Patton (film)

From Wikipedia, the free encyclopedia

Patton
film poster
Directed by	Franklin J. Schaffner
Produced by	Frank McCarthy
Written by	Ladislas Farago (biography) Omar N. Bradley (memoir) Screenplay: Francis Ford Coppola Edmund H. North
Starring	George C. Scott Karl Malden Michael Bates Karl Michael Vogler
Music by	Jerry Goldsmith
Cinematography	Fred J. Koenekamp
Editing by	Hugh S. Fowler
Distributed by	20th Century Fox
Release date(s)	April 2, 1970
Running time	170 minutes
Country	United States
Language	English
Budget	$12,000,000
Gross revenue	$61,749,765[1]
Followed by	The Last Days of Patton

Patton is a 1970 American biographical war film about U.S. General George S. Patton during World War II. It stars George C. Scott, Karl Malden, Michael Bates, and Karl Michael Vogler. It was directed by Franklin J. Schaffner from a script by Francis Ford Coppola and Edmund H. North, who based their screenplay on the biography Patton: Ordeal and Triumph by Ladislas Farago and Omar N. Bradley's memoir A Soldier's Story. The film was shot in 65mm Dimension 150 by cinematographer Fred J. Koenekamp, and has a music score by Jerry Goldsmith.

Patton won seven Academy Awards, including Best Picture.

The opening monologue, delivered by George C. Scott as General Patton with an enormous American flag behind him, remains an iconic and often quoted image in film. The film was a success and has become an American classic.^[2]

In 2003, Patton was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Contents 1 Plot 2 Cast 3 Production 3.1 Patton family objections 3.2 The opening 3.3 Locations 3.4 Anachronistic props 4 Inaccuracies 5 Reception 6 Awards and honors 7 Sequels 8 Notes 9 External links

[edit] Plot

The film's famous beginning has General George S. Patton (George C. Scott) giving a speech, with a huge American flag in the background. Patton then takes charge of demoralized American forces in North Africa after the Battle of the Kasserine Pass. After reinstilling discipline in his soldiers, he leads them to victory at the Battle of El Guettar, though he is bitterly disappointed to learn afterward that Erwin Rommel was not his opponent.

Patton is shown to believe in reincarnation, while remaining a devout Christian. At one point during the North Africa campaign, Patton takes his staff on an unexpected detour to the site of the ancient Battle of Zama. There he reminisces about the battle, insisting to his second in command, General Omar Bradley (Karl Malden) that he was there.

After North Africa is secured, he participates in the invasion of Sicily and races against British General Bernard Law Montgomery to capture the Sicilian port of Messina. German General Alfred Jodl (Richard Munch) and Captain Steiger (Siegfied Rauch) are both convinced that Patton will be chosen to lead the invasion of Europe. However, after he beats Montgomery into Messina, Patton is relieved of command for slapping a shell-shocked soldier in an Army hospital. This incident, along with his tendency to speak his mind to the press, gets the general in trouble and he is sidelined during the long-anticipated D-Day landings, being placed in command of the fictional First United States Army Group in south-east England as a decoy.

Fearing he will miss out on his destiny, he begs his former subordinate, General Omar Bradley, for a command before the war ends. He is given the Third United States Army and distinguishes himself by rapidly sweeping across France and later relieving the vital town of Bastogne during the Battle of the Bulge. Patton then smashes through the "West Wall" and drives into Germany itself.

Patton remarks to a British crowd that America and Great Britain would dominate the post-war world, which is viewed as insulting to the Russians. After the Germans capitulate, he insults a Russian officer at a celebration; fortunately, the Russian insults Patton right back, leading to a defusing of the situation. In the end, Patton's outspokenness loses him his command once again, though he is kept on to see to the rebuilding of Germany.

