|Type||Subsidiary of Metro-Goldwyn-Mayer|
|Founders||Arthur B. Krim
|Headquarters||Los Angeles, California, United States|
Orion Home Video
|Subsidiaries||Motion Picture Corporation of America (1996–1997)
The Samuel Goldwyn Company (1996–1997)
Orion Pictures Corporation is an American distribution company that produced and released films from 1978 until 1999, and was also involved in television production and syndication throughout the 1980s until the early 1990s. In 2013, MGM revived the Orion name for television; a year later Orion Pictures was quietly relaunched by MGM. It was formed in 1978 as a joint venture between Warner Bros. and three former top-level executives of United Artists. Although it was never a large motion picture producer, Orion achieved a comparatively high reputation for Hollywood quality. Woody Allen, James Cameron, Jonathan Demme, Oliver Stone, and several other prominent directors worked with Orion during its most successful years from 1978 to 1992. Of the films distributed by Orion, four won Academy Awards for Best Picture: Amadeus (1984), Platoon (1986), Dances with Wolves (1990), and The Silence of the Lambs (1991). Only two other Orion films, Hannah and her Sisters (1986) and Mississippi Burning (1988), were nominated for that same category.
- 1 History
- 2 Notable films
- 3 List of Orion Pictures films
- 4 Orion's library today
- 5 In popular culture
- 6 References
- 7 Further reading
- 8 External links
In January 1978, three executives of Transamerica (TA)-owned studio United Artists (UA) – Arthur B. Krim (chairman), Eric Pleskow (president and chief executive officer), and Robert S. Benjamin (chairman of the finance committee) - quit their jobs. Krim and Benjamin had headed UA since 1951, and subsequently turned around the then-flailing studio with a number of critical and commercial successes. Change had begun once Transamerica purchased UA in 1967, and within a decade a rift formed between Krim and TA chairman Jack Beckett regarding the studio's operations. Krim suggested spinning off United Artists into a separate company, which was rejected by Beckett.
The last straw came for Pleskow when he refused to collect and deliver the medical records of UA department heads to Transamerica's offices in San Francisco for the sake of confidentiality. The tensions only worsened when Fortune magazine reported an article on the clash between UA and TA, in which Beckett had stated that if the executives disliked the parent company's treatment of them, they should resign. Krim, Benjamin, and Pleskow quit United Artists on January 13, 1978, followed by the exits of senior vice presidents William Bernstein and Mike Medavoy three days later. The week following the resignations, according to the website Reference for Business, "63 important Hollywood figures took out an advertisement in a trade paper warning UA that it had made a fatal mistake in letting the five men leave. The 'fatal mistake' came true following the box office disaster of Heaven's Gate" which led to Transamerica washing its hands of the movie business by selling UA to Metro-Goldwyn-Mayer.
In February 1978, the five men forged a deal with Warner Bros. The executives formed Orion Pictures Company, named after the the constellation, which they claimed had five main stars (it actually has seven). The new company intended to only finance projects, giving the filmmakers complete creative autonomy; this ideal was implemented with great success at United Artists. Orion held a $100 million line of credit, and its films would be distributed by the Warner Bros. studio. Orion, however, was contractually given free rein over distribution and advertising, as well as the number and type of films the executives chose to invest in.
In late March 1978, Orion signed its first contract; a two-picture deal with John Travolta's production company. Contracts with actress and director Barbra Streisand; actors James Caan, Jane Fonda, Peter Sellers, Jon Voight, and Burt Reynolds; directors Francis Ford Coppola and Blake Edwards; writer/director John Milius; singer Peter Frampton; and producer Ray Stark soon materialized. Orion also developed a co-financing and distribution deal with EMI Films. To quote Reference for Business: "By the end of its first year, the company had put 15 films into production, and had an additional 12 directors, producers, and actors set to sign on," giving Orion a solid reputation from the very beginning.
In 1979, Benjamin died. Orion's first film, A Little Romance, was released in April that year. By April 1980, Orion had only one successful film on their roster: Blake Edwards' 10. Other films released in that period included The Great Santini, a critically praised but underpromoted adaptation of a Pat Conroy novel, and Promises in the Dark.
