. These works suggest a strong cosmopolitanism and intense exchanges with Western Asia, which are also visible in metalworks and relief sculptures across China during this period. Cosmopolitanism was therefore already current during the Northern Qi period in the 6th century, even before the advent of the notoriously cosmopolitan Tang dynasty, and was often associated with Buddhism.
A Chinese scholar translated the Buddhist text Nirvana Sutra text into a Turkic language during this era. Some Zoroastrianism influences that went into previous states continued onto the state of Northern Qi court, such as the love for Persian dogs (sacred in Zoroastrianism) as they were taken as pets by nobles and eunuchs. The Chinese utilized a number of Persian artifacts and products.
|Wikimedia Commons has media related to Northern Qi Dynasty.|
- Zizhi Tongjian, vol. 163.
- Zizhi Tongjian, vol. 173.
- Zizhi Tongjian, vol. 174.
- Lee. Biographical Dictionary of Chinese Women: Antiquity Through Sui, 1600 B.C.E.-618 C.E. M.E. Sharpe. p. 314. ISBN 978-0-7656-4182-3.
- Gao Wei's cousin Gao Yanzong the Prince of Ande (Gao Cheng's son) briefly declared himself emperor around the new year 577 after the soldiers guarding the city of Jinyang (晉陽, in modern Taiyuan, Shanxi) demanded that he claim the title when Gao Wei abandoned Jinyang. Gao Yanzong, however, was almost immediately defeated and captured by Northern Zhou troops, and therefore is generally not considered a true Northern Qi emperor.
- In 577, Gao Wei, then with the title Taishang Huang (retired emperor), tried to issue an edict on his son's behalf yielding the throne to his uncle (Gao Huan's son) Gao Jie (高湝) the Prince of Rencheng, but the officials he sent to deliver the edict to Gao Jie surrendered to Northern Zhou rather than delivering the edict to Gao Jie, who was subsequently also captured by Northern Zhou troops. It is questionable whether Gao Jie was even aware of the edict, and in any case, Gao Jie never used imperial title.
- As noted above, Emperor Wenxuan's son Gao Shaoyi tried to establish a Northern Qi court in exile on Tujue's territory, but was not successful in his efforts in recapturing formerly Northern Qi territory, and was eventually turned over by Tujue to Northern Zhou. Most historians do not consider him a true Northern Qi emperor, although the matter remains in controversy.
- The arts of China by Michael Sullivan p.120
- Notice of the Metropolitan Museum of Art permanent exhibition.
- Birmingham Museum of Art (2010). Birmingham Museum of Art : guide to the collection. [Birmingham, Ala]: Birmingham Museum of Art. p. 23. ISBN 978-1-904832-77-5.
- Chinese glazes: their origins, chemistry, and recreation by Nigel Wood p.200
- China between empires: the northern and southern dynasties by Mark Edward Lewis p.168
- Cunren Liu (1976). Angela Schottenhammer, ed. Selected papers from the Hall of harmonious wind. Brill Archive. p. 14. ISBN 90-04-04492-2. Retrieved 2010-06-28.