Number One (1969 film)
|Directed by||Tom Gries|
|Produced by||Walter Seltzer|
|Written by||David Moessinger|
|Music by||Dominic Frontiere|
|Edited by||Richard K. Brockway|
|Distributed by||United Artists|
|Running time||100 min. (UK)
105 min. (TCM print)
|Box office||$1 million (US/ Canada rental)|
The film stars Charlton Heston as Ron "Cat" Catlan, aging quarterback for American professional football's New Orleans Saints, and Jessica Walter as his wife. Musician Al Hirt plays himself, as do several real-life members of the 1968 Saints. The football scenes were shot at the Saints' then-home field, Tulane Stadium.
Ron "Cat" Catlan once led the New Orleans Saints to a championship (something the real-life Saints wouldn't experience until 2009). At 40, he tries to compensate for his failing skills with booze and an extramarital affair. ("You're not even worth the price of a ticket anymore," a fan yells at him after Cat refuses her an autograph.)
When his friend and teammate Richie Fowler (Bruce Dern) offers an executive job with his auto-leasing company, Catlan hesitates, insisting he can still lead the squad to further glory. When he tells Richie he'll take the job after one more season with the Saints, his friend warns him it may not be available: "There are a lot of kids coming out of college, Cat, and they're smart kids. A year from now, I might not be able to offer you a job driving the company truck."
Things are no better at home for Catlan: his long-suffering wife, Julie (Jessica Walter), threatens to leave him after too many booze-fueled outrages and late nights with other women. She begins to drift away into her own life, leading Cat to an abortive affair with Ann (Diana Muldaur).
Cat finally begs Julie to stay, saying everything will be alright after he leads the Saints to another title. In the end, though, Catlan is crushed in a violent sack by a Dallas Cowboys player, seemingly ending his football career. Julie can be seen leaving the stadium, apparently unconcerned with her husband's condition.
Despite having All-Pro signal-caller Billy Kilmer as an instructor, Charlton Heston did not make a very convincing pro quarterback. "I marveled at how skinny he was in a Saints uniform," said local DJ Bob Walker, who was an extra in the movie. "It hung on him like a cheap suit three sizes too big. When the cameras weren't rolling we watched him try to throw some passes. His receiver was 10-20 yards away and his alleged passes didn't come close." Joe Wendryhoski, who basically played himself in the film as the Saints center, called Heston "a great guy, very sociable" who unfortunately "didn't have an athletic bone in his body. As a quarterback, he left a lot to be desired."
In the final scene when Catlan is crushed by the Dallas defense (actually portrayed by Saints players Mike Tilleman, Dave Rowe and Fred Whittingham), neither Heston nor the producer felt the hit on him was realistic enough, so Heston asked them to cut loose to really make it look authentic. On the second take, the trio slammed the actor to the ground, breaking three of his ribs. 
Number One was a commercial failure, but critical reaction was mixed. The film, and particularly Heston's performance, did earn a rave review from Howard Thompson of The New York Times, who called the "consistently engrossing" film, "...a succinct, stinging and often strong gridiron drama...." Thompson described Heston's performance as "a brooding, scorching and beautifully disciplined tour de force for the actor....If Heston could have been better, we don't know how."
The National Football League permitted the New Orleans Saints' name and jerseys to be used, as opposed to many football films featuring professional teams with fictional names. A championship in the team's past is alluded to, but likely would not have been a Super Bowl, since the film was shot in 1968 and the NFL's title game did not become the Super Bowl until 1967. (Furthermore, the Saints didn't even exist until 1966.)
- Heston's Rx for Ailing Hollywood Champlin, Charles. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 20 July 1969: o24.
- "Big Rental Films of 1969", Variety, 7 January 1970 p 15