K'inich Janaab' Pakal
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|K'inich Janaab' Pakal|
|Ajaw of Palenque|
Pacal the Great
|Reign||July, 615 – August, 683 CE|
|Full name||K'inich Janaab' Pakal|
|Born||126.96.36.199.0 - March 603|
|Died||188.8.131.52.18 - August 683 age 80|
|Buried||Temple of the Inscriptions, Palenque|
|Successor||K'inich Kan B'alam II|
|Issue||K'inich Kan B'alam II
K'inich K'an Joy Chitam II
|Father||K'an Mo' Hix|
K'inich Janaab' Pakal (Mayan pronunciation: [k’iniʧ xanaːɓ pakal]) (March 603 – August 683) was ruler of the Maya polity of Palenque in the Late Classic period of pre-Columbian Mesoamerican chronology. During a long reign of some 68 years — the longest known regnal period in Western Hemisphere history, and the twenty-seventh longest worldwide — Pakal was responsible for the construction or extension of some of Palenque's most notable surviving inscriptions and monumental architecture.
Before his name was securely deciphered from extant Maya inscriptions, this ruler had been known by an assortment of nicknames and approximations, including Pakal[pronunciation?] (or Pacal), "Sun Shield", "8 Ahau", and (familiarly) as Pacal the Great. The word pakal means "shield" in the Maya language.
In modern sources his name is also sometimes appended with a regnal number, to distinguish him from other Janaab' Pakals that either preceded or followed him in the dynastic lineage of Palenque. Confusingly, he has at times been referred to as either "Pakal I" or "Pakal II". Reference to him as Pakal II alludes to his maternal grandfather (who died in 612) also being named Janaab' Pakal. However, although his grandfather was a personage of ajaw ranking, he does not himself appear to have been a king. When instead the name Pakal I is used, this serves to distinguish him from two later known successors to the Palenque rulership, Upakal K'inich Janaab' Pakal (ruled c. 742, aka "[K'inich Janaab'] Pakal II") and Wak Kimi Janaab' Pakal (aka [Janaab'] Pakal III), the last-known Palenque ruler, who acceded in 799.
Pakal ascended the throne at age 12 in July, 615 - Long Count 184.108.40.206.8 5 lamat 1 mol, and lived to the age of 80. He expanded Palenque's power in the western part of the Maya states and initiated a building program at his capital that produced some of Maya civilization's finest art and architecture. He was preceded as ruler of Palenque by his mother, Lady Sak K'uk'. As the Palenque dynasty seems to have had Queens only when there was no eligible male heir, Sak K'uk' transferred rulership to her son upon his official maturity.
After his death, Pakal was succeeded by his son K'inich Kan B'alam II. A younger son, K'inich K'an Joy Chitam II, succeeded his brother K'inich Kan B'alam II. After his death, Pakal was deified and was said to communicate with his descendants; he was buried within the Temple of Inscriptions. Though Palenque had been examined by archaeologists before, the secret to opening his tomb — closed off by a stone slab with stone plugs in the holes, which had until then escaped the attention of archaeologists—was discovered by Mexican archaeologist Alberto Ruz Lhuillier in 1948. It took four years to clear the rubble from the stairway leading down to Pakal’s tomb, but was finally uncovered in 1952. His skeletal remains were still lying in his coffin, wearing a jade mask and bead necklaces, surrounded by sculptures and stucco reliefs depicting the ruler's transition to divinity and figures from Maya mythology. Traces of pigment show that these were once colorfully painted, common of much Maya sculpture at the time.
Whether the bones in the tomb are really those of Pakal is under debate because analysis of the wear on the skeleton’s teeth places the age of the owner at death as 40 years younger than Pakal would have been at his death. Epigraphers insist that the inscriptions on the tomb indicate that it is indeed K'inich Janaab' Pakal entombed within, and that he died at the age of 80 after ruling for around 70 years. Some contest that the glyphs refer to two people with the same name or that an unusual method for recording time was used, but other experts in the field say that allowing for such possibilities would go against everything else that is known about the Maya calendar and records of events. The most commonly accepted explanation for the irregularity is that Pakal, being an aristocrat, had access to softer, less abrasive food than the average person so that his teeth naturally acquired less wear. Despite the controversy, it remains one of the most spectacular finds of Maya archeology. A replica of his tomb is found at the National Museum of Anthropology and History in Mexico City.