Acquisition of Filmways: 1981–1983
By early 1982, Orion had severed its distribution ties with Warner. As part of the deal, the rights to Orion's films made up to that point were sold to Warner. Orion was now looking to have its own distribution network by acquiring another company with such capabilities. The four partners looked into Allied Artists and Embassy Pictures before settling on Filmways. Orion subsequently purchased Filmways and reorganized the flailing company. New employees were hired and all of Filmways' non-entertainment assets (Grosset & Dunlap and Broadcast Electronics) were sold off In June 1982, Filmways was renamed Orion Pictures Corporation.
Another result of the merger was that Orion entered television production. Orion's biggest TV hit was Cagney and Lacey, which lasted seven seasons on CBS. In 1983, Orion Pictures introduced art-house division Orion Classics with executives who had previously run United Artists Classics.
Problems arise: 1984–1986
According to Reference for Business: "Of the first 18 movies the company had released as Orion Pictures Corporation, ten had been profitable, five had broken even, and three had losses of less than $2 million." One such film, Francis Ford Coppola's The Cotton Club, was mired in legal troubles and Orion lost $3 million of its investment. '"We've had some singles and doubles [but haven't] had any home runs," lamented Krim. In September 1984, Orion distributed Amadeus, which garnered much accolades, winning eight Academy Awards, including Best Picture.
For Orion, 1985 was a dismal year; all but one film made less than $10 million in the United States box office. Orion's haphazard distribution channels and unsuccessful advertising campaigns made it impossible to achieve a hit. Another factor was that Orion was about to venture into the video business and stopped selling off home use rights to its films. Furthermore, production of the Rodney Dangerfield comedy Back to School was put on hold when a co-producer died, taking the film off of its Christmas 1985 release slate.
In January 1986, Mario Kassar and Andrew Vajna, producers of the Rambo films (the first film, First Blood, was distributed by Orion) attempted to buy $55 million worth of the studio's stock through the duo's company, Anabasis. Had they succeeded, Kassar and Vajna would have controlled the board and laid off every executive save for Krim. Warburg Pincus subsequently limited its 20% stake in Orion to 5%; the remaining stocks were acquired by Viacom International. Viacom hoped to use Orion's product for its pay-TV channel Showtime. Orion expanded into home video distribution with the formation of Orion Home Entertainment Corporation.
Metromedia era: 1986–1991
On May 22, 1986, Metromedia, a television and communications company controlled by billionaire John Kluge, purchased a 6.5% stake in Orion. Kluge's investment in the company came at the right time; Back to School was a success and ultimately earned $90 million at the box office. By March 1987, the studio's fortunes increased dramatically with a succession of critical and commercial hits, including Platoon, which ultimately won a Best Picture Oscar, Woody Allen's Hannah and Her Sisters, and the sports film Hoosiers. Orion's 1986 offerings totaled 18 Academy Award nominations, more than any other studio. 1987, Orion achieved further success with RoboCop, and No Way Out.
In January 1987, Kluge faced big competition with the arrival of Sumner Redstone. His theater chain, National Amusements, purchased 6.42 percent of the company's stock. National Amusements later acquired Viacom, increasing their Orion stake at 21%, then 26%. Soon Kluge started buying more Orion stock, leading to him and Redstone battling it out to take over the company. Kluge ultimately succeeded when Metromedia took over approximately 67% of Orion on May 20, 1988, effectively giving him control of the studio. One analyst commented on the takeover to the Wall Street Journal: "This amount is probably so small to Kluge it doesn't matter. He probably burns that up in a weekend."
In 1989, Orion suffered from a disastrous slate of films, placing themselves dead last among the major Hollywood studios in terms of box office revenue. Among its biggest flops that year were Great Balls of Fire!, the autobiography of Jerry Lee Lewis starring Dennis Quaid and Winona Ryder; She-Devil, a black comedy starring Meryl Streep and Roseanne Barr; and Miloš Forman's adaptation of Les Liaisons dangereuses, Valmont, which competed with Dangerous Liaisons, also based on the same source material. Test screenings of the "Weird Al" Yankovic comedy UHF were so strong that Orion had high expectations for it; it too flopped.
In February 1990, Orion signed a deal with Columbia Pictures Entertainment in which the much larger studio would pay Orion $175 million to distribute Orion's movies and television programs overseas. Orion had previously licensed its films to individual distributors territory by territory. That same month, Mike Medavoy left Orion and became head of Tri-Star Pictures.
