Palladian villas of Veneto

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Villa Capra "La Rotonda" in Vicenza. One of Palladio's most influential designs
Villa Godi in Lugo Vicentino. An early work notable for lack of external decoration

The Palladian villas of Veneto are villas designed by architect Andrea Palladio, all of whose buildings were erected in Veneto, the mainland region then under the political control of the Venetian Republic. Most villas are protected by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto.

The term villa was used to describe a country house. Often rich families in Veneto also had a house in town called palazzo. In most cases the owners named their palazzi and villas with the family surname, hence there is both a Palazzo Chiericati in Vicenza and a Villa Chiericati in the countryside, similarly there is a Ca' Foscari in Venice and a Villa Foscari in the countryside. Somewhat confusingly there are multiple Villas Pisani, including two by Palladio.

UNESCO inscribed the site on the World Heritage List in 1994.[1] At first the site was called "Vicenza, City of Palladio" and only buildings in the immediate area of Vicenza were included. Various types of buildings were represented in the original site, which included the Teatro Olimpico, some palazzi and a few villas. However, most of Palladio's surviving villas laid outside the site. That is why in 1996 the site was expanded, hence "City of Vicenza and the Palladian Villas of the Veneto". Its present name reflects the fact that it includes villas designed by Palladio throughout Veneto.

Villa architecture[2][edit]

By 1550, Palladio had produced a whole group of villas, whose scale and decoration can be seen as closely matching the wealth and social standing of the owners: the powerful and very rich Pisani, bankers and Venetian patricians, had huge vaults and a loggia façade realised with stone piers and rusticated Doric pilasters; the (briefly) wealthy minor noble and salt-tax farmer Taddeo Gazzotto in his villa at Bertesina, had pilasters executed in brick, though the capitals and bases were carved in stone; Biagio Saraceno at Finale had a loggia with three arched bays, but without any architectural order. In the villa Saraceno as in the villa Poiana Palladio was able to give presence and dignity to an exterior simply by the placing and orchestration of windows, pediments, loggia arcades: his less wealthy patrons must have appreciated the possibility of being able to enjoy impressive buildings without having to spend much on stone and stone carving.

Palladio's reputation initially, and after his death, has been founded on his skill as a designer of villas. Considerable damage had been done to houses, barns, and rural infrastructures during the War of the League of Cambrai (1509-1517). Recovery of former levels of prosperity in the countryside was probably slow, and it was only in the 1540s, with the growth of the urban market for foodstuffs and determination at government level to free Venice and Veneto from dependence on imported grain, above all grain coming from the always threatening Ottoman state, that a massive investment in agriculture and the structures necessary for agricultural production gathers pace. Landowners for decades had been steadily, under stable Venetian rule, been buying up small holdings, and consolidating their estates not only by purchase, but by swaps of substantial properties with the other landowners. Investment in irrigation and land reclamation through drainage further increased the income of wealthy landowners.

The frescoes in the Villa Caldogno main hall depict the different moments of the life in villa at Palladio's age

Palladio's villas - that is the houses of estate owners - met a need for a new type of country residence. His designs implicitly recognise that it was not necessary to have a great palace in the countryside, modelled directly on city palaces, as many late fifteenth-century villas (like the huge villa da Porto at Thiene) in fact are. Something smaller, often with only one main living floor was adequate as a centre for controlling the productive activity from which much of the owner's income probably derived and for impressing tenants and neighbours as well as entertaining important guests. These residences, though sometimes smaller than earlier villas, were just as effective for establishing a social and political presence in the countryside, and for relaxing, hunting, and getting away from the city, which was always potentially unhealthy. Façades, dominated by pediments usually decorated with the owner's coat of arms, advertised a powerful presence across a largely flat territory, and to be seen did not need to be as high as the owner's city palace. Their loggie offered a pleasant place to eat, or talk, or perform music in the shade, activities which one can see celebrated in villa decoration, for instance in the villa Caldogno. In their interior Palladio distributed functions both vertically and horizontally. Kitchens, store-rooms, laundries and cellars were in the low ground floor; the ample space under the roof was used to store the most valuable product of the estate, grain, which incidentally also served to insulate the living rooms below. On the main living floor, used by family and their guests, the more public rooms (loggia, sala[disambiguation needed]) were on the central axis, while left and right were symmetrical suites of rooms, going from large rectangular chambers, via square middling sized rooms, to small rectangular ones, sometimes used as by the owner as studies or offices for administering the estate.

