A slice of sardonyx (width = 2.5 cm)
|Silica (silicon dioxide, SiO2)|
|Formula mass||60 g / mol|
|Crystal system||Trigonal, Monoclinic|
|Mohs scale hardness||6–7|
Onyx is a banded variety of chalcedony. The colors of its bands range from white to almost every color (save some shades, such as purple or blue). Commonly, specimens of onyx contain bands of black and/or white.
Onyx comes through Latin (of the same spelling), from the Greek ὄνυξ, meaning "claw" or "fingernail". With its fleshtone color, onyx can be said to resemble a fingernail. The English word "nail" is cognate with the Greek word.
Onyx is formed of bands of chalcedony in alternating colors. It is cryptocrystalline, consisting of fine intergrowths of the silica minerals quartz and moganite. Its bands are parallel to one another, as opposed to the more chaotic banding that often occurs in agates.
Sardonyx is a variant in which the colored bands are sard (shades of red) rather than black. Black onyx is perhaps the most famous variety, but is not as common as onyx with colored bands. Artificial treatments have been used since ancient times to produce both the black color in "black onyx" and the reds and yellows in sardonyx. Most "black onyx" on the market is artificially colored.
Imitations and treatments 
The name has sometimes been used, incorrectly, to label other banded lapidary materials, such as banded calcite found in Mexico, Pakistan, and other places, and often carved, polished and sold. This material is much softer than true onyx, and much more readily available. The majority of carved items sold as "onyx" today are this carbonate material.
Artificial onyx types have also been produced from common chalcedony and plain agates. The first-century naturalist Pliny the Elder described these techniques being used in Roman times. Treatments for producing black and other colors include soaking or boiling chalcedony in sugar solutions, then treating with sulfuric or hydrochloric acid to carbonize sugars which had been absorbed into the top layers of the stone. These techniques are still used, as well as other dyeing treatments, and most so-called "black onyx" sold is artificially treated. In addition to dye treatments, heating and treatment with nitric acid have been used to lighten or eliminate undesirable colors.
|Chemical composition and name||SiO2 – Silicon dioxide|
|Hardness (Mohs scale)||7|
|Refractive index (R.I.)||1.543–1.552 to 1.545–1.554|
Historical usage 
It has a long history of use for hardstone carving and jewellery, where it is usually cut as a cabochon or into beads. It has also been used for intaglio and hardstone cameo engraved gems, where the bands make the image contrast with the ground. Some onyx is natural but much of the material in commerce is produced by the staining of agate.
Onyx was used in Egypt as early as the Second Dynasty to make bowls and other pottery items. Use of sardonyx appears in the art of Minoan Crete, notably from the archaeological recoveries at Knossos. Onyx is also mentioned in the Bible at various points, such as in Genesis 2:12 "and the gold of that land is good: there is bdellium and the onyx stone", and such as the priests' garments and the foundation of the city of Heaven in Revelation.
See also 
- Etymology Online - Onyx
- Assaad, Fakhry A.; LaMoreaux, Philip E. Sr. (2004). In Hughes, Travis H. Field Methods for Geologists and Hydrogeologists. Berlin, Heidelberg, New York: Springer-Verlag. p. 8. ISBN 3-540-40882-7.
- Sinkankas, John (1959). Gemstones of North America. Princeton, New Jersey: Van Nostrand. p. 316. Unknown parameter
- "The Manufacture of Gem Stones". Scientific American (New York, New York: Munn & Company): 49. 25 July 1874.
- Profile of onyx
- Hurlbut, Cornelius S.; Sharp, W. Edwin (1998). Dana's Minerals and How to Study Them (4th ed.). New York, New York: Wiley. p. 200. ISBN 0-471-15677-9.
- O'Donoghue, Michael (1997). Synthetic, Imitation, and Treated Gemstones. Boston: Butterworth-Heinemann. pp. 125–127. ISBN 0-7506-3173-2.
- Read, Peter G. (1999). Gemmology. Oxford: Butterworth-Heinemann. p. 160. ISBN 0-7506-4411-7.
- Liddicoat, Richard Thomas (1987). Handbook of Gem Identification (12th ed.). Santa Monica, California: Gemological Institute of America. pp. 158–160. ISBN 0-87311-012-9.
- Kraus, Edward Henry; Slawson, Chester Baker (1947). Gems and Gem Materials. New York, New York: McGraw-Hill. p. 227.
- Liddicoat, Richard Thomas; Copeland, Lawrence L. (1974). The Jewelers' Manual. Los Angeles, California: Gemological Institute of America. p. 87.
- Porter, Mary Winearls (1907). What Rome was Built with: A Description of the Stones Employed. Rome: H. Frowde. p. 108.
- C. Michael Hogan (2007) Knossos fieldnotes, The Modern Antiquarian
- Bible Tools
- International Colored Gemstone Association: Onyx
- http://www.tugendhat.eu/the-building/the-interiors.html; http://whc.unesco.org/en/list/1052
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