||It has been suggested that Palmanova Fortress be merged into this article. (Discuss) Proposed since July 2012.|
|— Comune —|
|Città di Palmanova|
|Frazioni||Jalmicco, Sottoselva, San Marco|
|• Mayor||Federico Cressati|
|• Total||13.32 km2 (5.14 sq mi)|
|Elevation||27 m (89 ft)|
|Population (21 December 2009)|
|• Density||410/km2 ( 1,100/sq mi)|
|Time zone||CET (UTC+1)|
|• Summer (DST)||CEST (UTC+2)|
|Patron saint||Justina of Padua|
|Saint day||October 7|
Palmanova (Friulian: Palme) is a town and comune in northeastern Italy, close to the border with Slovenia. It is located 20 km from Udine, 28 km from Gorizia and 55 km from Trieste near the junction of the Autostrada Alpe-Adria (A23) and the Autostrada Venezia-Trieste (A4).
On October 7, 1593, the superintendent of the Republic of Venice founded a revolutionary new kind of settlement: Palmanova. The city’s founding date commemorated the victory of European forces (supplied primarily by the Venetian republic) over Ottoman Turks in the Battle of Lepanto. October 7 also celebrated Saint Justina, chosen as the city’s patron saint. Using all the latest military innovations of the 16th century, this tiny town was a fortress in the shape of a nine-pointed star, designed by Vincenzo Scamozzi. In between the points of the star, ramparts protruded so that the points could defend each other. A moat surrounded the town, and three large, guarded gates allowed entry. Marcantonio Barbaro headed a group of Venetian noblemen in charge of building the town, Marcantonio Martinego was in charge of construction, and Giulio Savorgnan acted as an adviser. The outer line of fortifications was completed under the Napoleonic domination. From 1815 to 1866 the city was under Austria, and was annexed 50 years later to Italy together with Veneto and the western Friuli. In 1960 Palmanova was declared a national monument.
American professor Edward Wallace Muir Jr. said on Palmanova: "The humanist theorists of the ideal city designed numerous planned cities that look intriguing on paper but were not especially successful as livable spaces. Along the northeastern frontier of their mainland empire, the Venetians began to build in 1593 the best example of a Renaissance planned town: Palmanova, a fortress city designed to defend against attacks from the Ottomans in Bosnia. Built ex nihilo according to humanist and military specifications, Palmanova was supposed to be inhabited by self-sustaining merchants, craftsmen, and farmers. However, despite the pristine conditions and elegant layout of the new city, no one chose to move there, and by 1622 Venice was forced to pardon criminals and offer them free building lots and materials if they would agree to settle the town. Thus began the forced settlement of this magnificent planned space, which remains lifeless to this day and is visited only by curious scholars of Renaissance cities and bored soldiers who are still posted there to guard the Italian frontier."
The Ideal City of the Renaissance 
Palmanova is a city in Italy constructed during the renaissance and it is a city built following the ideals of a utopia. It is a concentric city with the form of a star, with three nine sided ring roads intersecting in the main military radiating streets. It was built at the end of the 16th century by the Venetian Republic which was, at the time, a major center of trade. It is actually considered to be a fort, or citadel, because the military architect Giulio Savorgnano designed it to be a Venetian military station on the eastern frontier as protection from the Ottoman Empire.
During the renaissance many ideas of a utopia, both as a society and as a city, surfaced. Utopia was considered to be a place where there was perfection in the whole of its society. This ideas started by Sir Thomas More, when he wrote the book Utopia. The book described the physical features of a city as well as the life of the people who lived in it. His book sparked a flame in literary circles. A great many other books of similar nature were written in short order. They all followed a major theme: equality. Everyone had the same amount of wealth, respect, and life experiences. The society had a calculated elimination of variety and a monotonous environment. The city where they lived was always geometric in shape, and was surrounded by a wall. These walls provided military strength, but also protected the city by preserving and passing on man’s knowledge. The knowledge, learning and science gave form to the daily life of the people living inside the walls. The knowledge of each person was shared by the entire society, and there was no way to let any information either in or out. As Thomas More said in his book, “He that knows one knows them all, they are so alike one another.”
