National Pantheon of Venezuela

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National Pantheon of Venezuela
PanteonNacional.jpg
Details
Year established 27 March 1874
Location Caracas
Country Venezuela
Coordinates 10°30′46″N 66°54′45″W / 10.5129°N 66.9126°W / 10.5129; -66.9126Coordinates: 10°30′46″N 66°54′45″W / 10.5129°N 66.9126°W / 10.5129; -66.9126
Type Public
Owned by Venezuelan government

The Panthéon (Latin Pantheon,[1] from Greek Pantheon, meaning "Temple of all the Gods") is a building on the northern edge of the old town of Caracas, Venezuela. It was originally built as a church, but is now used as a famous burial place. The entire central nave is dedicated to Simón Bolívar, with the altar's place taken by the hero's bronze sarcophagus, while lesser luminaries are relegated to the aisles. The national pantheon's vault is covered with 1930s paintings depicting scenes from Bolívar's life, and the huge crystal chandelier glittering overhead was installed in 1883 on the centennial of his birth.

Contents

[edit] History

Santísima Trinidad Church, 1874
Old facade of the National Pantheon, 1912

On 27 March 1874, president Antonio Guzmán Blanco decreed the transformation of the Santísima Trinidad church of Caracas into a National Pantheon, to conserve the remains of the heroes of Independence and those of eminent people. This church was constructed by Juan Domingo del Sacramento Infante in the middle of the 17'th century, the 1812 earthquake destroyed it almost totally, its slow reconstruction continued under the direction of several engineers and when was decree as Pantheon, it was still not finished.

The choice of this temple for so lofty a destiny was motivated as much by its then-panoramic and distant position from the urban nucleus of Caracas, as by its historical antecedents, during the return of Simón Bolívar's remains from Santa Marta in 1842, they were deposited temporarily at this church. In the church were also buried, in 1851, the remains of Francisco Rodríguez del Toro (Marqués del Toro), those of José Gregorio Monagas, Andrés Ibarra and Ezequiel Zamora. The decree of Guzmán Blanco was accompanied with the order of the completion of its facades, being finished the project made by engineer José Gregorio Solano during 1853-1858. It was the first design of neogothic architecture in Venezuela, consisted of a symmetrical facade of three doors and two angular towers. The works were led, successively, by the engineers Julian Churión, Juan Hurtado Manrique, Tomás Soriano and Roberto García, finishing on 28 October 1875. Nevertheless, the inauguration of the building occurred during St. Simon's day, when the remains of the Liberator were transferred from the cathedral. These were placed in a wooden sarcophagus with silver and gold coating, made in a neogothic style by the French engraver Emile Jacquin. The statue of the Liberator executed in 1842 by the Italian sculptor Pietro Tenerani was also transferred from the cathedral. The sarcophagus and the statue were placed in the space that was used by the priest of the church. From the ceiling, a crystal chandelier from Bacarat with 230 lights was hung. In 1910, the government of Juan Vicente Gómez undertook a general renovation of the building, following the plans of architect Alejandro Chataing. Some changes to the facade were introduced, and the inner decoration was modified, placing a sky-light in the ceiling of the nave.

National Pantheon, circa 1930

The floor was paved with white, gray and black marble slabs. These works were finished in 1911, on the occasion of the centenary of Independence.

Another redesign of the Pantheon was ordered during Gómez government in 1929, according to the plans of architect Manuel Mujica Millán. This consisted of a radical change in the facades to a neocolonial and neobaroque design, adding in the front a third central tower 48 m high and replacing the lateral ones by others, all constructed of reinforced concrete. Also a new porch with a single entrance was added. The height of the lateral facades was increased, opening the windows in harmony with the internal chapels. Also, the entrance stairs were extended and made the more monumental. These works, which gave the building its present aspect, were undertaken during the year 1930 under the direction of Mujica and the engineers Edgar Pardo, Hernán Ayala and Guillermo Salas. Internally, corrections were made in the arches and the columns. The old wooden sarcophagus that contained the remains of El Libertador was replaced by one of bronze, designed by Spanish sculptor Chicharro Gamo and placed on a marble plinth. The previous marble pavement was replaced, the wooden ceilings were also replaced. The upper part of the nave and of the arches were covered by paintings with allegorical and historical subjects by painter Tito Salas.

[edit] National Pantheon

Bolívar´s tomb at the National Pantheon
Cenotaph of Francisco de Miranda
Cenotaph of Antonio José de Sucre
Monument to José Antonio Páez
Cenotaph of Andrés Bello
Monument to José María Vargas
Monument to Santiago Mariño
Monument to José Gregorio Monagas
First Republic Monument
Federation´s Monument

Inside the Pantheon, on both sides of the main recess that contains the tomb and monument to the Liberator, there are the statues of Francisco de Miranda and Antonio José de Sucre, respectively. Along the whole of the side walls, there are monuments dedicated to the First Republic, José Gregorio Monagas, Andrés Bello, José Antonio Páez, Rafael Urdaneta and José María Vargas and other important Venezuelan people. Under the pavement, in the two side caissons the remains of famous and illustrious Venezuelans are placed, labelled by tablets.

