Paula Gunn Allen

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Paula Gunn Allen
Paula Gunn Allen.jpg
Paula Gunn Allen (2007)
Born Paula Marie Francis
October 24, 1939
Albuquerque, New Mexico
Died May 29, 2008(2008-05-29) (aged 68)
Occupation Poet, novelist
Nationality Laguna Pueblo
Alma mater University of Oregon, University of New Mexico
Literary movement Native American Renaissance

Paula Gunn Allen (October 24, 1939 – May 29, 2008) was a Native American poet, literary critic, lesbian activist,[1] and novelist. Of mixed-race European-American and Native American descent, she identified with the Laguna Pueblo of her childhood years, the culture in which she'd grown up. She drew from its oral traditions for her fiction and poetry, and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works, and wrote two biographies of Native American women.

In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions,[2] arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.

Early life and education[edit]

Born Paula Marie Francis in Albuquerque, New Mexico Allen grew up in Cubero, New Mexico, a Spanish-Mexican land grant village bordering the Laguna Pueblo reservation. Of mixed Laguna, Sioux, Scottish, and Lebanese-American descent, Allen always identified most closely with the Laguna, among whom she spent her childhood and upbringing.

Allen received a BA and MFA from the University of Oregon. She earned a PhD at the University of New Mexico, where she worked as a professor and began research on tribal religions.

Anthropological writings[edit]

From Allen's study of Native American religion, she wrote The Sacred Hoop: Recovering the Feminine in American Indian Traditions (1986). The text has provoked controversy, as she argues that accounts of Native beliefs and traditions were subverted by phallogocentric European explorers and colonizers, who downplayed or erased the central role women played in numerous Native American societies.[citation needed] Allen argued many Native American tribes were "gynocratic", with women making the principal decisions. Other tribes believed in absolute balance between male and female, with neither side gaining dominance.

Allen's arguments and research were strongly criticized in the years following the publication of The Sacred Hoop. Gerald Vizenor, also a Native American critic, and others have accused Allen of an enacting a simple reversal of essentialism, while historians and anthropologists have disproved or questioned some of her scholarship.[citation needed] Her book and subsequent work has proved highly influential, encouraging other feminist studies of Native American cultures and literature.[citation needed] It remains a classic text of Native American Studies and Women's Studies programs.

Literary career[edit]

Allen is well known as a novelist, poet and short story writer. Her work drew heavily on the Pueblo tales of Grandmother Spider and the Corn Maiden. It is noted for its strong political connotations. Critics have noted that Leslie Marmon Silko, also of Laguna descent, also draws on these traditional tales.

Her novel, The Woman Who Owned The Shadows (1983), features the woman Ephanie, who is of mixed-blood and struggles to express herself creatively.

As a poet, Allen published a collection of more than 30 years of work: Life Is a Fatal Disease: Collected Poems 1962-1995, judged to be her most successful. Allen's work is often categorized as belonging to the Native American Renaissance, but the author rejects the label.

Awards[edit]

Allen was awarded an American Book Award by the Before Columbus Foundation, the Native American Prize for Literature, the Susan Koppelman Award, and a Lifetime Achievement Award by the Native Writers' Circle of the Americas in 2001.

Bibliography[edit]

  • The Woman Who Owned The Shadows (1983), novel

Poetry[edit]

  • Life is a Fatal Disease : Collected Poems 1962-1995 (1997)
  • Skins and Bones: Poems 1979-1987 (1988)
  • Shadow Country (1982)
  • A Cannon Between My Knees (1981)
  • Blind Lion Poems (The Blind Lion) (1974)

Academic[edit]

  • Off the Reservation: Reflections on Boundary-Busting Border-Crossing Loose Canons (1998)
  • Womanwork: Bridges: Literature across Cultures McGraw–Hill (1994)
  • Grandmothers of the Light: A Medicine Women's Sourcebook (1991)
  • The Sacred Hoop: Recovering the Feminine in American Indian Traditions (1986)
  • Studies in American Indian Literature: Critical Essays and Course Designs (1983)

Biography[edit]

  • Pocahontas: Medicine Woman, Spy, Entrepreneur, Diplomat (2004)
  • As Long As the Rivers Flow: The Stories of Nine Native Americans (1996)

Edited collections and anthologies[edit]

  • Hozho: Walking in Beauty: Short Stories by American Indian Writers (2001)
  • Song of the Turtle: American Indian Literature, 1974-1994 (1996)
  • Voice of the Turtle: American Indian Literature, 1900-1970 (1994)
  • Spider Woman's Granddaughters: Traditional Tales and Contemporary Writing by Native American Women (1989)

Anthology contributions[edit]

  • The Serpent's Tongue: Prose, Poetry, and Art of the New Mexican Pueblos, ed. Nancy Wood. (1997)
  • Living the Spirit: A Gay American Indian Anthology, ed. Will Roscoe. (1988)

References[edit]

  1. ^ Keating, AnnLouise (1993), "Myth Smashers, Myth Makers", in Nelson, Emmanuel Sampath, Critical Essays: Gay and Lesbian Writers of Color, Routledge, p. 73, ISBN 1-56023-048-7 
  2. ^ Karvar, Quannah (January 25, 1987). "The Sacred Hoop: RECOVERING THE FEMININE IN AMERICAN INDIAN TRADITION by Paula Gunn Allen". Los Angeles Times. 

Further reading[edit]

Archival Resources[edit]

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