O Ewigkeit, du Donnerwort, BWV 20

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O Ewigkeit, du Donnerwort (O eternity, thou, word of thunder), BWV 20, is a sacred cantata composed by Johann Sebastian Bach. It is the first chorale cantata from his second cantata cycle, based on the chorale by Johann Rist.

It was composed in Leipzig in 1724 for the first Sunday after Trinity Sunday, which occurred that year on 11 June, date of the work's first performance.

The prescribed readings for the day are 1 John 4:16-21 and Luke 16:19-31. The texts of movements 1, 7 and 11 of the cantata were written by Johann Rist,[1] whereas authorship of the remaining movements is unknown.

The homonym chorale theme was composed by Johann Schop for the hymn Wach auf, mein Geist, erhebe dich, which appeared in his collection Himlische Lieder (Lüneburg, 1642). It is featured in all the three movements whose text is Rist's.

Contents

[edit] Scoring and structure

The piece is scored for tromba da tirarsi in C, oboes I//II/III, violins I/II , viola, and basso continuo, three vocal soloists (altus, tenor, and bass) and four-part choir. It is in eleven movements, divided in two parts (to be performed before and after the sermon):

Part one

  1. Coro: "O Ewigkeit, du Donnerwort" for choir, tromba da tirarsi col Soprano, tutti.
  2. Recitativo: "Kein Unglück ist in aller Welt zu finden" for tenor and continuo.
  3. Aria: "Ewigkeit, du machst mir bange" for tenor, strings, and continuo.
  4. Recitativo: "Gesetzt, es dau'rte der Verdammten Qual" for bass and continuo.
  5. Aria: "Gott ist gerecht in seinen Werken" for bass, oboes, and continuo.
  6. Aria: "O Mensch, errette deine Seele" for altus, strings, and continuo.
  7. Chorale: "Solang ein Gott im Himmel lebt" for choir, tromba da tirarsi, oboes I/II, and violin I col Soprano, oboe III & violin II coll'Alto, viola col Tenore, and continuo.

Part two

  1. Aria: "Wacht auf, wacht auf, verlornen Schafe" for bass and tutti.
  2. Recitativo: "Verlass, o Mensch, die Wollust dieser Welt" for alto and continuo.
  3. Aria (Duetto): “O Menschenkind" for altus, tenor, and continuo.
  4. Chorale: "O Ewigkeit, du Donnerwort" for choir, tromba da tirarsi, oboes I/II, and violin I col Soprano, oboe III & violin II coll'Alto, viola col Tenore, and continuo.

[edit] Recordings

[edit] References

  1. ^ C. S. Terry and D. Litti, Bach's Cantata Libretti, Journal of the Royal Musical Association 1917 44(1):71-125; doi:10.1093/jrma/44.1.71

[edit] Sources

[edit] External links

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