On the Town (musical)

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On the Town
On the Town.jpg
On the Town Cast Recording
Music Leonard Bernstein
Lyrics Betty Comden
Adolph Green
Book Betty Comden
Adolph Green
Basis Fancy Free, ballet by Jerome Robbins and Leonard Bernstein
Productions 1944 Broadway
1949 Film
1963 West End
1971 Broadway revival
1998 Broadway revival
2007 English National Opera
2008 Encores! concert
2014 Broadway revival

On the Town is a musical with music by Leonard Bernstein and book and lyrics by Betty Comden and Adolph Green, based on Jerome Robbins' idea for his 1944 ballet Fancy Free, which he had set to Bernstein's music. The musical introduced several popular and classic songs, among them "New York, New York", "Lonely Town", "I Can Cook, Too" (for which Bernstein also wrote the lyrics), and "Some Other Time". The story concerns three American sailors on a 24-hour shore leave in New York City during wartime 1944. Each of the three sailors becomes enamoured of a particular woman — and of the city itself.

On the Town was first produced on Broadway in 1944 and was made into a film in 1949 - although the film replaced all but three of the original Broadway songs with Hollywood-written substitutes. The show has enjoyed a number of major revivals. The musical integrates dance into its storytelling: Robbins made a number of ballets and extended dance sequences for the show, including the "Imaginary Coney Island" ballet.

Background[edit]

The Jerome Robbins ballet "Fancy Free" (1944), with music by Leonard Bernstein, was a hit for the American Ballet Theatre, and Oliver Smith (the set designer) and his business partner, Paul Feigay, thought that the ballet could be turned into a Broadway musical. They convinced Robbins and Bernstein, who in turn wanted their friends Comden and Green to write the book and lyrics. When the director George Abbott was added to the project funding was secured, including funding from the movie studio MGM in return for the film rights.[1]

Productions[edit]

Broadway

On the Town premiered on Broadway at the Adelphi Theater on December 28, 1944, directed by George Abbott and with choreography by Jerome Robbins. It closed on February 2, 1946, after 462 performances. The production starred John Battles (Gabey), Cris Alexander (Chip), Nancy Walker (Hildy), Sono Osato (Ivy), Betty Comden (Claire), and Adolph Green (Ozzie). The musical director was Max Goberman.[2]

The first Broadway revival opened at the Imperial Theatre on October 31, 1971, and closed on Jan 1, 1972 after 73 performances. Donna McKechnie, Phyllis Newman, and Bernadette Peters co-starred as Ivy, Claire, and Hildy. The director and choreographer was Ron Field. Peters received a nomination for the 1972 Tony Award for Best Featured Actress in a Musical. In his review for The New York Times, Clive Barnes wrote that "the book and lyrics...have ease and a decent few laughs...The music...has worn less well, too many of the nostalgic ballads sound like sub-Puccini filtered through Glenn Miller...Mr. Field has staged the musical numbers with zest and imagination, but, with respect, he is no great shakes as a choreographer...Where Mr. Field is most successful is in the performances of his six principals, and the women are markedly better than the men. Best of all is Bernadette Peters as the Bronxly nasal taxi driver...Phyllis Newman as Claire also danced and sang with just the right style and gusto. Donna McKechnie made a sweet and talented Ivy Smith."[3]

The second Broadway revival opened on November 19, 1998, and ran for 69 performances. This began as a summer production of the Public Theater; the show made use of its venue, Central Park's Delacorte Theater in beguiling ways that led critics to disparage the subsequent theater-bound Broadway edition as lifeless and bland by comparison.[4] Lea Delaria's performance as Hildy the taxi driver (and especially her all-stops-out rendition of "I Can Cook, Too") won wide praise, with Ben Brantley writing "Working through the saucy double-entendres and scat embellishments of I Can Cook Too, Hildy's mating call of a solo, Ms. DeLaria makes an obliging captive of anyone watching her."[4] That was not, however, on its own enough to extend the show's brief run. Mary Testa was nominated for the 1999 Tony Award as Best Featured Actress in a Musical; Lea Delaria was nominated for the Drama Desk Award as Outstanding Featured Actress in a Musical and won the Theatre World Award.

Although both of the show's Broadway revivals had their admirers, neither was commercially successful.

