Opticks is a book by English natural philosopher Isaac Newton that was published in English in 1704. (A scholarly Latin translation appeared in 1706.) The book analyses the fundamental nature of light by means of the refraction of light with prisms and lenses, the diffraction of light by closely spaced sheets of glass, and the behaviour of color mixtures with spectral lights or pigment powders. It is considered one of the great works of science in history. Opticks was Newton's second major book on physical science.
The publication of Opticks represented a major contribution to science, different from but in some ways rivalling the Principia. Opticks is largely a record of experiments and the deductions made from them, covering a wide range of topics in what was later to be known as physical optics. That is, this work is not a geometric discussion of catoptrics or dioptrics, the traditional subjects of reflection of light by mirrors of different shapes and the exploration of how light is "bent" as it passes from one medium, such as air, into another, such as water or glass. Rather, the Opticks is a study of the nature of light and colour and the various phenomena of diffraction, which Newton called the "inflexion" of light.
In this book Newton sets forth in full his experiments, first reported to the Royal Academy of London in 1672, on dispersion, or the separation of light into a spectrum of its component colours. He demonstrates how the appearance of color arises from selective absorption, reflection, or transmission of the various component parts of the incident light.
The major significance of Newton's work is that it overturned the dogma, attributed to Aristotle or Theophrastus and accepted by scholars in Newton's time, that "pure" light (such as the light attributed to the Sun) is fundamentally white or colourless, and is altered into color by mixture with darkness caused by interactions with matter. Newton showed just the opposite was true: light is composed of different spectral hues (he describes seven — red, orange, yellow, green, blue, indigo and violet), and all colours, including white, are formed by various mixtures of these hues. He demonstrates that color arises from a physical property of light — each hue is refracted at a characteristic angle by a prism or lens — but he clearly states that color is a sensation within the mind and not an inherent property of material objects or of light itself. For example, he demonstrates that a red violet (magenta) color can be mixed by overlapping the red and violet ends of two spectra, although this color does not appear in the spectrum and therefore is not a "color of light". By connecting the red and violet ends of the spectrum, he organised all colours as a color circle that both quantitatively predicts color mixtures and qualitatively describes the perceived similarity among hues.
Opticks and the Principia
Opticks differs in many respects from the Principia. It was first published in English rather than in the Latin used by European philosophers, contributing to the development of a vernacular science literature. The book is a model of popular science exposition: although Newton's English is somewhat dated, the book can still be easily understood by a modern reader. In contrast, few readers of Newton's time found the Principia accessible or even comprehensible.
Unlike the Principia, Opticks is not developed using the geometric convention of propositions proved by deduction from either previous propositions, lemmas or first principles (or axioms). Instead, axioms define the meaning of technical terms or fundamental properties of matter and light, and the stated propositions are demonstrated by means of specific, carefully described experiments. The first sentence of the book declares My Design in this Book is not to explain the Properties of Light by Hypotheses, but to propose and prove them by Reason and Experiments. In an Experimentum crucis or "critical experiment" (Book I, Part II, Theorem ii), Newton showed that the color of light corresponded to its "degree of refrangibility" (angle of refraction), and that this angle cannot be changed by additional reflection or refraction or by passing the light through a coloured filter.
The work is a vade mecum of the experimenter's art, displaying in many examples how to use observation to propose factual generalisations about the physical world and then exclude competing explanations by specific experimental tests. However, unlike the Principia, which vowed Non fingo hypotheses or "I make no hypotheses" outside the deductive method, the Opticks develops conjectures about light that go beyond the experimental evidence: for example, that the physical behaviour of light was due its "corpuscular" nature as small particles, or that perceived colours were harmonically proportioned like the tones of a diatonic musical scale.
- See main: The Queries
Opticks concludes with a set of "Queries." In the first edition, these were sixteen such Queries; that number was increased in the Latin edition, published in 1706, and then in the revised English edition, published in 1717/18. The first set of Queries were brief, but the later ones became short essays, filling many pages. In the fourth edition of 1730, there were 31 Queries, and it was the famous "31st Query" that, over the next two hundred years, stimulated a great deal of speculation and development on theories of chemical affinity.
