Number 96 (TV series)
Title card from a 1975 episode of Number 96. Where the cliff-hanger resolution that followed this shot at the start of the episode took place in one of the building's flats, the shot of the building would zoom in on that flat as the title appeared on screen. Where the resolution scene occurred in an exterior location, however, there was no zoom and the entire building would be shown, as seen here.
|Created by||David Sale|
|Starring||Leading cast members:
|Country of origin||Australia|
|No. of seasons||6|
|No. of episodes||1,218|
|Location(s)||Sydney, New South Wales|
|Running time||30 minute per episode|
|Production company(s)||Cash Harmon Television|
|Original channel||The 0-10 Network|
|Picture format||4.3 Black & White (1972-1975)
4.3 PAL (1975-1977)
|Original run||13 March 1972 – 11 August 1977|
Number 96 was a popular Australian soap opera set in a Sydney apartment block. Don Cash and Bill Harmon of the Cash Harmon Television production company, produced the series for The 0-10 Network, which requested a Coronation Street-type serial, and specifically one that explored adult subjects. The premise, original story outlines, and the original characters were devised by David Sale who also wrote the scripts for the first episodes and continued as script editor for much of the show's run. The series proved to be a huge success, running from 1972 until 1977. Number 96 was so popular it spawned a feature film version, filmed in December 1973. Number 96 was known for its sex scenes and nudity, somewhat risque at the time, and for its comedy characters. The series was the first Australian soap opera to feature an openly gay character.
Number 96 was launched amid much controversy on 13 March 1972. Channel 10 had suffered dismal ratings and was almost bankrupt. There was a feeling with executives that "we have nothing to lose - Let's make it or break it" Number 96 was launched out of desperation. Sales Manager Ian Kennon was hopeful that the series would pull the station back from the brink. A simple promotional campaign - each night for several weeks before its debut, the message Number 96 Is Coming would appear on screen during Network 10's advertisements. No explanation was given, and it stimulated curiosity. This was backed up with full-page newspaper advertising with a countdown saying "In 7 days Australian Television Loses Its Virginity." then "In 6 Days" etc. etc. When the series premiered viewers were presented with a level of titillation and taboo subjects that had never been seen on Australian television before, and the event came to be known as The night Australian television lost its virginity.
On the day the first episode of 96 was to air, staff at the Channel 10 studios were alarmed to see hordes of protestors assembling and parading on the front lawn of the studios with signs reading "Ban this Filth", "Protect our Children", "Where has Decency Gone?" etc. The doors of the studios were locked as a security measure. When the publicity Director Tom Greer arrived at his usual 11 AM, there were cries from staff of "what have YOU done? How do we get rid of these people?" Tom in his usual unflappable way said "Get rid of them ... You must be joking ... Send them tea and biscuits ... Send down the news cameras and do live cross overs to the lawn every hour." This massive free publicity ensured all TV sets that night were tuned to Channel 10.
Ian Kennon's hopes were fulfilled. The show was an instant hit Australia wide. Advertisers scrambled to be placed into the 96 slot. So justifiably, the advertising rates were a premium.
Characters and storylines
Storylines of the series explored the relationships of the residents of a small, inner-city apartment block named Number 96, after its fictional street address, 96 Lindsay Street, Paddington (actually 81-83 Moncur Street, Woollahra). Stories focused on topics such as racism, drug use, rape, marriage problems, adultery and homosexuality, along with more prosaic romantic and domestic storylines. The building's two ground floor businesses - a delicatessen and a chemist (later to become a winebar) - along with a nearby launderette, provided venues for the various characters to meet. The show featured a multiracial cast, had frequent nude scenes, and featured a long-running gay male relationship that drew no particular interest from any of the show's other characters. It is believed that the series was the world's first to include a portrayal of a gay couple as normal people fully accepted by and integrated into their community.
Playing the role of malapropping gossip Dorrie Evans, actor Pat McDonald won the Best Actress Logie Award in 1973, 1974, 1976, and won the Gold Logie in 1974. Playing the part of Bev Houghton, Abigail quickly emerged as the show's most famous sex symbol. She left the series suddenly in June 1973 in a burst of publicity. Grasping magazine editor Maggie Cameron (Bettina Welch) became part owner of the building and sustained acrimonious enmities with several of the residents and the other owners. Her friend and sometimes rival was Flat 7 resident Vera Collins (Elaine Lee) who would be perpetually unlucky in love. Lawyer Don Finlayson (Joe Hasham) was revealed as gay in an early episode and had several boyfriends over the course of the series; his most enduring relationship was with film buff Dudley Butterfield (Chard Hayward).