A "developmental dance lab workshop", directed by John Rando was held in December 2013.[5] A Broadway revival is expected to open at the Lyric Theatre on September 20, 2014 in previews and officially on October 16,[6] directed by John Rando with choreography by Joshua Bergasse.[7] The cast will feature Jay Armstrong Johnson (Chip), Tony Yazbeck (Gabey) and Clyde Alves (Ozzie).[6]

Other US

A production of "On The Town" opened in June 2013 at Barrington Stage Company in Massachusetts. John Rando directed the production and Joshua Bergasse choreographed. The production starred Tony Yazbeck (Gabey), Clyde Alves (Ozzie), Jay Armstrong Johnson (Chip), Alysha Umphress (Hildy), Deanna Doyle (Ivy), Elizabeth Stanley (Claire), Michael Rupert (Judge Pitkin) and Nancy Opel (Madame P. Dilly). In his review Ben Brantley wrote: "John Rando's production of 'On The Town,' the 1944 musical about three sailors on shore leave in New York City, is one of those rare revivals that remind us what a hit show from long was originally all about. The joy of Mr. Rando's production is in its air of erotic effortlessness." [8]

An Encores! staged concert was presented at New York City Center from November 19, 2008 through November 23, 2008, as part of a citywide celebration of Leonard Bernstein's 90th birthday. John Rando was the director, Warren Carlyle the choreographer, with a cast that featured Justin Bohon (Chip), Christian Borle (Ozzie), Tony Yazbeck (Gabey), Jessica Lee Goldyn (Ivy), Leslie Kritzer (Hildy Esterhazy), Jennifer Laura Thompson (Claire DeLoone), and Andrea Martin (Madame P. Dilly).[9]

In reviewing this production, Charles Isherwood wrote: "The production is rich in dance ... and winning performances (particularly from Tony Yazbeck as the lovelorn sailor Gabey, and a scenery-devouring Andrea Martin as a nutso-dipso voice teacher), but it's richest of all in music. There are several ballet sequences, instant reprises, jazzy pop songs, classical spoofs and soaring ballads."[10]

London

The first London production of On the Town opened at the Prince of Wales Theatre on May 30, 1963, but ran for only 63 performances.[11] It was directed and choreographed by Joe Layton and starred Elliott Gould and Don McKay. The main female roles were taken by two Americans, Carol Arthur and Andrea Jaffe, and an English actress, Gillian Lewis. It was not a propitious time for new musicals in London, given dramatic developments that year in British popular music. A month earlier, Bock and Harnick's She Loves Me had opened on Broadway and ran for some 300 performances, but flopped when it came to London in 1964, not least because people thought the title had something to do with the Beatles.[12]

In 1992, Michael Tilson Thomas led the London Symphony Orchestra and an all-star, crossover cast of opera and theater performers in a semi-staged concert version produced by Deutsche Grammophon and recorded for both CD and video release. Participants included Frederica von Stade, Thomas Hampson, Tyne Daly, Cleo Laine, David Garrison, Samuel Ramey, and, as both narrators and performers, Comden and Green themselves. The resulting recordings included material cut at various stages of the musical's development.[13] Thomas revived this concert edition of the work in 1996 with the San Francisco Symphony, with many of the same performers.

On The Town is was part of English National Opera's repertoire, running April 20–May 25, 2007, at the London Coliseum, with Caroline O'Connor as Hildy.Choreographer Stephen Mear[14]

1949 film version[edit]

Main article: On the Town (film)

The MGM film opened on December 8, 1949. It starred Gene Kelly as Gabey (who also co-directed with Stanley Donen), Frank Sinatra as Chip, and Jules Munshin as Ozzie, as well as Ann Miller (Claire), Vera-Ellen (Ivy) and Betty Garrett (Hildy). The film dispensed with many of the Bernstein songs, other than "New York, New York," and replaced them with new songs by Roger Edens.

Plot summary[edit]

Act I

A quartet of workmen mourn the start of a new work day ("I Feel Like I'm Not Out of Bed Yet"). The whistle blows at 6am, and three sailors, Ozzie, Chip and Gabey, excited for 24 hours of shore leave, emerge ("New York, New York"). Chip is excited to see all the sights that his father told him about after his trip to New York in 1934, with his decade-old guidebook by his side. Ozzie is interested in finding a date (or several) because Manhattan women are the prettiest in the world. Gabey is looking for one special girl, hopefully one who reminds him of his 7th grade girlfriend, Minnie Frenchley. On the subway, the three spot a poster of Ivy Smith, "Miss Turnstiles" for the month of June. Gabey, overcome with love for the picture, takes it with him. An old lady angrily tells him that she will have him arrested for vandalism, and the three run off.

