Open Goldberg Variations

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The Open Goldberg Variations is a non-profit project that created a high quality studio recording and typeset score of Johann Sebastian Bach's Goldberg Variations, and placed them directly into the public domain.[1][2][3] By releasing an entirely free version of the classical masterpiece, the project aims to change a common problem: in theory, classical music is a common property, yet it is hard to find quality recordings of it online due to copyright restrictions on the performances. Open Goldberg Variations cemented a free, quality version into the public domain, making the music available for everyone and everything, including schools, universities, musicians, private persons and even commercial productions.[4]

To ensure a high quality, the typeset was produced using open-source technology and an open peer reviewing process that allows everyone to edit the script and suggest improvements.[5] Open Goldberg Variations embraces open standards and coined the term "Open Source Bach"[6] in reference to the ideals of Open Source Software.

The score and the recording were released into the public domain using the Creative Commons Zero (CC0) license tool[7] on May 28, 2012.[8]

Production[edit]

The creation of the new score was responsible for significant advancements in the state of the art for open source music notation software.[9][10] Two rounds of public, online peer review were utilized to spot errors and inconsistencies in the new score, as compared to Bach's manuscript. [5] Jamie Lughlin of The Dallas Observer underscored the need for a high-quality, public domain version of the score, saying "Unless a brand new score is crafted and gifted to the public, such as in this case, with all parties involved volunteering his or her time and signing over their rights to future kickbacks, the classics cannot be accessible to everyone."[11]

Pianist Kimiko Douglass-Ishizaka supported the project by performing the 85-minute piece for the recording, including a five-day session in the Teldex Studio of Berlin. Piano manufacturer Bösendorfer supported the project by shipping their flagship instrument, the 290 Imperial, from Vienna to Berlin for the recording session.[12] Canadian record producer Anne-Marie Sylvestre[13] volunteered her time to record, edit, and master the recording.[14]

Score Following[edit]

Ishizaka performing the piece at Classical:NEXT conference 2012

As part of the project the team developed a digital score that allows people to read the notes while they are being played. The technology recognizes which notes are being played and people can follow along with live performances using their smart phones and other digital devices.[15] The digital version has two major implications for the way music is being produced, used and distributed online:

  1. It separates music notes from traditional paper, allowing people to edit, alter and share music online. This social component was a key factor for ensuring a high quality of the score, allowing people to review, improve and change the score in the course of on open peer reviewing process.[5]
  2. The digital version also changes the way people use and experience music, adding a visual layer to audio content. For example, it can be used in schools or universities to visualise music as it is being played, or it can be embedded into websites to extend radio programmes. On June 24, 2012, Wisconsin Public Radio broadcast the Open Goldberg Variations to their radio audience and simultaneously provided the score on their website, where the audience was able to follow the notes being played, have measures highlighted, and pages turned automatically, synchronized with the music from the radio.[16]

See also[edit]

References[edit]

  1. ^ Schaake, Jonathan. Frankfurter Allgemeine Zeitung, 1 June 2012, Nr. 126, S. 33
  2. ^ Brown, Mark. "Bach score and recording hits public domain following Kick-starter campaign"", Wired UK, 29 May 2012
  3. ^ Beschizza, Rob. "Open Goldberg Variations: free, open source recording and modern score of classical masterpiece", BoingBoing.net, 28 May 2012
  4. ^ Horchert, Judith. "Projekt Open Goldberg Variationen: Musikaktivisten befreien Johann Sebastian Bach", Spiegel Online, 30. Mai 2012.
  5. ^ a b c "Open Goldberg Variations: the public review for the Open Goldberg Variations Project", Musescore.com, 2012
  6. ^ Douglass, Robert. "Open Source Bach", Opensource.com, 5 April 2012.
  7. ^ "CC0: Creative Commons tool for releasing work into the public domain" Creative Commons, 2012
  8. ^ "Goldberg Variationen: Johann Sebastian Bach als 'Creative Commons Zero'", Heise online, 29 May 2012
  9. ^ "Scrapbook of feature changes and additions". MuseScore. Retrieved 2012-08-11. 
  10. ^ "Open Goldberg Variations - Setting Bach Free by Robert Douglass » Public review of the Goldberg Variations starts now! — Kickstarter". Kickstarter.com. Retrieved 2012-08-11. 
  11. ^ Laughlin, Jamie. "Bach Goes Open Source: You Now Own the Goldberg Variations.", Dallas Observer, 30 May 2012
  12. ^ "Bösendorfer Sponsors the Open Goldberg Project", Boesendorfer.com, 18 May 2011.
  13. ^ Anne-Marie Sylvestre. ""Website of Anne-Marie Sylvestre"". Annemariesylvestre.com. Retrieved 2012-08-11. 
  14. ^ Sylvestre, Anne-Marie. "Anne-Marie Sylvestre announces her participation in the Open Goldberg Variations project", 28 May 2011
  15. ^ "Open Goldberg Variations: Digital Score J.S. Bach Goldberg-Variationen BWV 988", Musescore.com, 2012
  16. ^ "Bach Meets High Tech in a Wisconsin Public Radio Broadcast Experiment". Opengoldberg.wpr.org. 2012-06-24. Retrieved 2012-08-11. 

External links[edit]