Payback (1999 film)
Theatrical release poster
|Directed by||Brian Helgeland
Paul Abascal (uncredited re-shoots)
|Produced by||Bruce Davey|
|Screenplay by||Brian Helgeland
|Based on||the novel
by Donald E. Westlake (under pseudonym Richard Stark)
Deborah Kara Unger
|Music by||Chris Boardman
|Editing by||Kevin Stitt|
|Distributed by||Paramount Pictures (US)
Warner Bros. (non-US)
|Running time||100 minutes|
Payback is a 1999 American crime thriller directed by Brian Helgeland and starring Mel Gibson. The film shares the same source material as the 1967 noir-classic Point Blank, directed by John Boorman and starring Lee Marvin; both are based on the book The Hunter, written by Donald E. Westlake under the pseudonym of Richard Stark.
The film was Helgeland's directorial debut after a career as a screenwriter. Helgeland in 2006 issued a director's cut that differs substantially from the version released by the studio.
In a seedy basement, Porter (Mel Gibson) lies severely wounded with two gunshot wounds in his back. A whiskey-drinking surgeon removes the bullets and Porter spends months healing.
Stealing a credit card to acquire a new suit, food and a gun, Porter begins tracking down Val Resnick (Gregg Henry), his former partner, and Lynn (Deborah Unger), his ex-wife, both of whom betrayed Porter following a $140,000 heist from the Chinese triads. After leaving Porter for dead, Val rejoined the Outfit, a powerful criminal organization, using $130,000 of the heist money to repay an outstanding debt. Porter is intent on reclaiming his $70,000 cut.
Porter enlists the help of a call girl, Rosie (Maria Bello), who is affiliated with the Outfit. Porter once served as her driver, during which time they developed a romantic friendship, which ultimately was the reason behind Porter's wife conspiring against him. To get to Resnick, he must deal with a lowlife named Stegman (David Paymer), with crime bosses from the Outfit, with the Chinese triads and with corrupt police detectives Hicks and Leary (Bill Duke and Jack Conley).
Resnick is seeing a dominatrix (Lucy Liu) when Porter violently re-enters his life. Resnick goes to the Outfit to explain why Porter is demanding $70,000. Told to handle it himself, Resnick tries to, but is shot by Porter in Rosie's apartment.
Porter then kills three of the Outfit's hit squad henchmen, including their leader, Philip (John Glover), who have been sent by Carter (William Devane), their immediate superior with the Outfit, to "Stitch this mutt up."
Threatening to kill Carter next if somebody higher in the organization won't pay his $70,000, Porter hears the refusal of mob boss Bronson (Kris Kristofferson) on the phone, so he carries out his threat.
With the aid of Rosie, he kidnaps Bronson's son Johnny, keeping him tied up. He arranges for Hicks and Leary to be busted by their own colleagues in Internal Affairs by planting Leary's fingerprints on the gun Porter used to kill Resnick. He pick-pockets Hicks's badge, then leaves it with the gun in the vicinity of Resnick's dead body.
Bronson and his mob associate Fairfax (James Coburn) join the hunt to take him down. Porter is captured by the Outfit after a wild chain of events involving the triads. He is tortured by having his toes smashed with a hammer.
Porter is locked inside a car trunk and taken by Bronson and his men to an apartment that had previously been rigged by the Outfit's men to a phone connected to plastic explosive. After his captors meet an explosive demise, Porter is picked up by Rosie (with her dog, also named Porter). When she sees his injuries and asks what happened, Porter replies, "I got hammered." They drive off to Canada to begin a new life.
The Director's Cut (dubbed Payback: Straight Up) has a largely similar foundation but explores the betrayal of Porter through flashbacks and most significantly removes the Bronson character from the screen. Instead a female voice (belonging to Sally Kellerman) on the telephone replaces Kris Kristofferson. The scene with the booby-trapped telephone is eliminated, as is the kidnapping of Bronson's son. In this version, Val kills Rosie's dog Porter.
The simplified story line ends with Porter collecting his money at an arranged drop in a train station where he has several shootouts with syndicate hit-men staking out the station. He is seriously wounded and seemingly near death before being driven away by Rosie with the money. The Director's Cut also lacks the theatrical version's voice-over narration by Porter.
- Mel Gibson as Porter
- Gregg Henry as Val Resnick
- Maria Bello as Rosie
- Lucy Alexis Liu as Pearl
- Deborah Kara Unger as Lynn Porter
- David Paymer as Arthur Stegman
- Bill Duke as Detective Hicks
- Jack Conley as Detective Leary
- John Glover as Phil
- William Devane as Carter
- James Coburn as Fairfax
- Kris Kristofferson as Bronson
- Freddy Rodriguez as Valet
- Manu Tupou as Pawnbroker
The film was shot during September/November 1997, in Chicago and Los Angeles, though neither city is referred to in the film. Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene of spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
Helgeland's version, Straight Up: The Director's Cut, was released on DVD, Blu-ray, and HD DVD on April 10, 2007, after an October 2006 run at the Austin Film Festival. The Director's Cut version features a female Bronson, voiced by Sally Kellerman, eliminates the voice-over by Porter and several Bronson-related scenes, and has an entirely different, ambiguous ending.
On the DVD release there is a short interview with Mel Gibson in which he stated that it "Would've been ideal to shoot in black and white". He noted that "people want a color image" and that the actual film used a "Bleach bypass process" to tint the movie.
Payback was well received at the box office. The film made $21,221,526 in its opening weekend in North America. It eventually grossed $81,526,121 in North America and $80,100,000 in other territories, totaling $161,626,121 worldwide.
The film garnered mediocre reviews. Review aggregator Rotten Tomatoes reported that 53% of 73 sampled critics gave Payback positive reviews and that it got a rating average of 5.8 out of 10. Roger Ebert gave the film a three-star rating (out of four) in his review, writing, "There is much cleverness and ingenuity in 'Payback,' but Mel Gibson is the key. The movie wouldn't work with an actor who was heavy on his feet, or was too sincere about the material."
- ""Payback" Blu-ray review".
- Faraci, Devin (April 6, 2007). "Exclusive Interview: Brian Helgeland (Payback Director's Cut DVD)". CHUD.com. Archived from the original on March 5, 2011. Retrieved March 5, 2011.
- Abel, Glenn (April 16, 2007). "Mel Gibson's lost kick-ass film". DVD Spin Doctor. Archived from the original on March 5, 2011. Retrieved March 5, 2011.
- Mel Gibson (1999). Payback (DVD). Warner Home Video. ISBN 7321900173438 Check
- "Payback (1999)". Box Office Mojo. Internet Movie Database. Retrieved March 5, 2011.
- "Payback (1999)". Rotten Tomatoes. Flixster. Retrieved March 5, 2011.