Patrick Magee (actor)

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Patrick Magee
Born 31 March 1922(1922-03-31)
Armagh, Northern Ireland
Died 14 August 1982(1982-08-14) (aged 60)
London, England
Occupation Actor

Patrick Magee (31 March 1922 – 14 August 1982) was a Northern Irish actor best known for his collaborations with Samuel Beckett and Harold Pinter, as well as his appearances in horror films and in Stanley Kubrick's films A Clockwork Orange and Barry Lyndon.

Contents

[edit] Early life

He was born Patrick McGee in Armagh, County Armagh, Northern Ireland. He was educated at the Roman Catholic St. Patrick's College in Armagh.

[edit] Stage career

McGee changed his name to Magee for the stage. His first stage experience in Ireland was with Anew McMaster's touring company, performing the works of Shakespeare. It was here that he first worked with Pinter.

He was then brought to London by Tyrone Guthrie for a series of Irish plays. In 1957 he met Beckett and recorded some of his prose for BBC radio. Beckett was so excited with his voice that he wrote Krapp's Last Tape especially for him (it was recorded by the BBC in 1972). Beckett's biographer Anthony Cronin wrote that "there was a sense in which, as an actor, he had been waiting for Beckett as Beckett had been waiting for him."

In 1964, he joined the Royal Shakespeare Company, after Pinter, directing his own play The Birthday Party, specifically requested him for the role of McCann, and stated he was the strongest in the cast. In 1965 he appeared in Marat/Sade, and when the play transferred to Broadway it won him a Tony Award. He also appeared in the 1966 RSC production of Staircase opposite Paul Scofield. Mephistopheles in Dr Faustus at the Fortune and in Glenda Jackson's company at the Old Vic in 'The White Devil'.

[edit] Film career

Early film roles for the 5`8" 175-pound Magee included Joseph Losey's The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appeared as Surgeon-Major Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and the film versions of Marat/Sade (1967) and The Birthday Party (1968). But he is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Beethoven's music, in Stanley Kubrick's film A Clockwork Orange (1971).

He went on to appear in Kubrick's Barry Lyndon (1975), Young Winston (1972), The Final Programme (1973), Sir Henry at Rawlinson End (1980) and Chariots of Fire (1981), but was most often seen in horror films. These included Roger Corman's The Masque of Red Death (1964), and the Boris Karloff vehicle Die, Monster, Die! (1965) for AIP; The Skull (1965), Tales from the Crypt (1972), Asylum (1972), and And Now the Screaming Starts! (1973) for Amicus Productions; and Demons of the Mind for Hammer Film Productions.

[edit] Personal life

Magee married Belle Sherry, also a native of County Armagh; they had two children, twins Mark and Caroline (born February 1961, London).

[edit] Death

Magee died of a heart attack on 14 August 1982, aged 60.

[edit] Filmography

Year Filmography
1960 The Criminal
1961 Rag Doll
1962 The Boys
A Prize of Arms
1963 The Young Racers
The Very Edge
Dementia 13
The Servant
1964 Zulu
Séance on a Wet Afternoon
The Masque of the Red Death
1965 The Skull
Die, Monster, Die!
1967 Marat/Sade
1968 Anzio
The Birthday Party
1969 Hard Contract
1970 Cromwell
You Can't Win 'Em All
1971 King Lear
The Trojan Women
A Clockwork Orange
The Fiend aka Beware My Brethren
1972 Tales from the Crypt
Young Winston
Asylum
Pope Joan
Demons of the Mind
1973 And Now the Screaming Starts!
Lady Ice
1975 The Final Programme
Barry Lyndon
1977 Telefon
1979 The Bronte Sisters
1980 The Monster Club
Hawk the Slayer
Rough Cut
Sir Henry at Rawlinson End
The Flipside of Dominick Hide
1981 Chariots of Fire
The Black Cat
Dr. Jekyll and His Women
The Sleep of Death
1982
Another Flip for Dominick

[edit] External links

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