1990 was just as dismal for Orion as the year prior, with such failures as The Hot Spot and State of Grace. The only bright spot that year was Kevin Costner's Western epic Dances with Wolves. It won seven Academy Awards, including Best Picture, and grossed $400 million worldwide. A few months later, Orion garnered another winner with The Silence of the Lambs, but these two films could not make up for years of losses. Only Kluge's continued infusions of cash were enough to keep the company afloat, but soon he had enough.
After failing to sell Orion to businessman Marvin Davis (Sony was also interested), Kluge took drastic steps. First, Orion shut down production. Second, Kluge ordered the sale of several projects, such as The Addams Family (which went to Paramount), in order to accumulate much-needed cash. Finally, in the spring of 1991, Kluge's people took over the company, leading to the departure of Arthur Krim. Orion's financial problems were so severe, that at the 63rd Annual Academy Awards on March 1991, host Billy Crystal made reference to the studio's debt in his opening monologue, joking that "Reversal of Fortune [is] about a woman in a coma, Awakenings [is] about a man in a coma; and Dances with Wolves [was] released by Orion, a studio in a coma."
On November 25, 1991, Orion sold its Hollywood Squares format rights to King World Productions after Orion closed down its television division. On December 11, 1991, Orion filed for Chapter 11 bankruptcy protection.
In December 1991, Orion was in talks New Line Cinema, a successful independent film company, to acquire the bankrupt studio. By the following April, Orion and New Line Cinema cancelled their plans on the issue of price. Republic Pictures and the then-new Savoy Pictures also attempted to buy Orion, but no deal materialized.
At the Academy Awards ceremony, broadcast on March 30, 1992, Crystal yet made another reference to Orion, this time about its demise:
Take a great studio like Orion: A few years ago Orion released Platoon, it wins Best Picture. Amadeus, Best Picture. Last year, they released Dances with Wolves wins Best Picture. This year The Silence of the Lambs is nominated for Best Picture. And they can't afford to have another hit! But there is good news and bad news. The good news is that Orion was just purchased, and the bad news is it was bought by the House of Representatives.
The Silence of the Lambs swept all five major Academy Awards; however, a majority of key executives, as well as the talent they had deals with, had left the studio. Hollywood observers had doubts that Orion would be resurrected to its former glory. The bankruptcy of Orion also delayed the release of many films the studio had produced or acquired, among them RoboCop 3 (1993), The Dark Half (1993), Blue Sky (1994), Car 54, Where Are You? (1994), Clifford (1994), The Favor (1994), and There Goes My Baby (1994). It was not until 1993 and 1994 that the films were finally shown.
Orion was eventually able to exit bankruptcy by 1996, but few of the films released during the four years after bankruptcy protection were successful either critically or commercially.
In the years ahead, Orion produced very few films, and primarily released films from other producers, including LIVE Entertainment. Orion Classics, minus its founders (who had moved to Sony Pictures Entertainment and founded Sony Pictures Classics), continued to acquire popular art-house films, such as Boxing Helena (1993), before Metromedia merged the subsidiary with Samuel Goldwyn Entertainment in 1996.
In July 1997, Metromedia shareholders approved the sale of Orion (as well as Samuel Goldwyn Entertainment and Motion Picture Corporation of America) to Metro-Goldwyn-Mayer. This led to the withdrawal of 85 employees, including Krevoy and Stabler, while 111 other employees were to be laid off within nine months, leaving 25 of them to work at MGM. One Man's Hero (1999) was the last film released by Orion.
Orion Returns: 2013–present
In 2013, MGM revived the Orion Television brand (after its original TV unit was shut down during its bankruptcy era) with a new syndicated series, Paternity Court.
In 2014, Deadline Hollywood reported that Orion would release the MGM-backed remake of The Town That Dreaded Sundown in October. Bloody Disgusting's article on the same issue reported that Orion was "recently revived." Orion is also releasing the Brazilian film Vestido pra Casar. Deadline later reported that Orion will serve as MGM's multiplatform distribution unit focusing on specialty films.
During the 1980s and early '90s, Orion's output included Woody Allen films, Hollywood blockbusters such as the first Terminator and the RoboCop films, comedies such as Throw Momma from the Train, Dirty Rotten Scoundrels, Something Wild, UHF, and the Bill & Ted films, and best picture Academy Award winners Amadeus, Platoon, Dances with Wolves, and The Silence of the Lambs.
