Payback (1999 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
This article is about a 1999 movie starring Mel Gibson. For a 1995 movie by Anthony Hickox, see Payback (1995 film).
Payback
PaybackPoster.jpg
Theatrical release poster
Directed by Brian Helgeland
Paul Abascal (uncredited re-shoots)
Produced by Bruce Davey
Screenplay by Brian Helgeland
Terry Hayes
Based on the novel
The Hunter  
by Donald E. Westlake (under pseudonym Richard Stark)
Starring Mel Gibson
Gregg Henry
Maria Bello
David Paymer
Bill Duke
Lucy Liu
John Glover
William Devane
Deborah Kara Unger
Jack Conley
James Coburn
Kris Kristofferson
Music by Chris Boardman
Moe Jaffe
Cinematography Ericson Core
Edited by Kevin Stitt
Production
  company
Icon Productions
Distributed by Paramount Pictures (US)
Warner Bros. (non-US)
Release date(s)
  • February 5, 1999 (1999-02-05)
Running time 100 minutes
Country United States
Language English
Budget $90 million
Box office $161,626,121

Payback is a 1999 American crime film directed by Brian Helgeland in his directorial debut, and starring Mel Gibson, Gregg Henry, Maria Bello and David Paymer. The film shares the same source material as the 1967 noir-classic Point Blank, directed by John Boorman and starring Lee Marvin; both are based on the book The Hunter, written by Donald E. Westlake under the pseudonym of Richard Stark.

The film was Helgeland's directorial debut after a career as a screenwriter. Helgeland in 2006 issued a director's cut that differs substantially from the version released by the studio.

Plot[edit]

In a filthy kitchen an unkempt man puts on surgical gloves and quickly downs a full glass of cheap whiskey. Face down on the kitchen table is a barely conscious Porter (Mel Gibson), severely wounded with two large bullet wounds in his back. The doctor pours whiskey on Porter's back to sterilize the area and digs out the bullets. Porter spends five months recuperating. Porter narrates that he had $70,000 taken from him and that is what he was going to get back.

Penniless, Porter exits the subway and steals cash from a 'blind' homeless man's hat containing donations. When the homeless man protests, Porter tells him "Shut up, I cured you." Porter then carefully looks at men walking on a busy sidewalk. He spots someone who is similar in physical appearance to him and well-to-do. He bumps into the targeted man and steals his wallet. Porter then spends the afternoon buying fine clothes, withdraws cash from a bank, and buys jewelry that he later pawns for $500 cash and a handgun. His spending spree ends when a restaurant waiter tells "Mr. Johnson" that his credit card was declined. Porter says to try the card again and flees the restaurant without paying.

Porter begins tracking down Val Resnick (Gregg Henry), his former partner, and Lynn (Deborah Unger), his estranged wife and a heroin addict, both of whom betrayed Porter following a $140,000 heist from the Chinese triads. After Lynn shot Porter and the two left him for dead, Val rejoined the Outfit, a powerful criminal organization, using $130,000 of the heist money to repay an outstanding debt. Porter is intent on reclaiming his $70,000 cut.

Porter enlists the help of a call girl, Rosie (Maria Bello), who is affiliated with the Outfit. Porter once served as her driver, during which time they had a one night stand. Lynn's jealousy and the fact that Porter had cheated on her with Rosie led to her and Resnick double-crossing Porter. To get to Resnick, Porter must deal with a lowlife named Arthur Stegman (David Paymer), crime bosses from the Outfit, the Chinese triads, and corrupt police detectives Hicks and Leary (Bill Duke and Jack Conley).

Resnick is seeing a dominatrix (Lucy Liu) when Porter violently re-enters his life. Resnick goes to the Outfit to explain why Porter is demanding $70,000. Told to handle it himself, Resnick tries to, but is shot by Porter in Rosie's apartment as Porter catches him abusing Rosie when Porter returns to collect his forgotten cigarettes.

Porter then kills three of the Outfit's hit squad henchmen, including their leader, Philip (John Glover), who have been sent by Carter (William Devane), their immediate superior with the Outfit, to "Stitch this mutt up."

Threatening to kill Carter next if somebody higher in the organization won't pay his $70,000, Porter hears the refusal of mob boss Bronson (Kris Kristofferson) on the phone, so he carries out his threat.