As the series progressed it increasingly focused on comedy characters such as brassy winebar proprietor Norma Whittaker (Sheila Kennelly), her inventor husband Les (Gordon McDougall), no-nonsense Flo Patterson (Bunney Brooke), and the bookish Arnold Feather (Jeff Kevin), who proved irresistible to the ladies. Reg and Edie MacDonald (Mike Dorsey and Wendy Blacklock) and their bubbly daughter Marilyn (Frances Hargreaves) arrived at the start of 1974 as three more comedy characters.
The series made good use of end-of-episode and end-of-year cliffhangers, and whodunit type storylines proved particularly popular. These included a panty snatcher dubbed the Knicker Snipper, and a serial killer called the Pantyhose Murderer. One memorable cliffhanger was the explosion in the Goldolphis Shop on the ground floor of Number 96. Tom Greer and Ed Byron used to have drinks with the journalists from the Daily Telegraph of an evening at the Evening Star Hotel in Elizabeth Street opposite Central Station Sydney. Tom said to the journalists "Want a great story for tomorrow's paper?"
Next morning every newsagent had a billboard out front of the shop with the headline "EIGHT PEOPLE KILLED IN BOMB EXPLOSION". The Daily Telegraph sold out three editions and had to urgently run a fourth edition. The publicity created by Tom was fantastic.
During 96's lifetime the show attracted many complaints. The Broadcasting Control Board repeatedly sanctioned Channel 10. In an effort not to have the show taken off air Executives agreed to come in each morning at 7 AM and view that night's episode prior to it going to air, to ensure that it complied with the Control Board's guidelines.
Many cast members were amazed particularly when visiting Asian countries to see Number 96 so popular with the locals - and equally amazed to see the characters that they had played, dubbed in the local language.
|Directed by||Peter Benardos|
|Produced by||Bill Harmon|
|Written by||David Sale
|Based on||Number 96 (Television Serial)|
|Studio||Cash Harmon Television|
|Distributed by||O-Ten Television Network|
|Release dates||May 1974|
|Running time||113 mins|
|Box office||A$2,476,471 (as at 1984)|
The film features nearly all the show's regular cast from that time and the story of the film features various interwoven story threads that occupy the characters to varying degrees. These include the return to Number 96 of former resident Sonia (Lynn Rainbow) after her release from a mental asylum. Sonia is now married to newspaper journalist Duncan Hunter (Alister Smart). Many of the residents become embroiled in the major plans for Dorrie and husband Herb's (Ron Shand) Ruby Wedding celebrations; those that aren't are roped in by Les to assist in his new business venture: a sauna in the building's basement. Vera endures a troubled romance with politician Nick Brent (James Condon), not helped when she meets his son Tony (Patrick Ward). Meanwhile Maggie and Vera start a new business venture with Simon Carr (John Orcsik), a character they had a previously had romantic rivalry over in the television version of Number 96 in 1972. Sonia's old friend Jack Sellars (Tom Oliver) and his new girlfriend, flight attendant Diana Moore (Rebecca Gilling) who has moved in to flat 6, worry about Sonia's increasingly erratic and apparently deranged behaviour.
The film was released in May 1974 and became a major box office success.
Number 96 was Australia's highest rating program for 1973 and 1974. The series was shot on videotape initially in black-and-white but switching to color in late 1974. Unfortunately, many black and white episodes are now lost, falling victim to the wiping of videotapes for re-use, which was the official Channel Ten policy at the time.
The series began taping in colour in late 1974. This period also saw the series shift its emphasis from sexual situations and drama to focus more on comedy, however by mid-1975 ratings had gone into decline so a bold new storyline was concocted in the hope of revitalising the series. The Mad Bomber storyline, in August–September 1975, came in the wake of news from periodical TV Week that the ratings for Number 96 had dropped to just half what they had been at the beginning of 1974. In an unprecedented move, 40 complete scripts were discarded and rewritten, while the Number 96 set was sealed off to non-essential personnel. The new storyline involved a mysterious figure planting a time bomb in Number 96, following a series of warnings and false alarms. The dramatic storyline was intended to draw back viewers and to provide a mechanism to quickly write out several existing characters in a bid to fresh up the cast of characters and revamp the storylines.