Gabey wants to meet Ivy Smith, despite Chip's protests that the city is too big for things like that to happen. Ozzie, recounting an incident where Gabey saved their lives, convinces Chip to help Gabey find her. Chip grudgingly agrees, and the three break up, Gabey to Carnegie Hall, Ozzie to the Modern Museum of Art, and Chip to the "subway people." The three imagine what Miss Turnstiles must be like, and a ballet is performed in which Ivy demonstrates all the many different, contradictory, skills she has.

The little old lady finds a policeman, and the two chase after the sailors.

A young female cabbie named Hildy is found asleep in her cab by her irate boss S. Uperman. He fires her and tells her to return the cab in an hour or he will call the police. Looking for one last fare, she comes across Chip. It's love at first sight, at least for Hildy. She forcefully kisses Chip, but Chip wants nothing more than to find Ivy. Hildy tempts him into taking a tour of the city, but what she really wants is for Chip to "Come Up To My Place." Mr. Uperman joins the lady and the cop in the chase, implying Hildy stole the cab.

Ozzie goes to the museum, but mistakenly arrives at the Modern Museum of Science instead of the Modern Museum of Art. There he meets a budding anthropologist, Claire de Loone. She is amazed at his resemblance to a prehistoric man, and asks him for his measurements. He mistakes her scientific interest for romantic interest, but as she explains, she is engaged to be married to the famous Judge Pitkin W. Bridgework. Pitkin has taught her to learn to know men scientifically, but she, like Ozzie, often gets "Carried Away." The two of them accidentally knock over a dinosaur. Waldo Figment, the professor who built the dinosaur, joins Uperman, the cop, and the lady in the chase.

Gabey mopes around the city. Without love, New York is nothing but a "Lonely Town." At Carnegie Hall, Ivy Smith is taking lessons from Madame Dilly, a drunk whose vocal instruction includes singing instead of talking, standing on your head, and shaping notes like pears. Ivy is not quite as glamorous as the Miss Turnstiles contest has made her out to be. In reality, while she is studying to do all the things they said she was, she is truly nothing more than a "cooch dancer" at Coney Island. When Madame Dilly leaves to refill her flask, Gabey enters. He asks Ivy to go out with him, and to his surprise, she accepts. Gabey leaves ecstatically. Madame Dilly advises Ivy to break the date as "sex and art don't mix" ("Carnegie Hall Pavane")

Ozzie accompanies Claire back to her apartment, where he meets Claire's finacé, the very understanding Pitkin W. Bridgework ("I Understand"). He leaves them alone to go to a meeting, reminding Claire that they are to meet at Diamond Eddie's to celebrate their engagement. The two take advantage of their alone time ("Carried Away (reprise)")

Hildy brings Chip and an armful of groceries back to her apartment, promising to cook for him. Chip insists that he must leave to find Ivy. She tells him the best way is to look her up on the IRT, but they refuse to give Chip her address of phone number. He decides that he has tried hard enough, and he and Hildy attempt to get physical when her roommate, Lucy Schmeeler, home from work with a cold, intrudes. Hildy finally gets rid of her by convincing her to go to an air-cooled movie. Hildy proclaims that on top of her many talents, "I Can Cook Too."

Gabey's attitude has done a full 180, and he feels "Lucky to Be Me." Ivy, about to meet Gabey at Nedick's, runs into Madame Dilly, who tells her that unless she goes to work as a cooch dancer tonight, she will be fired, and not be able to pay her bill to Madame Dilly. Madame Dilly threatens to smear her reputation, and she is forced to stand Gabey up.

Chip and Ozzie both arrive at Nedick's with Hildy and Claire both dressed as Ivy Smith. Gabey isn't fooled, and tells them the story of how he met her. Just then, Madame Dilly arrives with a message from Ivy; she will not be coming because she instead elected to go to a fancy party. Gabey is alone and dejected, but Hildy tells him that he can get him a date; Lucy. The five go into a dance demonstrating the nightlife of the city.

Act II

At Diamond Eddie's, the dancers perform a number ("So Long Baby"). Gabey is still hung up on Miss Turnstiles, and Lucy hasn't shown up yet. A singer, Diana Dream, performs a very sad song, "I Wish I Was Dead," which causes Gabey to feel even sadder. Lucy calls, having accidentally gone to the Diamond Eddie's in Yonkers. The group decides to go to the Congacabana at the suggestion of Claire, but on their way out, they run into Pitkin. Ozzie and Claire try to explain the situation, but as before, all Pitkin says is "I Understand (reprise)." The gang leaves for the Congacabana while Pitkin stays behind to pay the check.