With the aid of Rosie, he kidnaps Bronson's son Johnny, keeping him tied up. He arranges for Hicks and Leary to be busted by their own colleagues in Internal Affairs by planting Leary's fingerprints on the gun Porter used to kill Resnick. He pick-pockets Hicks's badge, then leaves it with the gun in the vicinity of Resnick's dead body.

Bronson and his mob associate Fairfax (James Coburn) join the hunt to take him down. Porter is captured by the Outfit after a wild chain of events involving the triads. He is tortured by having his toes smashed with a hammer.

Porter is locked inside a car trunk and taken by Bronson and his men to an apartment that had previously been rigged by the Outfit's men to a phone connected to plastic explosive. After his captors meet an explosive demise, Porter is picked up by Rosie (with her dog, also named Porter). When she sees his injuries and asks what happened, Porter replies, "I got hammered." They drive off to Canada to begin a new life.

Director's Cut[edit]

The Director's Cut (dubbed Payback: Straight Up) has a largely similar foundation but explores the betrayal of Porter through flashbacks and most significantly removes the Bronson character from the screen. Instead a female voice (belonging to Sally Kellerman) on the telephone replaces Kris Kristofferson. The scene with the booby-trapped telephone is eliminated, as is the kidnapping of Bronson's son. In this version, Val kills Rosie's dog Porter.

The simplified story line ends with Porter collecting his money at an arranged drop in a train station where he has several shootouts with syndicate hit-men staking out the station. He is seriously wounded and seemingly near death before being driven away by Rosie with the money. The Director's Cut also lacks the theatrical version's voice-over narration by Porter.

A June 4, 2012 look at "movies improved by directors' cuts" by the AV Club described Payback: Straight Up as "a marked improvement on the unrulier original."[1]

Cast[edit]

Production[edit]

The film was shot during September/November 1997, in Chicago and Los Angeles, though neither city is referred to in the film. Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre,[2] who reshot 30% of the film.[3] The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.[4]

After her stint on TV's ER, this was Maria Bello's first major film. Lucy Liu, appearing in one of her first films, is billed as "Lucy Alexis Liu."

Helgeland's version, Straight Up: The Director's Cut, was released on DVD, Blu-ray, and HD DVD on April 10, 2007, after an October 2006 run at the Austin Film Festival. The Director's Cut version features a female Bronson, voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes, and has an entirely different, ambiguous ending.

Editing[edit]

On the DVD release there is a short interview with Mel Gibson in which he stated that it "Would've been ideal to shoot in black and white". He noted that "people want a color image" and that the actual film used a "Bleach bypass process" to tint the movie.[5]

Reception [edit]

Payback was well received at the box office. The film made $21,221,526 in its opening weekend in North America. It eventually grossed $81,526,121 in North America and $80,100,000 in other territories, totaling $161,626,121 worldwide.[6]

The film garnered mediocre reviews. Review aggregator Rotten Tomatoes reported that 54% of 74 sampled critics gave Payback positive reviews and that it got a rating average of 5.8 out of 10. The critical consensus states "Sadistic violence and rote humor saddle a predictable action premise." [7] Roger Ebert gave the film a three-star rating (out of four) in his review, writing, "There is much cleverness and ingenuity in 'Payback,' but Mel Gibson is the key. The movie wouldn't work with an actor who was heavy on his feet, or was too sincere about the material."[citation needed]

References[edit]

  1. ^ http://www.avclub.com/articles/the-kindest-cut-14plus-movies-improved-by-director,76968/
  2. ^ ""Payback" Blu-ray review". 
  3. ^ Faraci, Devin (April 6, 2007). "Exclusive Interview: Brian Helgeland (Payback Director's Cut DVD)". CHUD.com. Archived from the original on March 5, 2011. Retrieved March 5, 2011. 
  4. ^ Abel, Glenn (April 16, 2007). "Mel Gibson's lost kick-ass film". DVD Spin Doctor. Archived from the original on March 5, 2011. Retrieved March 5, 2011. 
  5. ^ Mel Gibson (1999). Payback (DVD). Warner Home Video. EAN 7321900173438. 
  6. ^ "Payback (1999)". Box Office Mojo. Internet Movie Database. Retrieved March 5, 2011. 
  7. ^ "Payback (1999)". Rotten Tomatoes. Flixster. Retrieved December 19, 2013. 

External links[edit]