Pan Tadeusz (film)

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For the previous film, see Pan Tadeusz (1928 film). For the 1834 epic poem on which both films are based, see Pan Tadeusz.
Pan Tadeusz
PanTadeusz1999.jpg
Promotional movie poster for the film
Directed by Andrzej Wajda
Produced by Lew Rywin
Written by Andrzej Wajda
Jan Nowina-Zarzycki
Based on Pan Tadeusz 
by Adam Mickiewicz
Starring Bogusław Linda
Alicja Bachleda
Grażyna Szapolowska
Andrzej Seweryn
Michał Żebrowski
Marek Kondrat
Music by Wojciech Kilar
Cinematography Paweł Edelman
Edited by Wanda Zeman
Anita Wandzel
Distributed by Heritage Films
Canal+Polska
Les Films du Losange
Release date(s)
  • 22 October 1999 (1999-10-22)
Running time 147 minutes
Country Poland
France
Language Polish
Budget $5 million (estimated)
12,5 million zloty

Pan Tadeusz: The Last Foray in Lithuania is a 1999 Polish film directed by Andrzej Wajda. It is based on the eponymous epic poem by Polish poet, writer and philosopher Adam Mickiewicz (1798–1855).[1] In his film, Andrzej Wajda weaves the tangled passions of men and women into a handsome, expansive tapestry of exile, yearning, Polish pride, war and history. In a nutshell, Pan Tadeusz is a story of family feuds, vows of vengeance, concealed identities, thwarted love, lusty passions, murder, pain, guilt, deathbed revelations and reconciliations that resonate through the generations.

Historical background[edit]

[2] For 400 years, Lithuania and Poland were united in the Polish–Lithuanian Commonwealth, until Poland was partitioned in 1795 by three nations at its borders: the Russian Empire, the Kingdom of Prussia, and the Habsburg Monarchy (see Partitions of Poland). At that point Poland, the formerly powerful nation, simply ceased to exist. Yet one hope remained for the patriotic Poles yearning for autonomy – the First French Empire. Napoleon promised to restore the Polish homeland if Poles, in turn, helped him defeat the Russian Empire. Thousands of Poles were part of the Grande Armée during the French invasion of Russia. The invasion force reached the gates of Moscow before being forced into a long and bloody retreat. The film itself centers on two noble families who live in the Russian-controlled part of Poland: the Horeszko family, who ardently favor Polish independence, and the Soplica family, who support Russia.

Synopsis[edit]

Pan Tadeusz is told in flashbacks as the author, Adam Mickiewicz, reads his work to a group of elderly exiles in Paris. The story takes place over the course of five days in 1811 and one day in 1812 in rolling landscapes of Lithuania inhabited by Poles whose homeland has been recently partitioned among Russia, the Austrian Empire and Prussia. Not far off in history looms Napoleon's invasion of Russia, the prospect of which heartens Poles yearning for liberation. But more immediately, the characters in Pan Tadeusz are feuding among themselves.

At odds are two families: the Soplicas and the Horeszkos. Their differences arise from a bloody night when the dashing Jacek Soplica (who was earlier rejected as a suitor for the old Count Horeszko's daughter), takes advantage of a Russian assault on the Count's castle to kill him. At that moment, the Count's faithful warden, Gervazy, vows vengeance for his master's death. Gervazy will not forgive and forget that in 1792, the last household lord of the Horeszkos was killed by Jacek Soplica and as a result, the latter was rewarded with the former's castle by the Russian colonizers.

20 years later, matters remain unresolved. Jacek Soplica's brother, Judge Andrzej Seweryn (who now lives in the castle of Count Horeszko), is locked in a lawsuit over the castle. A relative of the old murdered Count, young Count Horeszko (Marek Kondrat) has just arrived on the scene, as has 20-year-old Tadeusz Soplica (Michal Zebrowski), the Judge's nephew. He is soon smitten with the innocent Zosia (Alicja Bachleda), the teenage ward of his manipulative aunt, Telimena (Grazyna Szapolowska).

Preaching insurrection among the people is Priest Robak (Boguslaw Linda), who carries more than a few secrets under his cowl.[3] Robak informs the Poles who are living in Lithuania that Napoleon is marching against the Russians and will be crossing the nearby Niemen River. Naturally, the Poles get intensely worked up over this news as they abhor their Russian overlords.

In the meantime, aunt Telimena, who is in charge of raising 14-year old Zosia, begins a relationship with Tadeusz. This relationship does not please the rest of the family who expect Tadeusz to marry Zosia.

More reports arrive of the approach of Napoleon's army. It is said that Polish horsemen are coming with the French and will cross the Niemen. At this time Tadeusz finds out that his father Jacek is still alive and that it was he who sent Priest Robak to his uncle to secure the marriage of Tadeusz and Zosia. Through this marriage, Jacek wishes to make amends for his past sins by restoring the land back to the Count. However, aunt Telimena (who is in love with Tadeusz herself) secretly wishes for Zosia to marry the wealthy Count.

