Orion Weiss

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Orion Weiss (born November 8, 1981) is an American classical pianist.

Orion Weiss

Academia[edit]

Weiss began his musical studies at the Preucil School of Music in Iowa City, Iowa. When his family moved to Lyndhurst, Ohio, he continued his piano studies with Carol Lubetkin, and later with pianist and composer Edith Reed.

He attended the Interlochen Arts Camp between 1991 and 1995. Between 1995 and 2000 he studied with Paul Schenly, Reinberger Chair in Piano and Head of the Piano Department at the Cleveland Institute of Music.[1] During these years, he attended summer music festivals and workshops at Pianofest in the Hamptons, the Sergei Babayan International Piano Academy, the Perlman Music Program,[2] and Music Academy of the West. In 2004 he graduated from the Juilliard School in New York earning a Bachelor of Music degree. At Juilliard, he studied with Emanuel Ax.

Weiss has participated regularly in a teaching residency for gifted young musicians in Medellin, Colombia.[citation needed]

Career[edit]

In February 1999, Weiss made his Cleveland Orchestra debut performing Liszt's Piano Concerto No. 1.[3]

In March 1999, with less than 24 hours' notice, Weiss stepped in to replace André Watts for a performance of Shostakovich's Piano Concerto No. 2 with the Baltimore Symphony Orchestra.[4] He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999.[citation needed]

Weiss was featured in the 2004 edition of Musical America[5] and the March 2004 Symphony Magazine[6] as part of the next generation of great artists in classical music. He has performed with numerous orchestras such as the Los Angeles Philharmonic, Chicago Symphony, New World Symphony, Vancouver Symphony, Philadelphia Orchestra,[7] Cleveland Orchestra,[8] and the New York Philharmonic. He made his New York recital debut at Alice Tully Hall in April 2005.[9] That same year, he made his European debut in a recital at the Musée du Louvre in Paris.

Also in 2005, he toured Israel with the Israel Philharmonic Orchestra, conducted by Itzhak Perlman. He toured the US with the Orchester der Klangverwaltung Munich conducted by Enoch zu Guttenberg in October 2007.[10] He toured China with the Pittsburgh Symphony[11] in May 2009.[12]

In 2010, he was featured in a recording project of the complete Gershwin works for piano and orchestra with the Buffalo Philharmonic and JoAnn Falletta.[13]

In the summer of 2011, Weiss made his debut with the Boston Symphony Orchestra at Tanglewood. He performed with the San Francisco Symphony,[14] Orpheus Chamber Orchestra, Lucerne Festival,[15] the Denver Friends of Chamber Music,[16] the Kennedy Center's Fortas Series,[17] and the 92nd Street Y,[18] and at the Aspen, Bard,[19] Ravinia,[20] and Grand Teton[21] summer festivals.

As a recitalist and chamber musician, Weiss has appeared across the United States at venues and festivals from, among many, the Lincoln Center for the Performing Arts to the Seattle Chamber Music Society, to the Carnegie Hall Weill Recital Hall with Itzhak Perlman in a benefit for the Perlman Music Program. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002 to 2004, which included his appearance in the opening concert of the Society's 2002–03 season at Alice Tully Hall with Shai Wosner.[22] In addition, Weiss has performed duo-piano recitals with, among others, Emanuel Ax.[23] Weiss described his preparation for recitals in a 2006 profile in International Piano.[24]

Weiss made his recital debut at the Kennedy Center in Washington D.C. in January 2012.[25] He joined the Pacifica Quartet at the Casals Festival in Puerto Rico in the spring of 2012. He still tours regularly with the Chamber Music Society of Lincoln Center. Known for his affinity for chamber music, Weiss performs regularly with violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud Sussman; pianist Shai Wosner; cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets.[citation needed]

In 2018, Weiss self-released Presentiment, a recording that explores the omens and anxiety of the tense world leading up to the first World War with music by Granados, Janáček, and Scriabin.[citation needed]

Personal life[edit]

Orion Weiss was married to the pianist Anna Polonsky, with whom he performed two-piano concertos with orchestra (most recently the Columbus symphony), as well as collaborating in duo-piano and four-hand recitals, including Chamber Music Northwest, Seattle Chamber Music Festival, Camerata Pacifica, Barge Music, Bay Chamber Concerts and the Bard Music Festival. The two had a daughter together. They were divorced in 2019. Weiss is remarried, to Shirley Gherson, with whom he has a son.