These Queries, especially the later ones, deal with a wide range of physical phenomena, far transcending any narrow interpretation of the subject matter of "optics." They concern the nature and transmission of heat; the possible cause of gravity; electrical phenomena; the nature of chemical action; the way in which God created matter in "the Beginning;" the proper way to do science; and even the ethical conduct of human beings. These Queries are not really questions in the ordinary sense. They are almost all posed in the negative, as rhetorical questions. That is, Newton does not ask whether light "is" or "may be" a "body." Rather, he declares: "Is not Light a Body?" Not only does this form indicate that Newton had an answer, but that it may go on for many pages. Clearly, as Stephen Hales (a firm Newtonian of the early eighteenth century) declared, this was Newton's mode of explaining "by Query."
The Opticks was widely read and debated in England and on the Continent. The early presentation of the work to the Royal Academy stimulated a bitter dispute between Newton and Robert Hooke over the "corpuscular" or particle theory of light, which prompted Newton to postpone publication of the work until after Hooke's death in 1703. On the Continent, and in France in particular, both the Principia and the Opticks were initially rejected by many natural philosophers, who continued to defend Cartesian natural philosophy and the Aristotelian version of color, and claimed to find Newton's prism experiments difficult to replicate. Indeed, the Aristotelian theory of the fundamental nature of white light was defended into the 19th century, for example by the German writer Johann Wolfgang von Goethe in his Farbenlehre.
Newtonian science became a central issue in the assault waged by the philosophes in the Age of Enlightenment against a natural philosophy based on the authority of ancient Greek or Roman naturalists or on deductive reasoning from first principles (the method advocated by French philosopher René Descartes), rather than on the application of mathematical reasoning to experience or experiment. Voltaire popularised Newtonian science, including the content of the both the Principia and the Opticks, in his Elements de la philosophie de Newton (1738), and after about 1750 the combination of the experimental methods exemplified by the Opticks and the mathematical methods exemplified by the Principia were established as a unified and comprehensive model of Newtonian science. Some of the primary adepts in this new philosophy were such prominent figures as Benjamin Franklin, Antoine-Laurent Lavoisier, and James Black.
Subsequent to Newton, much has been amended. Young and Fresnel combined Newton's particle theory with Huygens' wave theory to show that colour is the visible manifestation of light's wavelength. Science also slowly came to realise the difference between perception of colour and mathematisable optics. The German poet, Goethe, with his epic diatribe Theory of Colours could not shake the Newtonian foundation - but "one hole Goethe did find in Newton's armour.. Newton had committed himself to the doctrine that refraction without colour was impossible. He therefore thought that the object-glasses of telescopes must for ever remain imperfect, achromatism and refraction being incompatible. This inference was proved by Dollond to be wrong." (John Tyndall, 1880)
- Color theory
- Prism (optics)
- Theory of Colours (book)
- Book of Optics (Ibn al-Haytham)
- Elements of the Philosophy of Newton (Voltaire)
- Multiple-prism dispersion theory
- Newton, Isaac (1998). Opticks or, a treatise of the reflexions, refractions, inflexions and colours of light : also two treatises of the species and magnitude of curvilinear figures. Commentary by Nicholas Humez (Octavo ed.). Palo Alto, Calif.: Octavo. ISBN 1-891788-04-3. (Opticks was originally published in 1704).
- Newton, Isaac. "Hydrostatics, Optics, Sound and Heat". Retrieved 10 January 2012.
- Popular Science Monthly/Volume 17/July 1880)http://en.wikisource.org/wiki/Popular_Science_Monthly/Volume_17/July_1880/Goethe's_Farbenlehre:_Theory_of_Colors_II
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Full and free online editions of Newton's Opticks
- Rarebookroom, First edition
- Gallica, First edition
- Google Books, Fourth edition
- Internet Archive, Dover reprint, Fourth edition
- Cambridge University Digital Library, Papers on Hydrostatics, Optics, Sound and Heat – Manuscript papers by Isaac Newton containing draft of "Opticks"