Paper lantern

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Paper lanterns come in various shapes and sizes, as well as various methods of construction. The easiest form, is simply a paper bag with a candle placed inside, although more complicated lanterns consist of a collapsible bamboo or metal frame of hoops, covered with tough paper.

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[edit] In Asian culture

Often associated with festivals, paper lanterns are common in China and Japan, and similarly, in Chinatowns, where they are often hung outside of businesses to attract attention. In Japan the traditional styles include bonbori and chōchin and there is a special style of lettering called chōchin moji used to write on them.

Airborne paper lanterns are called sky lanterns, and are often released into the night sky for aesthetic effect at lantern festivals.

In China, paper lanterns can be classified into 5 distinct classes; the Baby's Bottom is the miniature class, often used in modern times with Christmas lights. The second class is the Rolling Paper, the tall, cylindrical lanterns often associated with restaurants and bars. The third class is the Tomato Light also known as Big Red; the classic round mid-size lantern. The fourth class is the Crystal Magic; the variously-shaped geometric lamps constructed of many square and triangular panes. The last is known as Buddha's Gastronomy; the large and extra large lanterns used to decorate temples and for show at festivals.

Red paper lanterns were once associated with brothels, and this is reflected in the term red light district. In Japan, red lanterns are often used as advertisements hung just outside bars and restaurants.

[edit] In European culture

Placing candles or tea lights in a succession of small white paper bags (known as luminaria or farolitos) is a common tradition in Hispanic communities during Christmas.

[edit] In photography

High-wattage paper lanterns are commonly used in lighting for motion picture productions. Commonly referred to as "China balls", they provide soft, edgeless light to a scene.[1]

[edit] References

  1. ^ Ballinger, Alexander (2004). New Cinematographers. Laurence King Publishing. p. 186. ISBN 1856693341. 
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