Olivier Mosset, 2003
Life and work
Mosset has spent considerable time in New York and Paris. In Paris in the 1960s he was a member of the BMPT (art group), along with Daniel Buren, Michel Parmentier, and Niele Toroni. The group questioned notions of authorship and originality, implying that they often did each other's works, and that the art object was more important than its authorship.
Later, in New York in the late 1970s, Mosset undertook a long series of monochrome paintings, during the heyday of Neo-expressionism. He became a founding member of the New York Radical Painting group, radical referring both to an implied radical social stance, as well as a returning to the radical “root” of painting. This re-assertion of social relevance for abstraction, and even the monochrome, hadn’t been emphasized to such a degree since Malevich and Rodchenko.
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