In 1963 the government decreed a regulation, establishing that the building must be opened to the public every day of the year. At the same time, the administration of the graves and other procedures are responsibility of the Ministry of Interior. In 1980, city-planning works to remodel the surroundings of the Pantheon were initiated in accordance with the study of architect Tomás Sanabria.

[edit] List of personalities who are buried at the Pantheon

The following personalities in the preceding list are not buried in the Pantheon because their remains have not been found, but it has been decreed by the Venezuelan authorities they should be[2]:

The following person is not buried in the Pantheon but an empty tomb is kept there, next to Simon Bolivar's in the hopes that his remains will return to his homeland:

[edit] Monuments

Bolívar´s Apotheosis by Tito Salas
Entrance of the National Pantheon

Central Nave

  • Monument to Simón Bolívar by Pietro Tenerani.

Right Nave

  • Monument to the First Republic by Hugo Daini.
  • Monument to José Gregorio Monagas by Julio Roversi.
  • Monumento to the Federation by Juan Bautista Sales Ferré.

Left Nave

  • Monument to José Antonio Páez by José Pizzo.
  • Monument to Rafael Urdaneta by Pietro Ceccarelli.
  • Monument to José María Vargas by Franco Bianchinni.
  • Monument to Santiago Mariño by Manuel de la Fuente.

[edit] Cenotaphs

  • Cenotaph in honor of Francisco de Miranda by Julio Roversi.
  • Cenotaph in honor to Antonio José de Sucre by Juan Bautista Sales Ferré.
  • Cenotaph in honor to Andrés Bello by Manuel de la Fuente.

[edit] Works of Tito Salas

  • Alegoría de la libertad de los esclavos.
  • Apoteosis del Libertador. (1942)
  • Bolívar en el Chimborazo.
  • Bolívar y Humboldt en París.
  • El ascenso al Cerro de Potosí el 26 de octubre de 1825.
  • El tiempo graba el nombre de Bolívar para la posteridad.
  • Entrada triunfal de Bolívar a Caracas después de la Batalla de Carabobo en 1821. (1935)
  • Escudo de Caracas. (1942)
  • Escudo de la familia Bolívar. (1942)
  • Escudo de Venezuela. (1942)
  • Fundación de Caracas. (1939)
  • Inspiración del istmo de Panamá.
  • Juramento de Bolívar en el monte Sacro.
  • La noche de Casacoima.
  • La Santísima Trinidad. (1933)
  • Traslado de los restos del Libertador de la Guaira a Caracas en 1842. (1934)
  • Unión, Unión.

[edit] See also

[edit] References

  1. ^ Rarely Pantheum. This rare usage appears in Pliny's Natural History (XXXVI.38) in describing this edifice: Agrippae Pantheum decoravit Diogenes Atheniensis; in columnis templi eius Caryatides probantur inter pauca operum, sicut in fastigio posita signa, sed propter altitudinem loci minus celebrata.
  2. ^ Panteón Nacional, Miriam Morillo, http://www.simon-bolivar.org/bolivar/panteon_nacional.html
  • BLANCO, EDUARDO and MANUEL LANDAETA ROSALES. 1975: “Centenario del Panteón Nacional ”. Editions of the Presidency of Venezuela. Caracas – Venezuela.
  • CASTILLO LARA, LUCAS GUILLERMO. 1980: “El Panteón Nacional ”. Centauro. Caracas –Venezuela.
  • DÍAZ SÁNCHEZ, RAMÓN. 1964 “El Panteón Nacional: guía para el visitante”. Ministry of Foreign Affairs of Venezuela. Caracas – Venezuela.
  • LANDAETA ROSALES, MANUEL. 1896: “El Panteón Nacional”. Imprenta Colón, Caracas – Venezuela.
  • SCHAEL GUILLERMO JOSÉ. 1985: “Caracas ciudad que no vuelve”. 4th Edition. Gráficas Armitano C. A. Caracas - Venezuela.
  • STOLK, ÉDGAR. 1980: “Apuntes para la historia del Panteón Nacional”. Ediciones Centauro. Caracas – Venezuela.
  • ZAWISZA, LESZEK. and GONZÁLEZ, JAVIER JOSÉ. 1995: “Panteón Nacional”. Dictionary of History of Venezuela. Polar Foundation. Caracas – Venezuela.
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