Following is a list of the major Academy Awards (picture, director, the two screenplay and four acting awards) for which Orion films were nominated.
|Film (Year)||Major Oscars||Nominee||Outcome|
|The Great Santini (1979)||Best Actor||Robert Duvall||Lost|
|Best Supporting Actor||Michael O'Keefe||Lost|
|A Little Romance (1979)||Best Adapted Screenplay||Allan Burns||Lost|
|Arthur (1981)||Best Actor||Dudley Moore||Lost|
|Best Supporting Actor||John Gielgud||Won|
|Best Original Screenplay||Steve Gordon||Lost|
|Prince of the City (1981)||Best Adapted Screenplay||Jay Presson Allen and Sidney Lumet||Lost|
|Amadeus (1984)||Best Picture||Won|
|Best Actor||F. Murray Abraham||Won|
|Best Director||Miloš Forman||Won|
|Best Adapted Screenplay||Peter Shaffer||Won|
|Broadway Danny Rose (1984)||Best Director||Woody Allen||Lost|
|Best Original Screenplay||Woody Allen||Lost|
|The Purple Rose of Cairo (1985)||Best Original Screenplay||Woody Allen||Lost|
|Platoon (1986)||Best Picture||Won|
|Best Director||Oliver Stone||Won|
|Best Original Screenplay||Oliver Stone||Lost|
|Best Supporting Actor||Tom Berenger||Lost|
|Hannah and Her Sisters (1986)||Best Picture||Lost|
|Best Director||Woody Allen||Lost|
|Best Supporting Actor||Michael Caine||Won|
|Best Supporting Actress||Dianne Wiest||Won|
|Best Original Screenplay||Woody Allen||Won|
|Hoosiers (1986)||Best Supporting Actor||Dennis Hopper||Lost|
|Throw Momma from the Train (1987)||Best Supporting Actress||Anne Ramsey||Lost|
|Bull Durham (1988)||Best Original Screenplay||Ron Shelton||Lost|
|Mississippi Burning (1988)||Best Picture||Lost|
|Best Director||Alan Parker||Lost|
|Best Actor||Gene Hackman||Lost|
|Best Supporting Actress||Frances McDormand||Lost|
|Married to the Mob (1988)||Best Supporting Actor||Dean Stockwell||Lost|
|Radio Days (1988)||Best Original Screenplay||Woody Allen||Lost|
|The Unbearable Lightness of Being (1988)||Best Adapted Screenplay||Jean-Claude Carrière and Philip Kaufman||Lost|
|Crimes and Misdemeanors (1989)||Best Director||Woody Allen||Lost|
|Best Supporting Actor||Martin Landau||Lost|
|Best Original Screenplay||Woody Allen||Lost|
|Alice (1990)||Best Original Screenplay||Woody Allen||Lost|
|Dances With Wolves (1990)||Best Picture||Won|
|Best Director||Kevin Costner||Won|
|Best Supporting Actor||Graham Greene||Lost|
|Best Supporting Actress||Mary McDonnell||Lost|
|Best Adapted Screenplay||Michael Blake||Won|
|The Silence of the Lambs (1991)||Best Picture||Won|
|Best Director||Jonathan Demme||Won|
|Best Actor||Anthony Hopkins||Won|
|Best Actress||Jodie Foster||Won|
|Best Adapted Screenplay||Ted Tally||Won|
|Love Field (1992)||Best Actress||Michelle Pfeiffer||Lost|
|Blue Sky (1994)||Best Actress||Jessica Lange||Won|
|Ulee's Gold (1997)||Best Actor||Peter Fonda||Lost|
List of Orion Pictures films
Orion's library today
Almost all of Orion's post-1982 releases, as well as most of the AIP and Filmways backlogs and all of the television output originally produced and distributed by Orion Television, now bear the MGM name. However, in most cases, the 1980s Orion logo has been retained or added, in the case of the Filmways and AIP libraries (except the Streamline Pictures library).
Most ancillary rights to Orion's back catalog from the 1978–1982 joint venture period remain with Warner Bros., including such movies as 10 (1979), Caddyshack (1980), Arthur (1981), Excalibur (1981), and Prince of the City (1981). Some post-1982 films originally released by Orion - Lionheart (1987), The Unbearable Lightness of Being (1988) and Amadeus (1984) (the latter two being Saul Zaentz productions) - are currently distributed by Warner Bros. as well. HBO also owns video distribution rights to Three Amigos (1986), which co-produced the film and owns pay-TV rights. However, MGM owns all other rights and the film's copyright.