Alberti, and then followed by Filarete, were the first ones to develop the ideas of a Utopia into the plan of a city. Filarete designed a concentric city, with peaks and radiating streets, which he called Sforzinda. His geometry was the imitation of a schema representing the work It is believed to have derived from two overlaying squares. Sforzinda later became the most influential plan in the design of Palmanova. Since Palmanova was built during the renaissance, it imposed geometrical harmony and followed the idea that beauty reinforces the wellness of a society. Each road and move was carefully calibrated and each part of the plan had a reason for being. Each person would have the same amount of responsibility and land, and each person had to serve a specific purpose. The concentric shape was the most prominent design move, and had many reasons for being.
The circular shape of Palmanova was greatly influenced by the fact that it needed to be a fort. At the time of its construction, many other urban theoreticians found the checkerboard was more useful, but it could not provide the protection that military architects desired. The walls of a practical fort are run at angles so that enemy soldiers could not approach it easily because the angles made it possible to establiish overlapping fields of fire.
The shape is also comes from cosmological ideas, reflecting on the religion of that day in age. It is believed to be the most perfect of all geometries, because the radii are equidistant at all points, and it is a mirror of a harmonious cosmic order. In the Catholic religion, as well as the pagan religions Catholicism supplanted, the circle is the basis of everything created. It represents perfection, as well as the cycle of life and death. What this means is that the circular shape also works to imitate nature, thus appearing to blend into the surrounding countryside instead of sticking out in the landscape the way most cities do up until this very day. The designers' intent was more than mere camouflage, they meant for the city to be in harmony with the divine.
Main sights 
The cathedral 
The cathedral is located in front of the town hall of Palmanova (formerly the Palace of Provveditore). Commissioned in 1603, the construction started later that year under Inspector Girolamo Cappello, and was completed in 1636. Who the architects were is uncertain, but may have been Vincenzo Scamozzi and Baldassare Longhena. The cathedral was not consecrated until 1777, after the town had been included into the Archbishopric of Udine.
The bell tower of the cathedral, erected in 1776, was deliberately made short because enemies attacking the city should not be able to see the cathedral from outside the city walls.
The niches in the facade contain statues representing the saints Justina of Padua, one of Padua's patron saints, and Mark, as well as a statue of Christ, the Redeemer. The facade itself is made of stone from Istria, and was restored in 2000.
- The three monumental gates Porta Udine, Porta Cividale and Porta Aquileia.
- The Piazza Grande, to which all the main edifices of the city open, built in Istrian stone.
- The singer Sting gave an outdoor concert in Palmanova's main piazza on July 5, 2001
- “Renaissance war studies”, John Rigby Hale, London Hambledon Press, 1983, pg. 185  ISBN 0-907628-02-8
- Muir, Edward (2007). The culture wars of the late Renaissance : skeptics, libertines, and opera. Cambridge: Harvard University Press. pp. xiii, 175 p. : ill. ; 22 cm. ISBN 978-0-674-02481-6.
- Date: July 05, 2001 / Location: Palmanova / Venue: Piazza Grande / Tour: Brand New Day 1999/01, exclusives.tours, Sting.com.[dead link]Archive copy at the Wayback Machine
1 Hale, J R. “Palmanova: analisi di una citta fortalezza.” Burlington Magazine, 1984, 447.
Vol. 126 No. 976
2 Rowe, Collin. The Mathematics if the Ideal Villa and Other Essays. The MIT Press, n.d.
3 Rowe, Collin. The Mathematics if the Ideal Villa and Other Essays. 206-211
4 Bierman, Judah. PMLA. Science and Society in the New Atlantis and Other Renaissance Utopias. Vol. 78, MLA, 1963.
5 Lang, S. “Sforzinda, Filarete, and Filelfo.” Journal of the Warburg and Courtauld Institutes 35, (1972): 391-397.
6 de la Croix, Horst. “Military Architecture and the Radial City Plan in Sixteenth Century Italy.” The Art Bulletin 42, no. 4 (1960): 263-290.
College Art Association
7 Lang, S. “Sforzinda, Filarete, and Filelfo.” 391-397
8 Rowe, Collin. The Mathematics if the Ideal Villa and Other Essays. 206-211
9 Rowe, Collin. The Mathematics if the Ideal Villa and Other Essays. 206-211
|Wikimedia Commons has media related to: Palmanova|
- "Palmanova, Italy". NASA Earth Observatory newsroom. Retrieved 2004-04-28.
- "Palmanova, Italy". Google Maps. Retrieved 2006-10-05.
- Aerial picture (low res.)
- Palmanova medieval festival (photo)