Olive Borden
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| Olive Borden | |
|---|---|
| Born | July 14, 1906 Richmond, Virginia, U.S. |
| Died | October 1, 1947 (aged 41) Los Angeles, California, U.S. |
| Years active | 1924–1934 |
| Spouse | Theodore Spector (m. 1931–1932) John Moeller (m. 1934–1941) |
Olive Borden (July 14, 1906 – October 1, 1947) was an American actress in silent and early talkies. Nicknamed "The Joy Girl",[1] Borden was known for her jet-black hair and overall beauty.
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[edit] Early life
Olive Borden was born in Richmond, Virginia in 1906. Her birth name was often reported erroneously as Sybil Tinkle until the 1990s when it was discovered that another woman with the same name had been confused with Borden.[2] Borden's father died when she was a baby and she was raised by her mother, Sibbie, in Norfolk and Baltimore, Maryland where she also attended Catholic boarding schools.[3] She was a distant relative of Lizzie Borden.[4] As a teenager, she persuaded her mother to take her to Hollywood to pursue a career in show business. To support themselves they opened a candy store and Olive worked as a telephone operator.
[edit] Career
Borden began her career as one of the Sennett Bathing Beauties in 1922 and was soon appearing as a vamp in Hal Roach comedy shorts. Producer Paul Bern chose her for a role in his film The Dressmaker In Paris. She was signed by Fox after being named a WAMPAS Baby Star in 1925 (along with cousin Natalie Joyce). Borden quickly became one of their most popular and highest paid stars earning a salary of $1,500 a week. She had starring roles in 11 films at Fox including 3 Bad Men and Fig Leaves both costarring her then-boyfriend George O'Brien. During this time she worked with some directors who would go on to achieve major fame, including John Ford, Howard Hawks and Leo McCarey.
When Fox cut her salary in 1927, she walked out on her contract. By this point she was a major star but she found it difficult to make the transition from silent films to "talkies". She worked to get rid of her Southern accent but could not overcome her reputation as being difficult. She was still in demand as an actress and continued to work for Columbia and RKO. Borden cut her trademark hair into a short bob and turned herself into a modern flapper. She made several movies in the early 1930s but her career stalled. Her last screen credit came in 1934 in the film Chloe, Love Is Calling You. She moved to New York where she had a brief stage career and made a living on the vaudeville circuit. By the late 1930s she had filed for bankruptcy and took a job at Macy's department store.
[edit] Personal life
Borden had two failed marriages. She married a stockbroker named Theodore Spector in March 1931. He was arrested for bigamy in 1932 when it was discovered he had married Borden before divorcing his first wife. The marriage was annulled. She married her second husband, electrician John Moeller, in 1934. That marriage ended in divorce seven years later.
From 1926 until 1930 she had been romantically involved with actor George O'Brien and the press reported they were engaged. She also dated director Marshall Neilan, producer Paul Bern, and had a long affair with Arthur Benline, Lieutenant Commander in the Navy Construction Battalion. For most of her life Borden lived with her mother, Sibbie.
[edit] Later years and death
In 1942, Borden joined the WAC where she has received an army citation for bravery in turning over an enemy ammunition truck.[4] Her Army career ended after she was hospitalized in Walter Reed medical center with a severe foot injury. After her honorable discharge she attempted an unsuccessful comeback in films. She was now struggling with alcoholism and numerous health problems. Borden's final years were spent in the skid row section of Los Angeles scrubbing floors at the Sunshine Mission, a home for destitute women.[4]
Borden died on October 1, 1947 from a stomach ailment and pneumonia at the age of 41. The only possession she had when she died was a signed photo of herself.[5] She was buried at Forest Lawn Memorial Park in Glendale, California. Her mother Sibbie was interred in the grave next to her.
For her contribution to the motion picture industry, Olive Borden has a star on the Hollywood Walk of Fame at 6801 Hollywood Blvd. She was one of the first eight stars chosen to receive a star in 1958. Her name was drawn randomly from hundreds of nominees.
