Patrick Magee (actor)
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|Born||Patrick George McGee
31 March 1922
Armagh, County Armagh, Northern Ireland, UK
|Died||14 August 1982
London, England, UK
|Spouse(s)||Belle Sherry (1958–1982; his death); 2 children|
Patrick Magee (31 March 1922 – 14 August 1982) was an Irish actor and director best known for his collaborations with Samuel Beckett and Harold Pinter, as well as creating the role of the Marquis DeSade in the original stage and screen productions of Marat/Sade, and his appearances in horror films and in two Stanley Kubrick films, A Clockwork Orange and Barry Lyndon.
He was born Patrick George McGee in Armagh, County Armagh, Northern Ireland. Born into a middle-class family, McGee was the first born of five children and was educated at St. Patrick's Grammar School, Armagh.
McGee changed his name to Magee for the stage, but not legally. His first stage experience in Ireland was with Anew McMaster's touring company, performing the works of Shakespeare. It was here that he first worked with Pinter. He was then brought to London by Tyrone Guthrie for a series of Irish plays. In 1957 he met Beckett and recorded some of his prose for BBC radio. Beckett was so excited with his voice that he wrote Krapp's Last Tape especially for him (it was recorded by the BBC in 1972). Beckett's biographer Anthony Cronin wrote that "there was a sense in which, as an actor, he had been waiting for Beckett as Beckett had been waiting for him." 
In 1964, he joined the Royal Shakespeare Company, after Pinter, directing his own play The Birthday Party, specifically requested him for the role of McCann, and stated he was the strongest in the cast. In 1965 he appeared in Peter Weiss's Marat/Sade, and when the play transferred to Broadway he won a Tony Award. He also appeared in the 1966 RSC production of Staircase opposite Paul Scofield.
Early film roles included Joseph Losey's The Criminal (1960) and The Servant (1963), the latter an adaptation scripted by Pinter. He also appeared as Surgeon-Major Reynolds in Zulu (1964), Séance on a Wet Afternoon (1964), Anzio (1968), and in the film versions of Marat/Sade (1967; as de Sade) and The Birthday Party (1968). But he is perhaps best known for his role as the victimised writer Frank Alexander, who tortures Alex DeLarge with Beethoven's music, in Stanley Kubrick's film A Clockwork Orange (1971).
He went on to appear in Kubrick's Barry Lyndon (1975), Young Winston (1972), The Final Programme (1973), Galileo (1975), Sir Henry at Rawlinson End (1980), The Monster Club and Chariots of Fire (1981), but was most often seen in horror films. These included Roger Corman's The Masque of Red Death (1964), and the Boris Karloff vehicle Die, Monster, Die! (1965) for AIP; The Skull (1965), Tales from the Crypt (1972), Asylum (1972), and And Now the Screaming Starts! (1973) for Amicus Productions; and Demons of the Mind for Hammer Film Productions.
Magee married Belle Sherry, also a native of County Armagh in 1958. In February 1961, their twins, Mark and Caroline McGee, were born in London.
- Anthony Cronin: Samuel Beckett The Last Modernist, London 1997 , p. 471
- Patrick Magee dies
- Patrick Magee at the Internet Broadway Database
- Patrick Magee at the Internet Movie Database
- Patrick Magee at the British Film Institute's Screenonline