On 5 September 1975, a bomb exploded in the delicatessen, destroying it and the adjacent wine bar which was crowded with customers. The makers of the show made a bold move, killing several long running cast favourites, including Les, and Aldo and Roma Godolfus (Johnny Lockwood and Philippa Baker), and then revealing schemer Maggie Cameron as the bomber and sending her off to prison (she never planned for the bomb to kill anyone and merely wanted to scare residents into moving to facilitate a sale of the building). However, despite the publicity and major changes it brought, the bomb-blast storyline resulted in only a temporary boost to the program's ratings figures.
By October two more central figures - Alf and Lucy Sutcliffe (played by original cast members James Elliott and Elisabeth Kirkby) - were written out of the series. New, younger characters were added to the show, most of whom didn't last out the series. Two that did were orphaned teenage sisters Debbie and Jane Chester (Dina Mann and Suzanne Church). Other enduring characters amongst the high cast turnover of the later period were the new blond sex-symbol Jaja Gibson (Anya Saleky), and Giovanni Lenzi (Harry Michaels), an exuberant Italian who worked in the deli.
A later whodunit storyline was the Hooded Rapist in May 1976. Numerous episodes around the time of the 1000th episode (June 1976) saw an increase in location shooting, including Moncur Street, Woollahra (outside the building used in the credits), local parks, Chinatown, and even Luna Park.
The final year of Number 96 featured an increased emphasis on younger characters and the reintroduction of sexual situations and nudity. Don and Dudley had split, and Don's new boyfriend was Rob Forsyth (John McTernan). The show's final months in 1977 included a range of shock storylines including the exploits of a group of Nazi bikers and a psychopathic blackmailer.
Another bold move in the show's final months saw Number 96 feature what was publicised as Australian television's first full frontal nude scene when new character Miss Hemingway (Deborah Gray) made the first of several unveilings in April 1977. Although an earlier scene showing brief and distant full-frontal nudity appeared in the debut episode of Matlock Police in February 1971 while in Number 96 in late 1976 a bit-part nurse fleeing Dudley's bedroom had revealed a full frontal nude flash, this was the first time the nudity was shown front and centre in protracted scenes. Other bedroom farce comedy sequences of the period featured increasing levels of male and female semi-nudity, and some other instances of full frontal female nudity. Meanwhile, a scene where Jane Chester becomes a prostitute and is asked to whip her male client, new Number 96 resident Toby Buxton (Malcolm Thompson) gave viewers a brief glimpse of full frontal male nudity.
These changes to the series were made to combat falling viewing figures. However, they were not a success, and in July 1977 the series was cancelled due to declining ratings at which point, with 1218 episodes, it held the record as Australia's longest running drama serial. Long-running characters Dorrie and Herb Evans, Flo Patterson, Don Finlayson, Arnold Feather, and Reg and Edie MacDonald, all continued in the series to the end.
Each episode began with a shot of the building while audio from the previous episode's final scene could be heard. The shot would zoom in on the apartment in which that scene occurred, as the show's title was displayed. The vision would then switch to the scene in question as a recap of the previous episode's cliffhanger.
The feature film has a pre-credits sequence involving Vera being raped, followed by the film's opening titles. After this the opening shot is a zoom-in on the exterior of Flat 3 after which the action starts with the interior activities of Flat 3.
The series was broadcast as five half-hour episodes each week for its first four years. From the beginning of 1976 episodes were broadcast as two one-hour episodes each week in most areas, however from an internal perspective episodes continued to be written and compiled in half-hour instalments.
