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|Born||20 December 1494
|Died||8 August 1555
He was imprisoned in 1524, probably for practicing judicial astrology.
Although primarily a populariser, Fine was one of the most prolific authors of mathematical books of his age. He worked in a wide range of mathematical fields, including practical geometry, arithmetic, optics, gnomonics, astronomy, and instrumentalism.
He gave the value of pi (= 3.1416) to be (22 2/9)/7 = 3.1746 in 1544. Later, he gave 47/15 = 3.1333 and, in De rebus mathematicis (1556), he gave 3 11/78 = 3.1410.
Astronomy and geography
In 1542 Fine published De mundi sphaera (On the Heavenly Spheres), a popular astronomy textbook whose woodcut illustrations were much appreciated. His writing on astronomy included guides to the use of astronomical equipment and methods (e.g. the ancient practice of determining longitude through the coordinated observation of lunar eclipses from two fixed points with enough distance between them to make the phenomena appear at different times of the night.) He also described more recent innovations, such as an instrument he called a méthéoroscope (an astrolabe modified by adding a compass).
Fine attempted to reconcile discoveries in the New World with old medieval legends and information (derived from Ptolemy) regarding the Orient. Thus, on one of his two world maps, Nova Universi Orbis Descriptio (1531), the legend marked Asia covers both North America and Asia, which were represented as one landmass. He used the toponym "America" for South America, and thus Marco Polo's Mangi, Tangut, and Catay appear on the shores of the present-day Gulf of Mexico. On the same map, Fine drew Terra Australis to the south, including the legend "recently discovered but not yet completely explored," by which he meant the discovery of Tierra del Fuego by Ferdinand Magellan.
Fine's cosmography was derived from the German mathematician and cosmographer, Johann Schoener. In his study of Schöner's globes, Franz von Wieser, found that the derivation of Fine's mappemonde from them was "unmistakeable (unverkennbar)"; he said, "Orontius Finaeus took from Schöner not only the "Brasilie Regio", but the whole Austral Continent, the Strait of Magellan, and above all the whole arrangement of lands; in a word, the mappemonde of Oronce Fine is a copy of Schöner's". Lucien Gallois also noted the undeniable ressemblance parfaite between Fine's 1531 mappemonde and Schoener's globe of 1533. As Schoener's globe of 1523, which also closely resembled Fine's mappemonde, was not identified until 1925 by Frederik (F.C.) Wieder, Gallois was forced to argue that Fine, who said he had been working on his mappemonde since 1521, had had direct or indirect personal communication with Schoener or had drawn upon his 1515 Luculentissima descriptio. Wieder's identification of Schoener's map gores of 1523 strengthens Gallois' case for Fine's reliance upon Schoener.
Death and legacy
Fine died in Paris at age 60.
Jean Clouet is said to have painted a portrait of Fine in 1530, when Fine was 36. With the original painting lost, the rendering is now known only through prints derived from the original image.
- For the debate over the French spelling of Fine's name see Alexander Marr, 'Introduction', in 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009), pp. 1–12. Fine's name is often found spelt with an acute accent, but the Dictionnaire de Biographie française (ed. Roman D'Amat, Paris, 1975, p.1370) gives a very definite direction that his name should be spelt without an accent, "Fine, et non Finé".
- Isabelle Pantin, 'Oronce Fine's Role as Royal Lecturer', in Alexander Marr (ed.), 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009), pp. 13–30.
- Alexander Marr, 'Introduction', in Alexander Marr (ed.), 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009), pp. 1–12
- Adam Mosley, 'Early Modern Cosmography: Fine's Sphaera mundi in Content and Context', in Alexander Marr (ed.), 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009), pp. 114–136.
- Catherine Eagleton, 'Oronce Fine's Sundials: The Sources and Influences of De solaribus horologiis', in Alexander Marr (ed.), 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009), pp. 83–99
- Jean-Jacques Brioist, 'Oronce Fine and Cartographical Methods', in Alexander Marr (ed.), 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009), pp. 137–155.
- Robert J. King, "Terra Australis Not Yet Known", National Library of Australia, Mapping our World: Terra Incognita to Australia, Canberra, National Library of Australia, 2013, p.82. ]]. Image at Rare Maps from the State Library of New South Wales
- Henry Harrisse, The Discovery of North America, London, 1892 (reprinted Amsterdam, N. Israel, 1961), p.583.
- Franz von Wieser, Magalhães-Strasse und Austral-Continent. Auf den Globen Johannes Schöner. Beitrage zur Geschichte der Erdkunde im xvi. Jahrhundert, Innsbruck, 1881 (reprinted Amsterdam, Meridian, 1967), pp.67, 79–80.
- Lucien Gallois, Les Géographes allemands de la Renaissance, Paris, Leroux, 1890, (repr. Amsterdam, Meridian, 1963), p.92.
- F.C. Wieder (ed.), Monumenta Cartographica, The Hague, Martinus Nijhoff, 1925, Vol.I, pp.1–4, "The Globe of Johannes Schöner, 1523–1524", and Plates 1–3.
Alexander Marr (ed.), 'The Worlds of Oronce Fine: Mathematics, Instruments and Print in Renaissance France' (Shaun Tyas, 2009)
|Wikimedia Commons has media related to Oronce Finé.|
- Mathematicians: Fine
- Monique Pelletier, "The Cordiform World Maps by Oronce Fine," Cartographica Helvetica 12 (1995) 27–37: Summary.
- THE MYSTERIES OF THE PIRI REIS MAP: THE CART OF ORONTIUS FINAEUS (Oronce Fine)