[edit] Cast

• George C. Scott as General George S. Patton. (Rod Steiger had first turned down the role, later admitting that was a big mistake.^[3])
• Karl Malden as General Omar Bradley
• Stephen Young as Captain Chester B. Hansen
• Michael Strong as Brigadier General Hobart Carver
• Michael Bates as General Bernard Law Montgomery
• Frank Latimore as Lieutenant Colonel Henry Davenport
• Morgan Paull as Captain Richard N. Jensen
• Karl Michael Vogler as Field Marshal Erwin Rommel
• John Barrie as Air Marshal Arthur Coningham
• Siegfried Rauch as Captain Steiger
• Richard Münch as Colonel General Alfred Jodl
• John Doucette as Major General Lucian Truscott
• Paul Stevens as Colonel Charles R. Codman
• Jack Gwillim as General Harold Alexander
• Gerald Flood as Air Chief Marshal Sir Arthur Tedder
• Ed Binns as Maj. Gen. Walter Bedell Smith (as Edward Binns)
• Peter Barkworth as Col. John Welkin
• Lawrence Dobkin as Col. Gaston Bell
• Lionel Murton as Third Army chaplain James H. O'Neill
• David Healy as Clergyman
• Sandy Kevin as Correspondent
• Douglas Wilmer as Maj. Gen. Francis de Guingand
• James Edwards as Sgt. William George Meeks
• Tim Considine as Soldier who gets slapped
• Abraxas Aaran as Willy
• Clint Ritchie as Tank captain
• Alan MacNaughton as British briefing officer
• Brandon Brady as Lt. Young (uncredited)
• Charles Dennis as Soldier (uncredited)
• Paul Frees as Voice (uncredited) (voice)
• Hellmut Lange as Maj. Dorian von Haarenwege (uncredited)
• Harry Morgan as Senator (uncredited)
• Bruce Rhodewalt as Cynical wounded soldier (uncredited)
• Harry Towb as Army Cook (uncredited)

[edit] Production

[edit] Patton family objections

There were several attempts to make the movie, starting in 1953. The Patton family was approached by the producers for help in making the film. They wanted access to Patton's diaries and input from family members. By coincidence, the day they asked the family was the day after the funeral of Beatrice Ayer Patton, the general's widow. After that, the family was dead set against the movie and refused to give any help to the filmmakers.

Because of this, Francis Ford Coppola and Edmund H. North wrote the film from two biographies: Patton: Ordeal and Triumph by Ladislas Farago and A Soldier's Story by Omar Bradley. In 2005, Patton's wife's "Button Box" manuscript was finally released by his family, with the posthumous release of Ruth Ellen Patton Totten's book, The Button Box: A Daughter's Loving Memoir of Mrs. George S. Patton.^[4]

[edit] The opening

Patton opens with Scott's rendering of Patton's famous military "Pep Talk" to members of the Third Army, set against a huge American flag. Coppola and North had to tone down Patton's actual words and statements in this scene, as well as throughout the film, to secure a PG rating; in the opening monologue, the word "fornicating" replaced "fucking" when criticizing the Saturday Evening Post magazine. Also, Scott's gravelly voice is practically the opposite of Patton's, which was high-pitched and somewhat nasal.

When Scott learned that the speech would open the film, he refused to do it, as he believed that it would overshadow the rest of his performance. Director Franklin J. Schaffner lied and assured him that it would be shown at the end. It was shot in a basement room.

All the medals and decorations shown on Patton's uniform in the monologue are authentic replicas of those actually awarded to Patton. However, the general never wore all of them in public. He wore them all on only one occasion, in his backyard in Virginia at the request of his wife, who wanted a picture of him with all his medals. The producers used a copy of this photo to help recreate this "look" for the opening scene. However, the ivory-handled revolvers Scott wears in this scene are in fact Patton's, borrowed from the Patton museum.

The iconic opening scene has been parodied in numerous films, political cartoons and television shows. In South Park: Bigger, Longer & Uncut, Sheila Broflovski gives a speech to US troops at a USO show, urging war with Canada in front of an American flag. In Jackass 2.5, Johnny Knoxville and the rest of the Jackass crew, dressed in military attire, gives the introduction to the movie in front of a giant American flag; in the outro, Johnny gives an inspirational speech about the events of the film in the same manner (before a party breaks out). Harvey Korman, playing Patton, parodies the speech in an episode of The Carol Burnett Show. In the original "unhappy" ending of the 1986 musical Little Shop of Horrors, chorus girls Crystal, Ronette and Chiffon foretell America's doom while posed before a glittering version of Patton's flag backdrop; this backdrop was also used in the 1985 film Sesame Street Presents Follow That Bird.

[edit] Locations

Virtually the entire film was shot in Spain. One scene, which depicts Patton driving up to an ancient city that is implied to be Carthage, was shot in the ancient Roman city of Volubilis, located in Morocco. The early scene, wherein Patton and Muhammed V are reviewing Moroccan troops including the Goumiers, was shot at the Royal Palace in Rabat. One unannounced battle scene was shot the night before, which raised fears in the Royal Palace neighborhood of a coup d'état. One paratrooper was electrocuted in power lines, but none of this battle footage appears in the film. Also a scene at the dedication of the welcome center in Knutsford, England was filmed at the actual site. The scenes set in Africa and Sicily were shot in the south of Spain, while the winter scenes in Belgium were shot near Madrid (to which the production crew rushed when they were informed that snow had fallen).

