November 2, 1874|
New York, New York
|Died||February 16, 1959
Clifton, New Jersey
Paul Chalfin was born on November 2, 1874 in New York to Colonel Samuel Fletcher Chalfin and Jane Voorhees (Connolly) Chalfin.
In 1894 Chalfin began studying at Harvard University and left after two years to become an artist, enrolling at the Art Students League of New York to study painting. After graduation in 1898 he was accepted at the École des Beaux-Arts in Paris, France where he studied painting with Jean-Léon Gérôme, a historic genre painter who had previously taught Thomas Eakins. Although Chalfin possessed excellent taste in building design, utilized his extensive observation of European buildings and monuments, and liked being mistaken for an architect, he never studied or obtained a degree in architecture, nor was he an architect.
While studying in Paris, Chalfin also traveled to Italy in 1899. In 1902 he received honorable mention for the Lazarus Scholarship for his mural painting on the subject of spring. Chalfin returned to Massachusetts in 1903 to succeed Walter T. Cabot as Curator of Chinese and Japanese art at the Museum of Fine Arts in Boston. While Curator he published a 27-paged catalogue entitled 'Japanese wood carvings, architectural and decorative fragments from temples and palaces.'
In 1905, the Lazarus Scholarship committee granted him a three year scholarship to study mural painting in Italy, and in 1906 Chalfin moved to Rome where he lived at the American Academy. Over the next three years, Chalfin split his time between Rome, Florence, Venice and Paris, studying and copying the works of Piranesi, Fra Angelico and Tiepolo, as well as copying a lunette by Jacopo Pontormo at a villa in Florence, most likely Vertumnus and Pomona. His final month abroad was in Paris, completing his scholarship by painting a large decorative panel entitle The Poet in 1908. In 1909, in honor of his work, the American Academy in Rome named Chalfin a fellow.
In 1910 Chalfin began his most notable and successful project collaborating with F. Burrall Hoffman on the landmark Villa Vizcaya for the industrial magnate James Deering. Deering was an heir of the International Harvester fortune and had acquired substantial land on Biscayne Bay in present day Miami, Florida. Chalfin was responsible for the choice of the general overall design of the main house and garden, and for decorating and furnishing the interior of the main house himself, while F. Burrall Hoffman was responsible for implementing Chalfin's stylistic choices by integrating them into and adapting them to his own designs of the house itself. Chalfin would later claim mean-spiritedly and falsely in an article in the New York Times, that he designed everything at Vizcaya, saying that "Hoffman did the plumbing, I did the house." Under threat of a lawsuit by Hoffman, the New York Times later published a retraction of that article, acknowledging that Hoffman was the architect who designed the house so as to realize Chalfin's overall stylistic choices and adding that it was actually Diego Suarez who designed the Gardens along Chalfin's ideas for it. In fact Chalfin, who had been chosen by Deering as a consultant on external style and interior decoration, was the one who had hired Hoffman in the first place, precisely because Chalfin knew that he himself was not an architect and because, obviously, an architect was essential to the project.
The villa was completed for residency in 1916, and the formal gardens and acres of landscaped grounds completed in 1923.
Despite high praise for his work on Villa Vizcaya, Chalfin never worked on another mansion. Little is documented of Chalfin's later career; he produced several drawings for unrealized houses on Miami Beach and decorated the apartment of actress Lillian Gish, friend of James Deering. Chalfin returned to Vizcaya in 1934 to consult on rehabilitation of the property after a major hurricane. In 1940 Chalfin retired due to failing eyesight. Paul Chalfin died on February 15, 1959 at the age of 84 in a nursing home in Upper Montclair, New Jersey. In 1956, Chalfin was made an honorary member of the American Institute of Decorators and was cited by the American Institute of Architects for his work on the interior of Villa Vizcaya
- Witold Rybczynski and Laurie Olin, authors, Steven Brooke, photographer. Vizcaya: An American Villa and Its Makers (Philadelphia: University of Pennsylvania Press, 2006).
- Aline B. Louchheim, "Biscayne Bay's New Show Place," New York Times, March 15, 1953.
- Vizcaya Museum and Gardens Estate Records
- Paul Chalfin Dies at Age 84; Former Architect and Artist. Cilfton Journal. Feb 16, 1959.