The owner's house was often not the only structure for which Palladio was responsible. Villas, despite their unfortified appearance and their open loggie were still direct descendants of castles, and were surrounded by a walled enclosure, which gave them some necessary protection from bandits and marauders. The enclosure (cortivo) contained barns, dovecote towers, bread ovens, chicken sheds, stables, accommodation for factors and domestic servants, places to make cheese, press grapes, etc. Already in the 15th century it was usual to create a court in front of the house, with a well, separated from the farmyard with its barns, animals, and threshing-floor. Gardens, vegetable and herbal gardens, fish ponds, and almost invariably a large orchard (the brolo) all were clustered around, or located inside the main enclosure.

Palladio in his designs sought to co-ordinate all these varied elements, which in earlier complexes had usually found their place not on the basis of considerations of symmetry vista and architectural hierarchy but of the shape of the available area, usually defined by roads and water courses. Orientation was also important: Palladio states in the Quattro Libri that barns should face south so as to keep the hay dry, thus preventing it from fermenting and burning.

Palladio found inspiration in large antique complexes which either resembled country houses surrounded by their outbuildings or which he actually considered residential layouts - an example is the temple of Hercules Victor at Tivoli, which he had surveyed. It is clear, for instance, that the curving barns which flank the majestic façade of the villa Badoer were suggested by what was visible of the Forum of Augustus. In his book Palladio usually shows villa layouts as symmetrical: he would have known however that often, unless the barns to the left and right of the house faced south, as at the villa Barbaro at Maser, the complex would not have been built symmetrically. An example is the villa Poiana, where the large barn, with fine Doric capitals, was certainly designed by Palladio. It faces south, and is not balanced by a similar element on the other side of the house.

List[edit]

The World Heritage site includes the following villas:


# Name Location Province Coordinates
712-001 City of Vicenza including 23 buildings by Palladio Vicenza Vicenza 45°32′57″N 11°32′58″E / 45.54917°N 11.54944°E / 45.54917; 11.54944 (City of Vicenza)
712-002 Villa Trissino Cricoli, Vicenza Vicenza 45°33′55″N 11°32′49″E / 45.56528°N 11.54694°E / 45.56528; 11.54694 (Villa Trissino)
712-003 Villa Gazzotti Grimani Bertesina, Vicenza Vicenza 45°33′13″N 11°34′30″E / 45.55361°N 11.57500°E / 45.55361; 11.57500 (Villa Gazzotti)
712-004 Villa Almerico Capra, «La Rotonda» Vicenza Vicenza 45°31′54″N 11°33′36″E / 45.53167°N 11.56000°E / 45.53167; 11.56000 (Villa Almerico Capra)
712-005 Villa Angarano Bassano del Grappa Vicenza 45°46′50″N 11°43′25″E / 45.78056°N 11.72361°E / 45.78056; 11.72361 (Villa Angarano)
712-006 Villa Caldogno Caldogno Vicenza 45°36′26″N 11°30′24″E / 45.60722°N 11.50667°E / 45.60722; 11.50667 (Villa Caldogno)
712-007 Villa Chiericati Grumolo delle Abbadesse Vicenza 45°30′16″N 11°39′12″E / 45.50444°N 11.65333°E / 45.50444; 11.65333
712-008 Villa Forni Cerato Montecchio Precalcino Vicenza 45°39′11″N 11°33′40″E / 45.65306°N 11.56111°E / 45.65306; 11.56111
712-009 Villa Godi Lonedo di Lugo Vicentino Vicenza 45°44′44″N 11°31′43″E / 45.74556°N 11.52861°E / 45.74556; 11.52861
712-010 Villa Pisani Bagnolo di Lonigo Vicenza 45°21′31″N 11°22′10″E / 45.35861°N 11.36944°E / 45.35861; 11.36944
712-011 Villa Poiana Poiana Maggiore Vicenza 45°16′54″N 11°30′03″E / 45.28167°N 11.50083°E / 45.28167; 11.50083
712-012 Villa Saraceno Agugliaro Vicenza 45°18′38″N 11°35′12″E / 45.31056°N 11.58667°E / 45.31056; 11.58667 (Villa Saraceno)
712-013 Villa Thiene Quinto Vicentino Vicenza 45°34′22″N 11°37′47″E / 45.57278°N 11.62972°E / 45.57278; 11.62972 (Villa Thiene)
712-014 Villa Trissino Sarego Vicenza 45°25′42″N 11°24′49″E / 45.42833°N 11.41361°E / 45.42833; 11.41361 (Villa Trissino)
712-015 Villa Valmarana Bolzano Vicentino Vicenza 45°35′01″N 11°36′41″E / 45.58361°N 11.61139°E / 45.58361; 11.61139 (Villa Valmarana)
712-016 Villa Valmarana Monticello Conte Otto Vicenza 45°34′58″N 11°35′40″E / 45.58278°N 11.59444°E / 45.58278; 11.59444 (Villa Valmarana)
712-017 Villa Badoer, «La Badoera» Fratta Polesine Rovigo 45°01′48″N 11°38′46″E / 45.03000°N 11.64611°E / 45.03000; 11.64611 (Villa Badoer)
712-018 Villa Barbaro Maser Treviso 45°48′20″N 11°58′48″E / 45.80556°N 11.98000°E / 45.80556; 11.98000 (Villa Barbaro)
712-019 Villa Emo Vedelago Treviso 45°42′43″N 11°59′23″E / 45.71194°N 11.98972°E / 45.71194; 11.98972 (Villa Emo)
712-020 Villa Zeno Cessalto Treviso 45°42′11″N 12°38′20″E / 45.70306°N 12.63889°E / 45.70306; 12.63889 (Villa Zeno)
712-021 Villa Foscari, «La Malcontenta» Mira Venice 45°26′07″N 12°12′01″E / 45.43528°N 12.20028°E / 45.43528; 12.20028 (Villa Foscari)
712-022 Villa Pisani Montagnana Padua 45°13′37″N 11°28′07″E / 45.22694°N 11.46861°E / 45.22694; 11.46861 (Villa Pisani)
712-023 Villa Cornaro Piombino Dese Padua 45°36′14″N 11°59′57″E / 45.60389°N 11.99917°E / 45.60389; 11.99917 (Villa Cornaro)
712-024 Villa Serego San Pietro in Cariano Verona 45°29′58″N 10°55′32″E / 45.49944°N 10.92556°E / 45.49944; 10.92556 (Villa Serego)
712-025 Villa Piovene Lugo Vicentino Vicenza 45°44′48″N 11°31′36″E / 45.74667°N 11.52667°E / 45.74667; 11.52667 (Villa Piovene)