The production supervisor on the series was Kevin Powell, son of British film director Michael Powell. The show's studio directors were Peter Benardos and Brian Phillis. Audio directors included Terry Green, Ross Boyer, Larry Price, Robert Judson and Steve Wakely. Director's Assistants included Gillian B. Brown and Maggie Powell. Benardos was director of the 1974 feature film version of the serial. Executive Producer of the series and the feature film was Bob Huber. Series producers included David Hannay and Ted Jobbins. Network producers were Nancy Sales Cash of Cash Harmon Television. Lighting directors included George Poole, Adrian O'Bearn, Phil Cullen, Paul Gilfeather, Richard Curtis and Peter Richardson. Floor managers included Keith Walker and Murray Graham. Credits director and opener and closer director was Monica Pendegast. Audio boom operators included Laurie Hutchins, Vladimir Lozinski, John Dodds, Paul McCloskey, Jack O'Brien, Steve Wakely (later a series audio director). Some Cameramen who worked on the shows over the years, Max Cleary, Allan Catt, Bob Henderson, Keith Watson, Dennis Livingston, Ian O'Brien, Chris Fraser, John Bott, Roy Chivers, Murray Kelso, Phil Lomas.
Short term cast members included: Peter Adams, Briony Behets, Pat Bishop, Aileen Britton, Chelsea Brown, Carlotta, Anne Charleston, Lynette Curran, Lorrae Desmond, Carmen Duncan, Paula Duncan, Judi Farr, Jill Forster, Joseph Furst, Arianthe Galani, Vivienne Garrett, Pamela Garrick, Penne Hackforth-Jones, Wendy Hughes, Chris King, Josephine Knur, Anne Louise Lambert, Margaret Laurence, Joanna Lockwood, Judy McBurney, Diana McLean, John McTernan, Vince Martin, Ray Meagher, Julieanne Newbould, John Orcsik, Shane Porteous, Candy Raymond, Tristan Rogers, June Salter, Justine Saunders, Mary Ann Severne, Henri Szeps, Rowena Wallace and Norman Yemm.
Joyce Jacobs had a long-running uncredited role as a one-line extra, usually as a customer in the delicatessen.
Aside from the four Logies won by cast member Pat McDonald during her run with the show, Number 96 won the "Best Drama" Logie in 1974, 1975 and 1976. Actor Bunney Brooke won the "Best Actress" Logie Award for her work as Flo in 1975.
The series cast became stars in Australia and had their own Number 96 Passenger train, specially designed for cast and crew travel which for the show's first few years they would take the train from Sydney to Melbourne for the annual TV Week Logie Awards in a multi-carriaged train with the Commissioner's carriage hooked up at the rear for VIPS. This train was specially-organised by Publicity Director Tom Greer. Whistle stops at country sidings saw thousands of people turn out to see their favourite stars. These whistle stops were all beamed back by country television stations and went live to air.
A humorous story, as told by Tom Greer, was the engagement a piano player (the outrageous John McDonald) to entertain the cast on the train on the way to Melbourne. John could only play upright pianos. The railways rang and said they could not get the upright around the passageway corners of the train so it would be impossible to get it on board. Tom Greer demanded it be put on the train somehow even if it meant dismantling the piano and putting it back together - "key by key". In desperation, engineers arrived and took off the side of the carriage, loaded the piano on with a forklift, before replacing the carriage wall. The train was christened Spirit of 96.
In 1975 the Number 96 Cookbook was released in Australian by the publisher Family Circle; it featured recipes from eight members of the cast.
The series celebrated 1000 episodes in 1976 with a compilation special, Number 96: And They Said It Wouldn't Last, which reviewed the show's most famous story lines and recounted the exploits of its departed main characters. And They Said It Wouldn't Last was repeated at the start of the 1977 TV season, its final year of production, with a new ending presented by Dina Mann.
The final episode (#1218) was significant in that it gave over considerable air time to a cast reunion curtain call, of popular actors past and present. A week after the airing of the final episode in Sydney, a televised public auction of props and costumes from the series was held in the grounds of Channel TEN-10.
In 1980 a short-lived US remake of the same name on NBC retained the comedy, but it toned down the sexual elements of the series. The series was launched over three consecutive nights. US television and TV Guide promotions for the series utilised advertising hyperbole, suggesting that the series had been "banned in Australia." The nudity and racy content of the original series was not present in the remake; it would likely not have been allowed in the US due to censorship standards there, so the US version only hinted at the sexual content that had been on display in the original. The US version of Number 96 was quickly cancelled due to low ratings; the US show was finally aired in parts of Australia in 1986.
