Paramount Vantage
From Wikipedia, the free encyclopedia
| Type | subsidiary |
|---|---|
| Founded | 1998 (as Paramount Classics) 2006 (as Paramount Vantage) |
| Industry | Motion pictures |
| Owner(s) | Viacom |
| Parent | Paramount Motion Picture Group |
Paramount Vantage (originally known as Paramount Classics) is the specialty film division of Paramount Pictures (which in turn is part of Viacom), charged with producing, purchasing, distributing and marketing films, generally those with a more "art house" feel than films made and distributed by its parent company.
Paramount Classics was launched in 1998 and released such art house fare as The Virgin Suicides, You Can Count on Me, Sunshine, Mostly Martha, Winter Solstice, and three Patrice Leconte films (Girl on the Bridge, Man on the Train, Intimate Strangers). Although film journalist David Poland felt "Ruth Vitale and David Dinerstein have proven to have wonderful taste heading up Paramount Classics," [1], the duo was fired in October 2005. [2]
In 2006, the Paramount Vantage brand branched off from Paramount Classics, which was relaunched in 2007 as a distributor of "smaller, review-driven films including foreign-language acquisitions and documentaries." [3]
In 2007, Paramount Vantage co-produced No Country for Old Men and There Will Be Blood with Miramax Films. The partnership paid off when both films were nominated for the Academy Award for Best Picture at the 80th Academy Awards, with the former film winning. The two won a combined six awards, including the Academy Award for Best Actor for Daniel Day-Lewis in Blood and the Academy Award for Best Supporting Actor for Javier Bardem in No Country.
Despite its critical success, Paramount Vantage continually failed to deliver the financial returns Paramount Pictures expected. Only No Country for Old Men made a profit, while films that should have generated significant returns failed to deliver through either poor or excessive marketing. [4]
In June 2008, Paramount Pictures consolidated Paramount Vantage’s marketing, distribution, and physical production departments into the parent studio, while retaining the Paramount Vantage brand to develop and acquire specialty product with dedicated creative staff. [5]
Contents |
[edit] Additional Paramount Classic releases
- Northfork
- Bloody Sunday
- Mean Creek
- The Machinist
- Mad Hot Ballroom
- Hustle & Flow
- Ask the Dust
- An Inconvenient Truth
[edit] Paramount Vantage releases
| Year | Film title | Academy Awards |
|---|---|---|
| 2006 | Babel |
|
| Black Snake Moan | ||
| The Foot Fist Way | ||
| 2007 | Into the Wild |
|
| Margot at the Wedding | ||
| A Mighty Heart | ||
| No Country for Old Men |
|
|
| The Kite Runner |
|
|
| There Will Be Blood |
|
|
| Year of the Dog | ||
| 2008 | American Teen | |
| Arctic Tale | ||
| Defiance |
|
|
| The Duchess |
|
|
| The Eye | ||
| How She Move | ||
| Revolutionary Road |
|
[edit] See also
[edit] References
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