When the Count attends a banquet given by the Soplica's family, Gervazy (the old Count's faithful warden) wreaks havoc by bringing up the old family dispute (namely Jacek Soplica killing old Count Horeszko). The Count and Tadeusz agree to settle their dispute with a duel. Meanwhile, it is revealed to the judge that Father Robak is actually Jacek Soplica. To take vengeance on the Soplica family, the Count and Gervazy head to the village of Dobrzyn to recruit some of the gentry to help destroy them. Vengeance is combined with the goal of starting an insurrection against the Russians. The recruited gentry along with the Count put the Soplicas under house arrest while Gervazy and his forces settle in the castle and make it the headquarters of the Count. The Russian soldiers intervene and capture all the rebels and make them prisoner. Nonetheless, the Soplica's supply weapons and free the rebels, which ultimately allows both Poles and Lithuanians to come together to fight the Russians. In the struggle, Jacek Soplica personally saves the lives of both the Count and Gervazy, for which the two men forgive Jacek Soplica for his past sins. Climactically, the Poles and Lithuanians win the battle, but many will have to leave their homes to avoid the wrath of the Russians.

As news is received that Napoleon has declared war on Russia, the Count and Tadeusz, forgetting their promised duel, head off to join the French troops marching against the Russians. As the story of Pan Tadeusz approaches the end, Count Horeszko and Tadeusz Soplica return as soldier heroes and both families (Soplicas and Horeszkos) celebrate and rejoice in peace as Tadeusz is betrothed to Zosia.[4]

The film ends, as it began, with many of the protagonists, now emigres in Paris, listening to Adam Mickiewicz as he reads from his poem about the homeland to which they cannot return.

Cast[edit]

  • Boguslaw Linda (Jacek Soplica [ˈjatsɛk sɔpˈlitsa] alias Priest Robak, Bernardyn, father of Tadeusz Soplica, brother of Judge Soplica)
  • Michal Zebrowski (Tadeusz (Thaddeus) Soplica [taˈdɛuʃ sɔpˈlitsa], son of Jacek Soplica, 20 year old nephew of Judge Soplica, in love with Zosia)
  • Alicja Bachleda-Curus (Zosia Horeszko [ˈzɔɕa xɔˈrɛʃkɔ], 14 year old orphan raised by Telimena)
  • Grazyna Szapolowska (Telimena [tɛliˈmɛna xɔˈrɛʃkɔ], a distant relative of the Soplicas and of the Horeszkos, guardian of Zosia Horeszko)
  • Andrzej Seweryn (Judge Soplica, younger brother of Jacek Soplica)
  • Marek Kondrat (Count Horeszko, a distant relative of the Horeszko family and the rightful owner of the castle)
  • Daniel Olbrychski (Gervazy [gɛrˈvazɘ], the Warden, formerly a servant of the Horeszko family)
  • Krzysztof Kolberger (Adam Mickiewicz)
  • Sergei Shakurov (Rykow)
  • Jerzy Bińczycki (Maciej Królik-Rózeczka)
  • Jerzy Trela (Podkomorzy)
  • Jerzy Gralek (Wojski)
  • Marian Kociniak (Protazy)
  • Piotr Gasowski (Rejent)
  • Andrzej Hudziak (Asesor)
  • Marek Perepeczko (Maciej Chrzciciel)

Critical reception[edit]

[5] Adam Mickiewicz's Pan Tadeusz is a national epic poem of the highest degree of sanctity in Poland. Ever since it was written, it has caused heated debates on its meanings. Although criticized by Mickiewicz's contemporaries, time has made it a universal masterpiece which can be interpreted and adapted for different times and different people. It is a simple love story set in an old-style Polish countryside mansion for the gentry and its surroundings, against the rising hopes of Napoleon invading Russia and the subsequent prospect of regaining the country's independence – lost years before.[6] This film, which in many ways sums up Wajda's long and illustrious career, was a massive success in its native Poland.

Box Office performance[edit]

[7]Pan Tadeusz was an overwhelming commercial success, but only in its domestic market. With more than 6 million tickets sold to its screenings in Poland, it was significant in allowing for the unprecedented domination of Polish box-office by domestic productions, an exception in the history of the late 20th century Polish and also European cinema. Pan Tadeusz did not do what Wajda’s other films managed in the past; it did not make the Polish voice heard internationally. While Wajda’s Neo Realist trilogy of Pokolenie (A Generation) (1954), Kanal (Canal) (1957), and Popiol i diament (Ashes and Diamonds) (1958) was quoted as inspiration by, for instance, Martin Scorsese, and Wajda’s diptych, Czlowiek z marmuru (Man of Marble) (1976) and Czlowiek z zelaza (Man of Iron) (1981), was a lauded messenger from behind the Iron Curtain, Pan Tadeusz answered to a different set of needs and problems faced by the post-transitional Poland. It was most audible where it was most needed: at home.

[8]Pan Tadeusz played in eastern Europe during the latter half of 1999, featured at the Berlin Film Festival, and endured a limited, albeit financially unsuccessful, run in the US early in 2000.

Soundtrack by Wojciech Kilar[edit]

The famous Polish composer, Wojciech Kilar conceived his breathtaking score for Pan Tadeusz in addition to scores for over 100 films, including: Bram Stoker's Dracula, Death and the Maiden (film), The Portrait of a Lady (film), The Pianist (2002 film), the The Truman Show and The Ninth Gate. Kilar is also internationally known for his epic Exodus, which is famous as the trailer music from Schindler's List.[9]

Academy Award submission and Awards[edit]

Pan Tadeusz was Poland's official Best Foreign Language Film submission at the 72nd Academy Awards, but did not manage to receive a nomination.[10] Pan Tadeusz did however win awards at The Polish Film: Eagle award 2000. It won Best Film score, Best actress, Best Cinematography, Best Sound, Best Editing and Best Production Design. Andrzej Wajda won a Life Achievement Award at the same ceremony. Mr. Wajda also won an honorary Academy Award (Oscar statuette) in the same year for five decades of extraordinary film direction.

References[edit]

External links[edit]