It has been noted that in the scene where Patton arrives to establish his North African command, a supposedly "Arab" woman is selling "pollos y gallinas" (chickens and hens) in Spanish, which is not normally spoken by local people in Tunisia.

[edit] Anachronistic props

Patton used very few actual World War II vintage tanks, except in archival newsreel footage. The film's tanks were supplied by the Spanish Army, which assisted the production. They included M41 Walker Bulldog, M46 Patton and M47 Patton tanks for the American side, M24 Chaffee tanks for the British, and M48 Patton tanks for the Germans. Of these machines, only the Chaffee had served in World War II, although not for the British. In reality, General Patton commanded a mixture of M-4 Shermans, M-5 Stuarts, and, very late in the war, M-26 Pershings. However, at the time of the filming, the only armed forces still to use the Sherman tanks were the Israeli Defense Forces (in highly modified postwar versions), the Yugoslav People's Army, and several Latin American nations.

Spanish CASA 2.111 airplanes were also used in several scenes. These were heavily modified versions of the German Heinkel He 111, which had been used extensively by the Luftwaffe in World War II. They can be recognized by their engine nacelles, which have a prominent airscoop directly under the propeller, whereas the Heinkel's airscoop was set further back. Additionally, the Cessna Bird Dog can be seen in some scenes, which didn't make its first flight until 4–5 years after World War II ended.

In addition, 1950s M38 Jeeps can be seen, and 1960s M35 cargo trucks were used (for both American and German trucks).

A map of Europe shown in the background in one scene displays post-war national boundaries.

Patton is shown arriving in London at night in a black Packard Custom Eight. The car used is a postwar design, introduced on July 25, 1947 for the 1948 model year.

[edit] Inaccuracies

• Patton never gave "The Speech" as a four star general, since he was not elevated to full general rank until April 14, 1945, well after the time he would have given any such pre-combat speech.

• While serving to illuminate the tension between Patton and Montgomery, there was no competitive race between the two to capture Messina. Montgomery actually suggested on July 24 that Patton take Messina since he was in a better position to do so. However, Patton suspected that this was a ruse on Montgomery's part, so the "race" continued in his own mind.

• George Patton is shown in one scene prematurely pinning on insignia as a Lieutenant General, before the rank was confirmed by the United States Senate. Patton's service record indicates that he only referred to himself as a Lieutenant General after signing the official commission from the Department of the Army.^[5]

• Before the Battle of El Guettar, Patton is shown reading the book The Tank In Attack by Erwin Rommel, and in the scene depicting the battle he shouts "Rommel... you magnificent bastard, I read your book!" In fact, Rommel never finished the book, which exists only in the form of scattered manuscripts and notes. Rommel had published the book Infantry Attacks, and Patton is reported to have read it.

• In the movie, Patton had a rather tense meeting with Arthur Coningham. Shortly afterward, Patton's young aide Dick Jenson was killed in the Battle of El Guettar. In real life, Jenson was killed shortly after El Guettar, and the meeting with Coningham came after that.^[6]

• In one scene, Patton incorrectly cites Frederick the Great as saying, "L'audace, l'audace, toujours l'audace!" ("Audacity, audacity — always audacity!") This actually originated with Georges Danton ("De l'audace, encore de l'audace, toujours de l'audace et la France sera sauvée!").

• The movie depicts a meeting of generals at Verdun to deal with the German onslaught in the Ardennes (the Battle of the Bulge). In the movie, General Bedell Smith presides over the conference. In real life, Eisenhower presided over it. (Eisenhower is never seen in the film, but is referred to as a presence behind the other generals.)

• The movie gives the impression that Patton and Omar Bradley were close friends. In fact, the two men never particulary liked each other. Patton's best friend was probably Eisenhower, and he never appears in the movie.

• Msgr. James H. O'Neill, whom Patton commanded to pray for good weather, protested that he was portrayed too mildly.

• The film only depicts one incident of Patton slapping an enlisted man. In real life, there were two. The first involved Private Charles H. Kuhl and took place on August 3, 1943. The second took place exactly one week later, and involved Private Paul G. Bennett. The incident in the film was patterned mostly after the second real-life slapping incident.

• General Patton's apology to the slapped soldier (Private Paul G. Bennett in real-life) was delivered in private, where Patton admitted he had been too harsh to Bennett, contrary to his reluctance in the film. Patton did apologize publicly but on a separate occasion.

• The film depicts Patton making a speech in Knutsford, England, where he predicted that America and England would rule the world after the war. This was seen as a snub to the Russians. According to eyewitnesses, Patton actually did mention the Russians in his speech, but it was omitted by British newspapers. By the time a correction was made, the damage was already done.