Others[edit]

Other villas designed by Palladio but actually not included in the World Heritage list:

# Name Location Province Coordinates Notes
Wing of the Villa Thiene Cicogna of Villafranca Padovana Padua 45°30′11″N 11°47′32″E / 45.5031°N 11.7923°E / 45.5031; 11.7923 (Wing of the Villa Thiene) unfinished, built only a barchessa
Villa Repeta Campiglia dei Berici Vicenza 45°20′33″N 11°32′23″E / 45.3425°N 11.5396°E / 45.3425; 11.5396 (Villa Repeta) destroyed by a fire and rebuilt in other shape
Villa Porto Molina di Malo Vicenza unfinished
Villa Porto Vivaro di Dueville Vicenza uncertain attribution, but traditionally attributed to Palladio
Villa Contarini Piazzola sul Brenta Padua 45°32′38″N 11°47′07″E / 45.543858°N 11.785262°E / 45.543858; 11.785262 (Villa Contarini) the original core of the villa was probably by Palladio
Villa Arnaldi Sarego Vicenza unfinished

In the Quattro libri (1570), Palladio published other projects of villas, but unrealized. Among them Villa Mocenigo a Marocco (now in Mogliano Veneto)[3] and Villa Mocenigo alla Brenta.[4]

References[edit]

  1. ^ "UNESCO World heritage site number 712". Whc.unesco.org. 2007-01-03. Retrieved 2012-05-06. 
  2. ^ The "Villa architecture" section was originally taken from: Howard Burns, Andrea Palladio (1508-1580), Centro Internazionale di Studi di Architettura Andrea Palladio (with kind permission of the CISA)
  3. ^ Project published by Palladio in the I quattro libri dell'architettura (book 2nd; 1570); in the same site Villa Volpi was realized with a different project
  4. ^ Project published by Palladio in the I quattro libri dell'architettura (book 2nd; 1570)

External links[edit]

Coordinates: 45°33′N 11°33′E / 45.550°N 11.550°E / 45.550; 11.550