At the Congacabana, Dolores Dolores sings the same sad song as before, in Spanish. Hildy interrupts her, saying she had gotten a request to sing. Hildy, as well as Ozzie, Claire and Chip, try to lift Gabey's spirits by reminding him that he can count on them. As they are about to depart for another nightclub, the Slam Bang Club, Pitkin arrives ("I Understand (reprise)"). Claire tells him once again to pay the check, and to also wait for Lucy, and come to the Slam Bang later.

At the Slam Bang Club, Madame Dilly is in a drunken stupor. Gabey asks her where Ivy is, and she lets it slip that she is at Coney Island. Gabey runs off to find her. Chip and Ozzie, afraid that he won't be able to get back to the ship on time, rush after him. On their way out, they come across Lucy and Pitkin. Claire once again leaves him to go with Ozzie. Pitkin recalls all the times in his life that he "understood" and realizes he's been played the fool by everyone, including Claire ("Pitkin's Song (I Understand)"). He also bonds with Lucy, and the two of them join the chase along with the little old lady, the police officers, Figment, and Uperman.

Riding the Subway, Gabey dreams about Coney Island and Ivy. An extended dance sequence occurs with Ivy and a dream Gabey in a boxing match. ("Subway Ride/The Great Lover Displays Himself/The Imaginary Coney Island")

The other four have just missed Gabey and are riding another subway car. They wonder about their future after the men have to go back to the ship ("Some Other Time")

At Coney Island, Ivy, along with several other girls dance in a show called Rajah Bimmy's Harem Scarem ("The Real Coney Island"). Gabey sees Ivy and accidentally tears her already skimpy outfit off. She is arrested for indecent exposure as the chasers arrive and demand the others are arrested. Claire hopes Pitkin will get her out of the situation, but he no longer trusts her, and has the three men brought to the naval authorities. The girls ask Pitkin if he's ever "committed and indiscretion," which he staunchly refuses. Just then, he sneezes in the same way as Lucy Schmeeler, casting doubt on his claim.

As the clock chimes 6, the sailors prepare to get back on the ship. Just then, the girls come running to them, telling them that Pitkin understood. They say a fond farewell as three new sailors leave the ship, eager to have their own adventures in New York City ("New York, New York (reprise)/Finale Act II").


Musical numbers[edit]

Cut Numbers
  • Gabey's Comin'—Gabey, Ozzie, Chip and Girls
  • Ain't Got No Tears Left—Nightclub singer
  • The Intermission's Great—Ensemble

Influence[edit]

During the nightclub sequence in act two, a conga vamp is prominently played. Bernstein later lifted this vamp directly and used it as the basis of "Conga!" in his score to Wonderful Town.

Notes[edit]

  1. ^ Laird, Paul R. and Everett, William A. The Cambridge Companion to the Musical (2002), Cambridge University Press, ISBN 0-521-79639-3, p. 174
  2. ^ BroadwayWorld.com
  3. ^ Barnes, Clive. "Theater: 'On the Town,' Bernstein's 1944 Musical" The New York Times (abstract), November 1, 1971, p. 54
  4. ^ a b Brantley, Ben."Theatre Review:Love in a Hurry on a Busy Shore Leave", The New York Times, November 23, 1998
  5. ^ Gans, Andrew. "'On the Town', Directed by John Rando, Is Aiming for Broadway in 2014" playbill.com, October 16, 2013
  6. ^ a b Gioia, Michael and Gans, Andrew. "Tony Yazbeck, Jay Armstrong Johnson and Clyde Alves Will Lead Broadway's 'On the Town'" playbill.com, May 21, 2014
  7. ^ Gans, Andrew. "Revival of On the Town Will Open on Broadway in October" Playbill.com, May 9, 2014
  8. ^ Brantley, Ben.[1]The New York Times, June 2013
  9. ^ Gans, Andrew."A Helluva Town: Encores! Launches New Season with On the Town", playbill.com, November 19, 2008
  10. ^ Isherwood, Charles."Theatre Review:Drop Me Off at Broadway, 1944",The New York Times, November 21, 2008
  11. ^ "On the Town" listing for 1963 at the Guide to Musical Theatre
  12. ^ Sheridan Morley, notes for First Night CD of 1994 London cast recording of She Loves Me. The Beatles' record, She Loves You, was a massive hit in 1963. The so-called "British invasion" of the United States began early the following year with the Beatles' appearance on The Ed Sullivan Show.
  13. ^ "Bernstein: On The Town", album details arkivmusic.com
  14. ^ Gans, Andrew."English National Opera's On the Town — with Palmer and O'Connor — Begins April 20", playbill.com, April 20, 2007

External links[edit]