|This biographical article relies too much on references to primary sources. (October 2013)|
He was educated at St Benedict's School, in London, and after a short period as a private soldier in the Parachute Regiment attended the Royal Military Academy Sandhurst being commissioned into the 9th/12th Royal Lancers in 1976. He resigned his commission in 1980 when his newly posted commanding officer opposed his secondment to the Sultan of Oman's Armed Forces. Reverting to the rank of Trooper he undertook Selection for the Artists Rifles leaving as a Captain some ten years later.
After a brief spell with the Anthony d'Offay gallery he joined his family paint business Papers and Paints. Having always had an interest in historic buildings he began a study of the methods and materials employed in their decoration. In 1993 he completed a part-time degree in the subject at the University of East London.
Patrick Baty has acted as a consultant on many major restoration projects in the United Kingdom. He is a long-standing committee member of the Georgian Group and a Fellow of both the Society of Antiquaries of Scotland and the Royal Society for the encouragement of Arts, Manufactures & Commerce. Baty is a founding member of both the Traditional Paint Forum and the Architectural Paint Group.
- Royal Albert Hall
- Athenaeum Club
- Bank of England
- Broadcasting House
- Buckingham Palace
- Café Royal
- Christ Church, Spitalfields
- Downing Street
- Eltham Palace
- Handel House Museum
- Kensington Palace
- Lancaster House
- Palace Theatre
- Royal Festival Hall
- Royal Hospital, Chelsea
- Royal Naval College, Greenwich
- The Sir John Soane's Museum
- Spencer House
- Tower Bridge
- Tower of London
- The Victoria and Albert Museum
- Castletown Cox
Work with colour
In the 1980s Patrick Baty produced a range of paint colours based on those offered by a Scottish house-painter in 1807, this sparked off the present wave of historically-themed paint ranges which are still seen today. In April 2000, Homes & Gardens described him as being “Undoubtedly the most influential of our (paint) experts…whose breadth and depth of knowledge is unrivalled.” In recent years, on two separate occasions, he has been employed by ICI (Dulux) and The Little Greene to develop ranges of traditional paint colours for English Heritage. Colour ranges have also been produced for the French and German markets. The colours traditionally employed on the exteriors of buildings in Bath, Edinburgh, Penzance and in Gloucester have been investigated for the local planning authorities and guidelines produced for them. The colours used on the exteriors of Chelsea houses in the 19th century have also been identified and an article published for the Chelsea Society. He has recently finished work on a range of exterior colours based on regional use in France. A similar project looking at regional colour in the United Kingdom is in progress.
In 2007 his company, Papers and Paints, was awarded a Royal Warrant for his work with colour.
He is married with a daughter and two sons.
Patrick Baty is the great grandson of the artists Robert Bevan and Stanisława de Karłowska. Sir Philip Hendy, Director of the National Gallery (1946–1967), commented that Bevan was perhaps the first Englishman to use pure colour in the 20th Century.
Lecturing and Writing
Baty lectures often on the general subject of paint and colour of the 18th and 19th centuries. The audiences range widely from the staff of the national amenity organisations, to preservation enthusiasts. He has been a frequent lecturer on graduate and postgraduate courses at several universities, to architects on Continuing Professional Development courses, and to conservation officers. He has spoken at a number of international symposia in Europe, and lectured and run courses along the East coast of the United States.
His published works are listed here and he has also contributed to and edited various other books on the subject of paint and colour.
- "Palette of Historic Paints." Country Life, 20 Feb. 1992: 56-57.
- "Comment." [On the new restrictions on the use of lead paint] Country Life, 30 Apr. 1992: 44.
- "Palette of the Past." Country Life, 3 Sep. 1992: 44-47.
- "External Paintwork." The Building Conservation Directory 1993. 1993: 89.
- "A Potted History." Perspectives on Architecture. April 1994: 70-71.
- "The Role of Paint Analysis in the Historic Interior." The Journal of Architectural Conservation. March 1995: 27-37.
- "To Scrape or Not to Scrape?" Traditional Paint News, Vol 1 No 2 October 1996: 9-15.
- "Some Myths Laid to Rest." Traditional Paint News, Vol 1 No 2 October 1996: 39-46.
- "Getting the Measure of Colour." Historic House, Vol 24 No 4 November 2000: 40-42.
- "Some Tips on Commissioning Paint Analysis." In Layers of Understanding: Setting Standards for Architectural Paint Research Proceedings of a seminar held on 28 April 2000. Donhead Publishing, Dorset. 2002.
- House Decoration, by Paul Hasluck. An introduction to the facsimile edition. Donhead Publishing, Dorset. 2001.
- "Just How Authentic are Authentic Colour Schemes?" The Professional Painter & Decorator, August/September 2001: 26-28.
- "Inspired by the Past?" In John Fowler: The Invention of the Country-House Style. Donhead Publishing, Dorset. 2005. This paper follows the English Heritage/Traditional Paint Forum conference Inspired by the Past that took place in London on 4 July 2001.
- "The Colours of Chelsea." The Chelsea Society Report, 2003.
- "The Colours of Calke." The World of Interiors, December 2007: 139-143.
- "Exterior Colour on the Smaller Town House" in Materials & Skills for Historic Building Conservation. Blackwell Publishing, Oxford. 2008.
- "The Colourful Past of the Royal Festival Hall," Traditional Paint News, Vol 2 No 3 February 2008: 95-111.
- "Straws from Cumberland Market" in the catalogue for an exhibition of works of art at Southampton City Art Gallery entitled "A Countryman in Town: Robert Bevan and the Cumberland Market Group”. 26 September to 14 December 2008.
- "The Colourful Past of the Royal Festival Hall" in Architectural Finishes in the Built Environment. Archetype Books, London. 2009.
- "The Uses of Colour in Ornamental and Architectural Ironwork: 1660-1960" Traditional Paint News, Vol 3 No 1 May 2010: 24-29.
- "Has Traditional Oil Paint had its day?" Traditional Paint News, Vol 3 No 1 May 2010: 46-51.
- "Paint Colour and Paintwork" in Interior Finishes & Fittings for Historic Building Conservation. Blackwell Publishing, Oxford. 2012.
- (Contribution to) Metals. English Heritage Practical Building Conservation. Ashgate Publishing. 2012.
- "The painting of Georgian buildings." Listed Heritage Magazine, May/June 2012: 21-25.
- "Family Colours". Tate Magazine (issue 27: Spring 2013): 27-29.
Articles on Baty
- "My True Colours." Architects' Journal. 15 June 1994: 50.
- "Let there be White; Yes, but do you want Apple White." Mail on Sunday. 4 February 1996.
- "Creative Genius: 100 men and women of influence." House & Garden. July 1997: 79-87.
- "The Specialist." House & Garden (US). April 2005: 174.
- "Historical paints from England." Allison Eckardt Ledes. Magazine Antiques (US), June 2005.
- "Doing up your Dream House". Country Life. 1 March 2007: 96.
- "Specialist Profile - Patrick Baty". House & Garden. September 2010: 68-69.
- "Paint opens a door to centuries gone by" Daily Telegraph. March 31, 2012. Property Section p. 7.
- "Paint Job". C20. The Magazine of the Twentieth Century Society. Spring 2012. pp. 20–25.
- BBC Radio London. Robert Elms Show. Interview January 15, 2013.
- BBC Radio London. Robert Elms Show. ‘Listed Londoner’ June 17, 2013.