Awards and recognitions[edit]

[3]

Recordings[edit]

  • Works for piano and cello by Rachmaninoff, Beethoven, Schumann with cellist Julie Albers (Artek Records, 2005), Artek AR-0022-2
  • J.S. Bach, Scriabin, Mozart, Carter (Yarlung Records, 2008), Audiophile digital recording
  • Gershwin: Concerto in F; Rhapsody No. 2; I Got Rhythm Variations – Orion Weiss, piano, Buffalo Philharmonic Orchestra, JoAnn Falletta [4], Conductor (Naxos American Classics 8.559705), audio-only Blu-ray, CD [5]
  • Orion Weiss Plays J.S. Bach, Scriabin, Mozart & Carter (Yarlung Records, 2011) [6]
  • Johannes Brahms: Sonatas for violin and piano (Telos Music, 2012) [7]
  • 42 Bartok Bagatelles, Dvorak Humoresques, Prokofiev Visions Fugitives (Bridge Records, Inc 2012) [8]
  • Gershwin: Rhapsody in Blue; Strike up the Band Overture; Promenade; Catfish Row (Naxos, 2013) [9]
  • Domenico Scarlatti: Complete Keyboard Sonatas, Vol. 15 (Naxos, 2014) [10]
  • Christopher Rouse: Seeing; Kabir Padavali (Naxos, 2015) [11]
  • Presentiment (Orion Weiss, 2018) [12]
  • Piano Protagonists: Music for Piano & Orchestra (Bridge, 2021) [13]

References[edit]

  1. ^ Clint O'Connor (May 24, 1998) Master of the Keys Orion Weiss Makes Beautiful Music. Plain Dealer
  2. ^ Allan Kozinn (March 24, 2008) MUSIC REVIEW A Give and Take Between Experienced and Emerging. New York Times[1]
  3. ^ Wilma Salisbury (February 24, 1999) "Young Pianist a Big Hit in Big-League Debut", Cleveland Plain Dealer.
  4. ^ M. Dion Thompson (March 20, 1999) "Watts' fill-in is fully prepared: Music:Once young pianist realized it was no joke, Weiss leapt at the chance to play with the BSO, which is just as tickled", Baltimore Sun.
  5. ^ Harris Goldsmith (2004) "Young Artists: The Thrill of Discovery", Musical America.
  6. ^ Anya Grundmann (2004) Generation Next Symphony Magazine Archived 2008-11-20 at the Wayback Machine
  7. ^ David Patrick Stearns (July 19, 2008) "Managing to stand out at the Mann", Philadelphia Inquirer.
  8. ^ Donald Rosenberg (July 21, 2008) "Cleveland Orchestra welcomes top-notch guests", Plain Dealer
  9. ^ Orion Weiss (April 2005) "How Nervous Should I Be? (Reflections on a N.Y. Debut)", The Juilliard Journal Online. Accessed August 18, 2022.
  10. ^ William Furtwangler (October 20, 2007) "Bavarian Orchestra Masterful", Charleston Post and Courier
  11. ^ Andrew Druckenbrod (January 31, 2009) "Bigger not better at Heinz Hall", Pittsburgh Post-Gazette
  12. ^ "Arts-Culture-Ok Information", shanghai.cultural-china.com. Accessed August 18, 2022.
  13. ^ "What this Gershwin recording means to me", naxos.com. Accessed August 18, 2022.
  14. ^ "San Francisco Symphony - Weiss, Orion". San Francisco Symphony. Retrieved 2021-08-03.
  15. ^ FESTIVAL, LUCERNE. "Orion Weiss". Lucerne Festival. Retrieved 2021-08-03.
  16. ^ "Orion Weiss". DENVER CHAMBER MUSIC FESTIVAL. Retrieved 2021-08-03.
  17. ^ "Fortas season announcement | Kennedy Center". www.kennedy-center.org. Retrieved 2021-08-03.
  18. ^ "Orion Weiss Solo Recital at 92Y – PIANYC". Retrieved 2021-08-03.
  19. ^ "Orion Weiss". OurConcerts.live. Retrieved 2021-08-03.
  20. ^ "Ravinia Festival - Official Site | Anna Polonsky and Orion Weiss". ravinia.org. Retrieved 2021-08-03.
  21. ^ "Grand Teton Music Festival Season 58: In The Key Of Nature | Grand Teton Music Festival". Retrieved 2021-08-03.
  22. ^ Paul Griffiths (September 27, 2002) Music Review; "A Crowd of Pianos Resounding Together", New York Times; accessed August 18, 2022.
  23. ^ Anthony Tommasini (August 17, 2006 "CRITIC’S NOTEBOOK All in the Timing: Classical Concerts Don't Have to Start at 8", New York Times. Accessed August 18, 2022.
  24. ^ Chloe Cutts (February 2006) Rich Pickings International Piano Archived 2009-05-24 at the Wayback Machine
  25. ^ Stephen Brookes (Jan 8, 2012) "Orion Weiss at Terrace Theater", The Washington Post, January 8, 2012.

External links[edit]

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