Channel 10 Sydney started a repeat run of the series on 4 February 1980, starting from the first episode fully produced in colour, episode number 585. Episodes were screened Monday through to Thursday, at midnight.
The 1976 special, And They Said It Wouldn't Last, was repeated by Ten in a prime time slot in 1994. This edition of the special dropped the "And" from the original title and included a new introduction by Abigail. It concluded with a replay of the final episode's curtain call of actors.
Number 96 was rated number 9 in the 2005 television special 50 Years 50 Shows which counted-down Australia's greatest television programs.
The series was featured in the cinema documentary, Not Quite Hollywood (2008). Interviewees included Number 96 alumni, actors Rebecca Gilling, Wendy Hughes, Lynette Curran, Briony Behets, Candy Raymond, Deborah Gray, Roger Ward, Norman Yemm, and an associate producer of Number 96 and The Unisexers, David Hannay.
A two-disc DVD of the Number 96 feature film (with commentary), plus And They Said It Wouldn't Last, was released in July 2006. The DVD included archive footage of one of the Spirit of 96 train journeys, and a new documentary The Final Years, which featured clips from the series and new (2006) interviews with actors Elaine Lee, Sheila Kennelly, Wendy Blacklock, Deborah Gray, series creator, David Sale and TV historian, Andrew Mercado. Disc 1 also appears in a collection of Australian movies, Ozploitation: Volume 4.
A DVD set of the complete The Pantyhose Strangler storyline was released in September 2008. Comprising 32 episodes on four discs, it started with Episode #649 (originally aired 1974-11-04) and culminated with #680 (original airdate 1975-01-27) and included a stills gallery and a new commentary with actor Chantal Contouri.
On 13 March 2010, another batch of episodes was released on DVD. Again comprising 32 episodes on four discs, Aftermath of Murder included episode #681 (original airdate 1975-01-28) through to #712 (original airdate 1975-03-12), archival Christmas messages from 1975, and new commentaries with actors Elisabeth Kirkby and Carol Raye.
Celebrating the series' 40th anniversary on DVD was The Beginning and the Bomb (March 2012), which includes a selection of sixteen surviving black and white episodes (#1-10, #13, #31, #33-35 and #450) plus the complete, sixteen-episode Mad Bomber storyline in colour, Episodes #832 (originally aired 1975-08-27) to #847 (original airdate 1975-09-16). The set includes archival audio interviews with actor James Elliott and director Peter Benardos, and a new audio commentary with The Hon Michael Kirby, AC CMG, and TV historian Andrew Mercado.
- Australian Lesbian and Gay Archives
- Clarke, David and Steve Samuelson. 50 Years: Celebrating a Half-Century of Australian Television, Random House: Milsons Point, NSW, 2006. ISBN 1-74166-024-6 p 151-60
- David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p269
- "The Quarter", Cinema Papers, July 1984 p121
- Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998 p275
- McLean, Ian. "Luna Park: Just for fun, just for the record - Have Phaser, Will Travel". Retrieved 4 August 2008.
- Groves, Don and Jacqueline Lee Lewes. Overflow of TV soapies. The Sun Herald: Sunday 20 January 1980, p.42.
- McLean, Ian. "Number 96 episode guide: 1977 (cont.)... And in later years...". Retrieved 10 July 2006.
- McLean, Ian. "Beware The Pantyhose Strangler! - Have Phaser, Will Travel". Retrieved 17 May 2008.
- McLean, Ian. "Number 96 DVD update! - Have Phaser, Will Travel". Retrieved 11 November 2009.
- McLean, Ian. "Finally, more Number 96 DVDs are coming! - Have Phaser, Will Travel". Retrieved 28 September 2011.
- McLean, Ian. "Number 96 episode guide: 1977 (cont.)... And in later years...". Retrieved 15 March 2012.
- Aussie Soap Archive: Number 96
- Number 96 Home Page
- DVD boxed set announcement
- The History of Australian Television - Number 96
- Number 96 (Australian series) at the Internet Movie Database
- Number 96 (movie) at the Internet Movie Database
- Number 96 (US series) at the Internet Movie Database
- Number 96 at the National Film and Sound Archive
- Number 96 at Australian Screen Online
- Number 96 movie at Oz Movies