First edition (UK)
|Country||United Kingdom, United States|
|Publisher||Methuen & Co., London
Charles Scribner's Sons, New York City
|Media type||Print (hardback & paperback)|
|Pages||Methuen: 311 pp
Scribner's: 261 pp
The Outcry is a novel by Henry James published in 1911. This light comedy was originally conceived as a play. James cast the material in a three-act drama in 1909, but like so many of his plays, it failed to be produced. (There were two posthumous performances in 1917.) In 1911 James converted the play into a novel, which was successful with the public. The Outcry was the last novel he was able to complete before his death in 1916. The storyline concerns the buying up of Britain's art treasures by wealthy foreigners, especially Americans. While hardly a subject of life-and-death significance, James' novel treats the idea in a busy, cheerful, appealing manner.
To cover the gambling debts of his daughter Kitty Imber, the widowed Lord Theign is planning to sell his beautiful painting Duchess of Waterbridge by Sir Joshua Reynolds to American billionaire Breckenridge Bender. Hugh Crimble, a young art critic, argues against the sale, saying that Britain's art treasures should stay in the country. He is supported by Theign's perceptive daughter, Lady Grace. When the newspapers get wind of the potential sale of the Reynolds, they raise a patriotic stink, which delights the bumptious, good-humored Bender.
Meanwhile, Crimble has found another painting in Theign's collection that he suspects is a rarity by Mantovano. (James thought this was a completely fictitious name, but it turned out there really had been an obscure painter called Mantovano.) Eventually, Crimble's hunch about the Mantovano turns out to be correct. Theign decides to donate the Mantovano to the National Gallery and not to sell the Reynolds to Bender. His woman friend Lady Sandgate also donates her family's Sir Thomas Lawrence painting to the Gallery, which unites her and Theign forever.
While the controversy in this novel might seem hopelessly remote and trivial, it's seemingly similar to the furor that erupted during the 1980s in the United States, when Japanese buyers were snapping up "trophy acquisitions" in America. American newspapers at the time created much the same stink as the British newspapers in James' book. Eventually, the fuss simmered down due to Japan's own economic troubles.
Although James did not like his adopted country selling out its art treasures to foreign bidders, he was well aware that Britain's hands were far from clean in this regard. He has Lady Grace make a pointed reference to the Elgin Marbles, a sore subject to this day. The novel maintains a sprightly pace and features many appealing characters, especially the high-tempered but basically good-hearted Theign. The conventional happy ending may seem rather insipid, but a book like this could hardly end unhappily.
Critics have generally regarded The Outcry as a pleasant trifle turned out in James' declining years. There have been criticisms of the novel's sometimes artificial dialogue and the endless stage business inherited from the dramatic version.
But by and large the book has gotten a pass as a charming comedy, something of a surprise from its aging author. James confessed in a letter to Edith Wharton that such a light, half-length novel was the most he could manage in his late sixties. The Outcry may be no more than an afterthought in the long list of James' novels, but it's an enjoyable afterthought.
- The Novels of Henry James by Oscar Cargill (New York: Macmillan Co., 1961)
- The Novels of Henry James by Edward Wagenknecht (New York: Frederick Ungar Publishing Co., 1983) ISBN 0-8044-2959-6
- The Complete Plays of Henry James edited by Leon Edel (New York: Oxford University Press 1990) ISBN 0-19-504379-0