• During the Battle of the Bulge, according to the film, Patton orders his chaplain to compose a prayer for good weather. When the weather clears up, Patton announces plans to decorate the chaplain. In real life, Patton gave this order at Lorraine about a month before the Battle of the Bulge. The problem was not winter weather, but constant heavy rains. After the chaplain composed the prayer, the weather indeed cleared up, and Patton awarded the chaplain (James H. O'Neill) a Bronze Star.

• Near the end of the film, Patton is shown having a tense telephone conversation with Bedell Smith in which he argued that America should go to war with the Soviets. Patton actually had this conversation with General Joseph McNarney, Eisenhower's deputy commander.

[edit] Reception

Roger Ebert said of George C. Scott, "It is one of those sublime performances in which the personalities of the actor and the character are fulfilled in one another."^[7] Online film critic James Berardinelli has called Patton his favorite film of all time^[8] and "...to this day one of Hollywood's most compelling biographical war pictures."^[9] Internet film critic The Nostalgia Critic included the film in his list of his top 20 favorite films of all time and also referenced the film for a joke in an earlier video.

According to Woodward and Bernstein's book The Final Days, it was also Richard Nixon's favorite film. He screened it several times at The White House and during a cruise on the Presidential yacht. Before the 1972 Nixon visit to China, then Chinese Premier Zhou Enlai specially watched this film in preparation for his meeting with Nixon. It was also a personal favorite of Ohio State football coach Woody Hayes.

[edit] Awards and honors

Scott's performance won him an Academy Award for Best Actor in 1971. He famously refused to accept it, citing a dislike of the voting and even the actual concept of acting competition^[10]. He was the first actor, though not the last, to do so (Marlon Brando would, two years later, decline his Oscar for The Godfather in 1973.)

The film won six additional Academy Awards, for Best Picture, Best Director, Best Original Screenplay, Best Film Editing, Best Sound, and Best Art Direction (Urie McCleary, Gil Parrondo, Antonio Mateos, Pierre-Louis Thévenet).

It was nominated for Best Cinematography, Best Visual Effects and Best Music, Original Score.^[11]

In 2006, the Writers Guild of America selected the adapted screenplay by Francis Ford Coppola and Edmund North as the 94th best screenplay of all time. The screenplay was based upon the biographies A Soldier's Story by General Omar Bradley, and Patton: Ordeal and Triumph by Ladislas Farago.

The "Best Picture" Oscar is on display at the George C. Marshall Museum at the Virginia Military Institute, courtesy of Frank McCarthy.

American Film Institute recognition

• AFI's 100 Years... 100 Movies #89
• AFI's 100 Years... 100 Heroes and Villains:
  • General George Patton, Hero #29

[edit] Sequels

A made-for-television sequel, The Last Days of Patton, was produced in 1986. Scott reprised his title role. The movie was based on Patton's final weeks after being mortally injured in a car accident, with flashbacks of Patton's life.

[edit] Notes

[edit] External links

Wikiquote has a collection of quotations related to: Patton (film)

• Patton at the Internet Movie Database
• Patton at Rotten Tomatoes
• Opening Speech from the Movie in Text, Audio and Video from AmericanRhetoric.com
• Patton: Ordeal and Triumph by Ladislas Farago

Awards and achievements
Preceded by Midnight Cowboy	Academy Award for Best Picture 1970	Succeeded by The French Connection

v • d • e Academy Award for Best Picture West Side Story (1961) · Lawrence of Arabia (1962) · Tom Jones (1963) · My Fair Lady (1964) · The Sound of Music (1965) · A Man for All Seasons (1966) · In the Heat of the Night (1967) · Oliver! (1968) · Midnight Cowboy (1969) · Patton (1970) · The French Connection (1971) · The Godfather (1972) · The Sting (1973) · The Godfather Part II (1974) · One Flew Over the Cuckoo's Nest (1975) · Rocky (1976) · Annie Hall (1977) · The Deer Hunter (1978) · Kramer vs. Kramer (1979) · Ordinary People (1980) Complete List · (1928–1940) · (1941–1960) · (1961–1980) · (1981–2000) · (2001–present)

v • d • e Films directed by Franklin Schaffner 1960s The Stripper (1963) · The Best Man (1964) · The War Lord (1965) · The Double Man (1967) · Planet of the Apes (1968) 1970s Patton (1970) · Nicholas and Alexandra (1971) · Papillon (1973) · Islands in the Stream (1977) · The Boys from Brazil (1978) 1980s Sphinx (1981) · Yes, Giorgio (1982) · Lionheart (1987) · Welcome Home (1989)