Iconography of Pakal's sarcophagus lid
The large carved stone sarcophagus lid in the Temple of Inscriptions is a unique piece of Classic Maya art. Iconographically, it is closely related to the large wall panels of the temples of the Cross and the Foliated Cross centered on world trees. Around the edges of the lid is a band with cosmological signs, including those for sun, moon, and star, as well as the heads of six named noblemen of varying rank. The central image is that of a cruciform world tree. Beneath Pakal is one of the heads of a celestial two-headed serpent viewed frontally. Both the king and the serpent head on which he seems to rest are framed by the open jaws of a funerary serpent, a common iconographic device for signalling entrance into, or residence in, the realm(s) of the dead. The king himself wears the attributes of the Tonsured maize god - in particular a turtle ornament on the breast - and is shown in a peculiar posture that may denote rebirth. Interpretation of the lid has raised controversy. Linda Schele saw Pakal falling down the Milky Way into the southern horizon, a view that would not appear to have found general acceptance among scholars.
Pakal and his sarcophagus in popular culture
Erich von Däniken's "Maya Astronaut"
Pakal’s tomb has been the focus of attention of some "ancient astronaut" enthusiasts since its appearance in Erich von Däniken's 1968 best seller, Chariots of the Gods?. Von Däniken reproduced a drawing of the sarcophagus lid, incorrectly labeling it as being from "Copan" and comparing Pacal's pose to that of Project Mercury astronauts in the 1960s, interpreting drawings underneath him as rockets, and offering it as possible evidence of a supposed extraterrestrial influence on the ancient Maya.
In the center of that frame is a man sitting, bending forward. He has a mask on his nose, he uses his two hands to manipulate some controls, and the heel of his left foot is on a kind of pedal with different adjustments. The rear portion is separated from him; he is sitting on a complicated chair, and outside of this whole frame, you see a little flame like an exhaust.
Von Däniken's claim is not considered a credible interpretation by any professional Mayanist. For example Ian Graham responded, "Well I certainly don't see any need to regard him as a space man. I don't see any oxygen tubes. I see a very characteristically drawn Maya face."
José Argüelles' "Pacal Votan"
Another example of this carving's manifestation in pseudoarchaeology is the identification by José Argüelles of "Pacal Votan" as an incarnation named "Valum Votan," who will act as a "closer of the cycle" in 2012 (an event that is also significant on Argüelles' "13 Moon" calendar). Daniel Pinchbeck, in his book 2012: The Return of Quetzalquatl (2006), also uses the name "Votan" in reference to Pakal. However, this name is not used for Pakal by Mayanist researchers such as academic archaeologists, epigraphers, and iconographers. Argüelles claims a connection between Pakal and the semi-historical Toltec figure Topiltzin Ce Acatl Quetzalcoatl, but this is not supported by archaeological or epigraphic evidence. New Age interpretations of Pakal's tomb are a cornerstone of contemporary Mayanism.
- These are the dates indicated on the Maya inscriptions : in Mesoamerican Long Count calendar, 220.127.116.11.0 and 18.104.22.168.18 (Tiesler & Cucina 2004, p. 40).
- Maya rulership titles and name glyphs themselves do not use regnal numbers, they are a convenience only of modern scholars.
- Skidmore 2008: p. 71
- Stokstad, Marilyn (2008). Art History Fourth Edition. Upper Saddle River, New Jersey: Prentice Hall. p. 388. ISBN 0-205-74422-2.
- Schele and Mathews 1998: 111-112
- Stuart and Stuart 2008: 174-177
- Freidel, Schele, Parker 1993: 76-77
- von Däniken, Erich. 1968. Chariots of the Gods? Bantam Books. pp. 100-101, line drawing between pp. 78 & 79.
- Freidel, David, Linda Schele, Joy Parker, Maya Cosmos. William Morrow & Company, New York 1993.
- Schele, Linda, and Peter Mathews, The Code of Kings. New York: Scribner 1998.
- Stuart, David, and George Stuart, Palenque, Eternal City of the Maya. Thames & Hudson 2008.
- Tiesler, Vera; Cucina, Andrea (2004), Janaab' Pakal de Palenque: Vida y muerte de un gobernante maya, Mexico: UNAM, ISBN 978-970-32-1489-1
- Skidmore, Joel (2008), The Rulers of Palenque. A Beginner's Guide, Mesoweb Publications, retrieved May 6, 2013
- Drawings of the sarcophagus of Pacal the Great
- Photo of the sarcophagus of Pacal II
- Mesoweb's description of the discovery of Pacal II's tomb
- Michael Finley's "T
- 3D Sculpture Kinich Janaab Pakal (Sculptor Juan Carlos Varela
|King of Palenque
July, 615 – August, 683
K'inich Kan B'alam II