Otto Freundlich

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Otto Freundlich

Cover of the exhibition program: Degenerate Art 1937
Born July 10, 1878
Stolp, Germany
Died March 9, 1943
Majdanek, Poland
Nationality German
Field Painting and sculpture

Otto Freundlich (July 10, 1878 – March 9, 1943) was a German painter and sculptor of Jewish origin and one of the first generation of abstract artists.

[edit] Life

Freundlich was born in Stolp, Province of Pomerania, Prussia, and studied dentistry before deciding to become an artist. He went to Paris in 1908, living in Montmartre in Bateau Lavoir near to Pablo Picasso, Braque and others. In 1914 he returned to Germany. After World War I, he became politically active as a member November Group. In 1919, he organized the first Dada - exhibition in Cologne with Max Ernst and Johannes Theodor Baargeld. In 1925, he joined the Abstraction-Création group.

After 1925, Freundlich lived and worked mainly in France. In Germany, his work was condemned by the Nazis as degenerate and removed form public display. Some works were seized and displayed at the infamous Nazi exhibition of degenerate art including his monumental sculpture Der Neue Mensch (The New Man) which was photographed unsympathetically and used as the cover illustration of the exhibition catalogue. Der Neue Mensch was never recovered and is assumed to have been destroyed. One of his sculptures has been recovered, from a Berlin dig, and put on display at the Neues Museum.[1][2][3]

With outbreak of World War II, Freundlich was interned by the French authorities but released, for a time, under the influence of Pablo Picasso. In 1943 he was arrested and deported to Majdanek Concentration Camp, where he was murdered on the day he arrived.

[edit] References

[edit] External links



Personal tools
Namespaces
Variants
Actions
Navigation
Interaction
Toolbox
Print/export
Languages