[edit] Partial Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1924 | Neck and Neck | Extant(Museum of Modern Art,nitrate print) | |
| 1924 | Wide Open | Extant(private collector) | |
| 1924 | Air Pockets | ||
| 1924 | Why Men Work | ||
| 1924 | Should Landlords Live? | ||
| 1924 | Too Many Mamas | ||
| 1924 | The Royal Razz | Extant(private collection) | |
| 1924 | Just a Good Guy | Extant(UCLA Film & TV, Hungarian National Film archive) | |
| 1925 | Should Husbands be Watched? | The New Maid | Extant(Lobster films, Paris) |
| 1925 | The Dressmaker from Paris | Lost | |
| 1925 | Bad Boy | Undetermined Role | Uncredited |
| 1925 | Tell It to a Policeman | ||
| 1925 | Good Morning, Nurse | Lost' | |
| 1925 | The Happy Warrior | Ima | Lost |
| 1925 | The Overland Limited | Ruth Dent | Extant(Library of Congress) |
| 1926 | The Yankee Señor | Manuelita | Alternative title: The Conquering Blood Lost |
| 1926 | My Own Pal | Alice Deering | Lost |
| 1926 | Yellow Fingers | Saina | Extant(Narodni Film Archive, Prague) |
| 1926 | 3 Bad Men | Lee Carlton | Extant (UCLA Film & TV) |
| 1926 | Fig Leaves | Eve Smith | Extant (Museum of Modern Art, Centre National de la Cinematographie (CNC)Paris, Cinematheque Royale-Brussles) |
| 1926 | The Country Beyond | Valencia | Lost |
| 1927 | The Monkey Talks | Olivette | Extant; George Eastman House |
| 1927 | Secret Studio | Rosemary Merton | Lost |
| 1927 | The Joy Girl | Jewel Courage | Extant; Museum/Modern Art |
| 1927 | Pajamas | Angela Wade | Extant; private collection, nitrate damage |
| 1927 | Come to My House | Joan Century | Lost |
| 1928 | The Albany Night Boat | Georgie | Lost |
| 1928 | Virgin Lips | Norma | Lost |
| 1928 | Gang War | Flowers | Alternative title: All Square; Lost |
| 1928 | Stool Pigeon | Goldie | Alternative title: The Decoy; Extant |
| 1928 | Sinners in Love | Ann Hardy | Extant; Centre National de la Cinematographie(CNC)Paris |
| 1929 | Love in the Desert | Zarah | Extant; CNC(Paris), Cineteca del Friuli |
| 1929 | The Eternal Woman | Anita | Extant; British Film Institute(BFI) |
| 1929 | Half Marriage | Judy Paige | Extant; UCLA Film & TV, private collectors |
| 1929 | Dance Hall | Gracie Nolan | Extant; UCLA Film & TV, private collectors |
| 1929 | Wedding Rings | Eve Quinn | Alternative title: The Dark Swan; Incomplete(UCLA Film & TV) |
| 1930 | Hello Sister | Vee Newell | Extant(private collectors) |
| 1930 | The Social Lion | Gloria Staunton | Extant(private collectors) |
| 1932 | The Divorce Racket | Marie Douglas | |
| 1933 | Hotel Variety | Alternative title: The Passing Show; Lost;IMDb | |
| 1933 | Leave It to Me | Peavey | Alternative title: Help |
| 1933 | The Mild West | Baby Doll | Short film |
| 1934 | The Inventors | Uncredited | |
| 1934 | Chloe, Love Is Calling You | Chloe (Betty Ann Gordon) |
[edit] Further Reading
- Michael G. Ankerich (2010). Dangerous Curves atop Hollywood Heels: The Lives, Careers, and Misfortunes of 14 Hard-Luck Girls of the Silent Screen. BearManor. ISBN 1-5939-3605-2.
- Michelle Vogel (2010). Olive Borden: The Life and Films of Hollywood's "Joy Girl". McFarland. ISBN 0-7864-4795-8.
[edit] References
- ^ Liebman, Roy (2000). The Wampas Baby Stars: A Biographical Dictionary, 1922-1934. McFarland. pp. 32. ISBN 0-786-40756-5.
- ^ Lowe, Denise (2005). An Encyclopedic Dictionary of Women in Early American Films, 1895-1930: 1895-1930. Haworth Press. pp. 76. ISBN 0-789-01843-8.
- ^ Shipman Springer, John; Hamilton, Jack D. (1974). They Had Faces Then: Super Stars, Stars, and Starlets of the 1930's. Citadel Press. pp. 273. ISBN 0-806-50300-9.
- ^ a b c Brettell, Andrew; King, Noel; Kennedy, Damien; Imwold, Denise (2005). Cut!: Hollywood Murders, Accidents, and Other Tragedies. Leonard, Warren Hsu; von Rohr, Heather. Barrons Educational Series. pp. 35. ISBN 0-764-15858-9.
- ^ Klepper, Robert K. (1999). Silent Films, 1877-1996: A Critical Guide to 646 Movies. McFarland. pp. 358. ISBN 0-786-40595-3.
[edit] External links
| Wikimedia Commons has media related to: Olive Borden |
- Olive Borden at the Internet Movie Database
- Olive Borden at AllRovi
- Olive Borden Online
- Olive Borden at Silent Ladies
- Olive Borden at Find a Grave