Woody Allen's films A Midsummer Night's Sex Comedy (1982) and Zelig (1983) are the only Orion films from the original joint venture period now owned by MGM. Orion releases produced by the Hemdale Film Corporation and Nelson Entertainment are included in MGM's library as well, and are incorporated into the Orion library. MGM did not acquire the Hemdale films, (which include The Terminator, Hoosiers, and Platoon) or the Nelson films (including the Bill & Ted films), until MGM bought the pre-1996 library of PolyGram Filmed Entertainment, which included both companies' libraries, although the television and digital rights to certain Nelson films are now held by Paramount Pictures, with television syndication handled on behalf of Paramount by Trifecta Entertainment & Media.
Many of the film and television holdings of The Samuel Goldwyn Company have now also been incorporated into the Orion library (with ownership currently held by MGM), and the copyright on some of this material is held by Orion, except The New Adventures of Flipper now carries the MGM Television Entertainment copyright.
In popular culture
In an episode of Family Guy, mayor Adam West writes an unprovoked, angry letter to the constellation Orion's Belt. He then flies to the constellation and punches it, and the stars form the Orion Pictures logo. West then says, "That's right. All you are is a failed production company."
- Easton, Nina J. (1990-07-19). "Whither Orion? : The Last of the Mini-Major Studios Finds Itself at a Crossroads". The Los Angeles Times. Retrieved 2010-12-28.
- Medavoy and Young, pp. 83-90
- "Orion Pictures Corporation." Reference for Business
- That's a Wrap: End of MGM/UA That Was - Los Angeles Times. Articles.latimes.com (2008-08-02). Retrieved on 2013-08-16.
- Medavoy and Young, pp. 95-97
- Associated Press. "Top Stars Join Orion Pictures" Wilmington Morning Star (November 22, 1978; page 10-A). Retrieved November 2, 2011.
- Medavoy and Young, p. 104
- Medavoy and Young, p. 122
- Tzioumakis, Yannis (2006). AMERICAN INDEPENDENT CINEMA. Edinburgh: Edinburgh University Press. pp. 228–229.
- Kornbluth, Jesse (April 6, 1987). The Little Studio that Could (pp. 48-54). New York Magazine.
- Medavoy and Young, p. 181.
- "COMPANY NEWS; Orion Pictures Stake Increased". The New York Times. 1987-12-17. Retrieved 2010-08-08.
- "A 6.5 % Stake In Orion Pictures". The New York Times. 1986-06-03. Retrieved 2010-08-08.
- Medavoy and Young, p. 201
- Ramirez, Anthony (1992-02-21). "BUSINESS PEOPLE; Chief at Orion Pictures Is Joining Paramount". The New York Times. Retrieved 2010-08-08.
- "COMPANY NEWS; Orion Pictures' Stock Increases". The New York Times. 1991-02-09. Retrieved 2010-08-08.
- Medavoy and Young, pp. 202-203.
- Billy Crystal Oscars Opening -- 1991 Academy Awards. The Academy of Motion Picture Arts and Sciences-YouTube Channel. Retrieved on June 11, 2013.
- "KING GETS THE SQUARE". Broadcasting: p. 26. 1991-11-25.
- Stevenson, Richard W. (1992-04-22). "THE MEDIA BUSINESS; New Line Breaks Off Talks On Buying Orion Pictures". The New York Times. Retrieved 2010-08-08.
- "COMPANY NEWS; 2d Company Makes Bid for Orion Pictures". The New York Times. 1992-04-10. Retrieved 2010-08-08.
- Billy Crystal Oscars Opening -- 1992 Academy Awards. The Academy of Motion Picture Arts and Sciences-YouTube Channel. Retrieved on June 11, 2013.
- "Orion Pictures' Losses Widen". The New York Times. 1992-04-08. Retrieved 2010-08-08.
- Weinraub, Bernard (1992-04-01). "MEDIA BUSINESS; Can Ninja Turtle Owner Rescue Orion Pictures?". The New York Times. Retrieved 2010-08-08.
- Medavoy, Mike and Young, Josh (2002). You're Only as Good as Your Next One: 100 Great Films, 100 Good Films, and 100 for Which I Should Be Shot. New York City: Atria Books