Pablo Marcos

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www.pablomarcosart.com

Pablo Marcos
Born March 31, 1937
Laran, Chincha Alta, Peru
Nationality Peruvian
Area(s) Penciller, Inker

Pablo Marcos Ortega, known professionally as Pablo Marcos[1] (born March 31, 1937, Laran, Chincha Alta, Peru)[2] is a comic book artist and commercial illustrator best known as one of his home country's leading cartoonists and for his work on such popular American comics characters as Batman and Conan the Barbarian, particularly during the 1970s. His signature character was Marvel Comics' the Zombie, for which Marcos drew all but one story in the black-and-white horror-comics magazine Tales of the Zombie (1973–1975).

Early life and career[edit]

James Bond 007  Peruvian comic-strip panel by Marcos, 1960s

Pablo Marcos was born in the small town of Laran, 180 kilometers from the Peruvian capital city of Lima. Marcos moved with his family to the capital at age five. His parents, Pablo (a taxi and gasoline-truck driver) and Maria Ortega Marcos, had four children at the time: Gloria, Berta, Pablo, and Manuel, later to be joined by Alfredo (who would become a cartoonist and caricaturist in Peru as an adult) and Oswaldo. While at the Bartolomé Herrera high school, Marcos studied under teacher and artist Juan Rivera Saavedra, who introduced him to the works of Argentine, Chilean, Italian and American comics artists such as Alberto Breccia, Arturo Del Castillo, Hal Foster, Burne Hogarth, Hugo Pratt, Alex Raymond and Jose Luis Sallinas, among others.[3]

Career[edit]

Political cartoonist Julio Fairle had Marcos fill-in for him with spot illustrations in the influential Latin American newspaper La Prensa[disambiguation needed], which led to more newspaper work. Marcos later contributed caricatures to such weekly political magazines as Rochabus and Zamba Conuto while still an economics major at Peru's University of Lima. He married Norma Martinez in 1960, and the couple had a child, Judith, that same year.[2]

During the 1960s, Marcos drew such comic strips as Benito Puna and James Bond 007 in Peruvian newspapers.[1] He became art director of the newspaper Expreso, working as well on its evening edition, Extra, and a weekly supplement, Estampa.[2] His and Martinez' second child, Gisella, was born in December 1963.[2] Marcos became nationally known in 1965, following his illustrations for the trial and execution by firing squad of a convicted rapist. This wider recognition led to advertising artwork and high-profile political, news, and sports illustration.[2] On December 29, 1966, his and Martinez' third daughter, Norma, was born,[2] and Marcos began freelancing for the Mexican publishing company Editorial Novaro. The following year, while working on the Novaro series Legends of America, the Marcos family, including son Pablo, born December 19, 1967, moved to Mexico.[2]

American comics[edit]

Marcos moved to New Jersey in the U.S. in the 1970s.[2] Warren Publishing art director Billy Graham assigned him his first American-comics work, penciling and inking the six-page story "The Water World", by writer Buddy Sounders, in Warren's black-and-white horror-comics magazine Creepy #39 (May 1971).[4] After another Creepy story and one in companion magazine Eerie that year, Marcos drew comics exclusively for rival Skywald Publications' Nightmare and Psycho from May 1972 to May 1973 cover-dates.[4] Skywald co-founder Sol Brodsky introduced Marcos to fellow Peruvian artist Boris Vallejo, who became a mentor.[2]

Giant-Size Dracula #2 (Sept. 1974), cover-artist Marcos' first American color comics work

When Brodsky, who had been Marvel Comics' production manager, left Skywald to return to Marvel, he brought Marcos along as an artist and later his staff assistant for roughly two months. Marcos began drawing covers for such Marvel UK titles featuring such characters and features as Captain Britain, "Planet of the Apes", and Dracula. Marcos' naturalistic, "illustrative" style, similar to that of Neal Adams, became a mainstay of Marvel's black-and-white horror-comics magazines Dracula Lives!, Monsters Unleashed, Tales of the Zombie, Vampire Tales and others, and the exposure afforded by industry leader Marvel made Marcos a popular artist of the 1970s.

His first color-comics work in the U.S. was the cover of Marvel's Giant-Size Dracula #2 (Sept. 1974). Marcos' color-comics interior-art debut came at publisher Martin Goodman's short-lived Atlas/Seaboard Comics, illustrating the sword-and-sorcery title Iron Jaw #3 (May 1975). He went on to draw the following issue, plus the Iron Jaw story in Barbarians #1 and the cover of The Brute #3 (both July 1975) before the company folded.[4]

Marcos next freelanced for DC Comics, drawing Man-Bat stories in Detective Comics, and working on an issue or two each of series including Freedom Fighters, Kamandi, Kobra, Secret Society of Super-Villains, and Teen Titans[5] before returning to Marvel to do art for issues of The Avengers, The Mighty Thor and other comics.[4] In 1980, Marcos additionally freelanced for an Italian comic-book series, Tremila Dollari per Ebenezer Cross Western Story, and created a series, "Dragon" for the Mexican magazine Ejea.[2]

By the early 1980s, Marcos was at work at what would become one of his signature characters, inking penciler John Buscema on Conan the Barbarian comic books, the black-and-white magazine The Savage Sword of Conan, and the newspaper comic strip. In September 1985, however, Marcos reduced his workload in order to tend to his severely ill wife, a patient at New York University Medical Center, who died on November 6, 1985, age 42. Unable to concentrate on penciling, Marcos solely inked for some time afterward. He married artist Myriam Giraldo on December 10, 1987.[2]

Marcos illustrated a long run of DC's TV tie-in series Star Trek: The Next Generation through the early 1990s, and again from 1993–1994.[4] His last known comics penciling for several years was the 14-page, painted story "Om", scripted by Ron Fortier from a Marcos plot, in Quantum Cat Entertainment's Frank Frazetta Fantasy Illustrated #7 (July 1999). He returned as an inker two years later on a handful of issues of CrossGen's Ruse, Mystic, Crux, and Silken Ghost through 2003, and once again did penciling from 2006 to 2008, on comics including Dynamite Entertainment's Red Sonja and Savage Tales.[4]

Other work[edit]

In the 1990s and 2000s, the Pablo Marcos Studio illustrated many books in Waldman Publishing's Great Illustrated Classics series of young-adult adaptations of such novels as Gulliver's Travels, The Invisible Man, Jane Eyre,[6] The Jungle Book, King Solomon's Mines, A Little Princess, and The Three Musketeers. His studio similarly illustrated Baronet's "Heroes of America: Illustrated Lives" series, including Heidi,[7] Clara Barton and the American Red Cross and Babe Ruth.

Notes[edit]

  1. ^ a b Pablo Marcus at the Lambiek Comiclopedia
  2. ^ a b c d e f g h i j k Artist Biography, PabloMarcosArt.com (official site). WebCitation archive.
  3. ^ Pablo Marcos interview, Comic Book Artist #13, May 2001, pp. 104–108
  4. ^ a b c d e f Pablo Marcos at the Grand Comics Database
  5. ^ McAvennie, Michael; Dolan, Hannah, ed. (2010). "1970s". DC Comics Year By Year A Visual Chronicle. Dorling Kindersley. p. 171. ISBN 978-0-7566-6742-9. More than three years since Teen Titans was canceled, writers Paul Levitz and Bob Rozakis, with artist Pablo Marcos, revived the series. 
  6. ^ Great Illustrated Classics: Jane Eyre, GreatIllustratedClassics.com
  7. ^ Great Illustrated Classics: Heidi, Scribd.com

References[edit]