One Night of Love
|One Night of Love|
Theatrical release poster
|Directed by||Victor Schertzinger|
|Produced by||Harry Cohn|
|Written by||Charles Beahan (story)
Dorothy Speare (story)
Edmund H. North
|Music by||Alfred Newman
|Edited by||Gene Milford|
|Distributed by||Columbia Pictures|
One Night of Love is a 1934 Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story, Don't Fall in Love, by Charles Beahan and Dorothy Speare.
In the relatively new use of sound recordings for film, One Night of Love was noted at the time for its innovative use of vertical cut recording for which Columbia Pictures received an Academy Scientific and Technical Award.
Opera singer Mary Barrett (Grace Moore) leaves to study music in Milan, Italy to the disappointment of her family in New York City. Mary gets a job at the Cafe Roma, where Giulio Monteverdi (Tullio Carminati), a famous vocal coach, hears her sing. Giulio promises to make Mary a star if she will allow him to control her life. He also tells her that there cannot be any romance between the two of them, as that would distract from the process of growing her talent. Mary discovers she has stagefright as she prepares for a tour of provincial opera houses, however Giulio helps her overcome it.
Years later, still under Giulio's tutelage, Mary begins to tire of his dominance and discipline. The two meet one of Giulio's old pupils, Lally (Mona Barrie), while in Vienna. Lally once tried to be romantic with Giulio, but was rejected. This past history renders Mary jealous and she pretends to have laryngitis. Mary thinks Giulio has gone to Lally to rekindle a romance, and so visits Bill Houston (Lyle Talbot), a longtime friend who has proposed marriage. In a jealous huff, Mary decides not to sing that night in order to punish Giulio. Giulio realizes what is going on and tells Mary that Lally will replace her on stage, but then proposes to Mary.
She decides to go on, and Mary's performance of Bizet's Carmen wins her an invitation to the Metropolitan Opera, her dream venue. Giulio, however, still does not believe that she is not ready for such a venue. Later at dinner, Lally lies to Mary by telling her that she is still involved with Bill, who has actually returned to New York. On the night of her debut in Madame Butterfly, Mary is too nervous to go on stage until she sees Giulio in his usual place in the prompter's box.
Moore's recording and performance of the Un bel di aria from Madame Butterfly did not go smoothly, as she had trouble hitting the high notes. According to a later biography, she flew into a rage and blamed the orchestra, however, when studio boss Harry Cohn asked Columbia music director, Morris Stoloff, what the problem was, Stoloff replied, "There's nothing wrong with the orchestra. These are the original Puccini orchestrations." Moore was then told that that either she went back to the recording stage or she would be responsible for paying the day's salary for the entire orchestra, and she returned and recorded the song.
While the film did not do well in rural areas and small towns, One Night of Love was the first Columbia film to gain important bookings in the powerful Loews chain of theaters, which was a milestone in Columbia's progress.
- Best Music (Scoring): Columbia Studio Music Department, Louis Silvers, head of department (Thematic Music by Victor Schertzinger and Gus Kahn)
- Best Sound Recording: Columbia Studio Sound Department, John Livadary, Sound Director
- Scientific or Technical Award (Class III): To Columbia Pictures Corporation for their application of the Vertical Cut Disc Method (hill and dale recording) to actual studio production, with their recording of the sound on the picture One Night of Love."
- Outstanding Production: Columbia
- Best Actress: Grace Moore
- Best Directing: Victor Schertzinger
- Best Film Editing: Gene Milford
- "One Night of Love". American Film Institute. Retrieved February 27, 2014.
- "One Night of Love". Turner Classic Movies. Retrieved February 27, 2014.
- THE YEAR IN HOLLYWOOD: 1984 May Be Remembered as the Beginning of the Sweetness-and-Light Era By DOUGLAS W. CHURCHILL.HOLLYWOOD.. New York Times (1923-Current file) [New York, N.Y] 30 Dec 1934: X5.
- "The 7th Academy Awards (1934) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved 2014-02-27.