Pascali's Island (film)

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Pascali's Island
Pascali's Island film poster.jpg
Theatrical release poster
Directed by James Dearden
Produced by Tania Blunden
Paul Raphael
Mirella Sklavounou
Written by James Dearden
Based on Pascali's Island 
by Barry Unsworth
Starring Ben Kingsley
Charles Dance
Helen Mirren
Music by Loek Dikker
Cinematography Roger Deakins
Edited by Edward Marnier
Channel Four Films
Distributed by Avenue Pictures Productions
Release dates
  • May 1988 (1988-05)
Running time
104 minutes
Country United Kingdom
Language English

Pascali's Island is a 1988 British drama film, based on the novel by Barry Unsworth. It was written and directed by James Dearden. It stars Ben Kingsley, Charles Dance and Helen Mirren. It was entered into the 1988 Cannes Film Festival.[1]

The plot takes place on the Turk-occupied (and fictional) Greek island of Nisi. The film was largely shot on the Greek island of Symi and in Rhodes in the late summer of 1987.


In 1908 at Nisi, a small Greek Island under Ottoman rule, Turkish officials, Greek rebels, German emissaries and other foreign mercenaries mingle as they all try to keep the upper hand in that remote part of the crumbling Ottoman Empire. Basil Pascali, a half-British half-Cypriot man self considers a local feature in the island. Since his arrival twenty years before, he spies for the Sultan sending detailed reports about suspicious activities. Nobody reads or even acknowledges his observations, his payment has never been increased but still arrives regularly, so he continues his work as an informant with unfailing eagerness.

Pascali’s suspicions are aroused with the arrival of Anthony Bowles, a British archeologist, whose purpose in visiting the island is unclear. Basil quickly befriends Bowles at the hotel’s lounge bar and offers the archeologist his services as translator. Pascali introduces Bowles to his close friend, Lydia Neuman, a bohemian Austrian painter resident in the island. While Lydia and Anthony become smitten with each other, Pascali slips in to Bowles' hotel room to investigate.

In Bowles' suitcase, Pascali finds a fake antique, a small statue's head, which makes him suspect that the archeologist may be a fraud. Needing help arranging a deal to lease some land from the local Pasha, Bowles hires Pascali as a translator. At Bowles' insistence, the agreement is sealed officially with a contract. Suspecting Bowles' intentions, Pascali warns him that the Pasha is not a man to be crossed. On their part, the Turkish authorities tell Pascali that he will be held responsible if Bowles fails to make the full payment.

Spying Bowles, Pascali finds the archeologist romancing Lydia; swimming naked with her in a remote cove. Pacali has been secretly in love with Lydia and envies the well tanned British archeologist. Turned on by the experience, Pascali relives his sexual frustration at a Turkish bath. Unexpectedly, Bowles wants to change the terms of his contract. He found some small archeological object of great significant, he claims, so he wants the right to excavate to be included in a new lease. Once again Pascali severs as translator and intermediary with the Pasha, who seeing the objects, a gold collar and the antique statue's head, refuses to grant the excavation rights. The Turkish Pasha wants to buy the lease back; Bowles asks for a much larger sum that he originally paid. Pascali tells Bowles that he does not need to keep the pretense with him. Pascali knows that the small statue's head is a forgery and that Bowles intention from the start was to swindle the Turkish authorities enticing them to buy the lease back at a higher amount. Pascali asks for part of Bowles earning in exchange for his silence forcing Bowles to concede.

The ploy becomes more complicated when, by chance, Bowles makes a real important archeological discovery: a large bronze statue of a boy from Greek times that is in pristine condition.



  1. ^ "Festival de Cannes: Pascali's Island". Retrieved 2009-07-27. 

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