Paul Dehn

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Paul Dehn (5 November 1912 – 30 September 1976) was a British screenwriter.

Contents

[edit] Biography and work

Dehn was born in 1912 in Manchester, England. He was educated at Shrewsbury School, and attended Brasenose College, Oxford.[1] While at Oxford, he contributed film reviews to weekly undergraduate papers.

He began his career in 1936 as a film reviewer for several London newspapers.

During World War II he was stationed at Camp X in Canada. This was one of several training facilities operated by Special Operations Executive to train spies and special forces teams. He was the Political Warfare officer from 1942–44 and held the rank of Major. Dehn took part in missions in France and Norway.[2]

He narrated the 1951 film Waters of Time and later wrote plays, operettas, and musicals for the stage. He wrote the lyrics for songs in two films, The Innocents (1961) and Moulin Rouge (1952).

In 1949 or 1950, Dehn began a professional relationship with composer James Bernard, who later became his life partner. Dehn asked Bernard to collaborate with him on the original screen story for the Boulting Brothers film Seven Days to Noon (1950).

Through the 1960s, Dehn concentrated on screenwriting for espionage films, notably Goldfinger (1964), The Spy Who Came in from the Cold (1965), and The Deadly Affair (1967). He later wrote the screenplay for Planet of the Apes sequels and the libretto for William Walton's opera The Bear; he also wrote libretti for two operas by Lennox Berkeley, A Dinner Engagement and Castaway.

His last screenplay was for Sidney Lumet's all-star Murder on the Orient Express (1974), based on the Agatha Christie whodunit, for which he was nominated for an Academy Award for Best Adapted Screenplay.

[edit] Books

  • Quake, Quake, Quake: A Leaden Treasury of English Verse (1958)
  • The Day's Alarm. Poetry (1949)
  • Romantic Landscape. Poetry (1952)
  • The Fern on the Rock: Collected Poems 1935-1965 (1965)
  • For Love and Money. Essays and Poems (1956)

[edit] Screenplays

[edit] Awards and nominations

  • Academy Award for Best Screenplay, 1950
  • BAFTA Award Nomination for Best British Screenplay, 1959
  • Edgar Allan Poe Award for Best Foreign Film, 1965
  • Writers Guild of America Award Nomination for Best American Drama, 1966
  • Edgar Allan Poe Award for Best Motion Picture, 1966
  • BAFTA Award Nomination for Best British Screenplay, 1968
  • Edgar Allan Poe Award Nomination for Best Motion Picture, 1974
  • Writers Guild of Britain Award for Best British Screenplay, 1974
  • Academy Award Nomination for Best Adapted Screenplay, 1975

[edit] References

[edit] Notes

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