|Born||Margaret Frances Bacon
May 2, 1895
Ridgefield, Connecticut, United States
|Died||January 4, 1987
Kennebunk, Maine, United States
|Known for||Painting, illustration|
Margaret Frances "Peggy" Bacon (May 2, 1895 – January 4, 1987) was an American printmaker, illustrator, painter and writer. Bacon was known for her humorous and ironic etchings and drawings, as well as for her satirical caricatures of prominent personalities in the late 1920s and 1930s.
The aim of a caricature is to heighten and intensify to the point of absurdity all the subject's most striking attributes; a caricature should not necessarily stop at ridiculing the features but should include in its extravagant appraisal whatever of the figure may be needed to explain the personality, the whole drawing imparting a spicy and clairvoyant comment upon the subject's peculiarities.—Peggy Bacon
Early life and education
Bacon was born on May 2, 1895 in Ridgefield, Connecticut to Charles Roswell Bacon and Elizabeth Chase Bacon. She was the first of three children but raised an only child after her two younger brothers died in infancy. Bacon's parents were both artists and met while attending the Art Students League in New York.
Bacon's parents moved frequently. The family lived in Connecticut but spent winters in New York and in the winter of 1902 they lived in Nassau, Bermuda. Between the ages of 9 and 11 Bacon lived with her parents in France, first in Paris and then in a house in Picardy at Montreaux-sur-Mer. Bacon's mother did not believe in formal schooling and as a result, for most of her childhood, Bacon had tutors and studied only subjects of interest to her, such as Latin, Greek, mythology, ancient history and geography of the ancient world. Bacon described her unconventional childhood as "absolutely delightful."
At the age of fourteen, Bacon began attending Kent Place School, a boarding school in Summit, New Jersey. In 1913, the same year she graduated, Bacon's father killed himself in his studio in New York. He had overcome alcoholism but was susceptible to bouts of depression. After this devastating event Bacon and her mother moved to New York City and lived on the West Side in the home of family friends.
Bacon had always been interested in art and from a very young age her early artistic interests were encouraged and supported by her parents, but Bacon did not receive formal training in art until after graduating from Kent Place School. At the end of 1913, Bacon first studied art at the School of Applied Design for Women but disliked it calling it, "the prissiest, silliest place that ever was." She transferred after a few weeks to the School of Fine and Applied Arts on the West Wide where she took classes in illustration and life drawing. During the summer of 1914 Bacon attended Jonas Lie's landscape class in Port Jefferson, Long Island.
From 1915-1920 Bacon studied painting with Kenneth Hayes Miller, John Sloan, George Bellows and others at the Art Students League. While at the League, Bacon became friends with several other artists. Her circle of friends and acquaintances included Dorothea Schwarz (Greenbaum), Anne Rector (Duffy), Betty Burroughs (Woodhouse), Katherine Schmidt (Kuniyoshi Shubert), Yasuo Kuniyoshi, Molly Luce, Dorothy Varian, Edmund Duffy, Dick Dyer, David Morrison, and Andrew Dasburg. Looking back at her time at the League Bacon said, "The years at the Art Students League were a very important chunk of life to me and very exhilarating. It was the first time in my life, of course, that I had met and gotten to know familiarly a group of young people who were all headed the same way with the same interests. In fact it was practically parochial." In 1917, she exhibited two works in the First Annual Exhibition of the Society of Independent Artists (April 10-May 6, 1917). Around 1917 Bacon also became interested in printmaking and taught herself drypoint as there was no one teaching etching at the Art Students League at the time. Bacon's first caricature prints were featured in single-issue, satirical magazine Bad News, which was published by Bacon and her fellow art students in 1918. Drypoint was Bacon's primary medium until 1927. Although Bacon had trained as a painter, she eventually became famous for her satirical prints and drawings.
In the summer of 1919 Bacon studied with Andrew Dasburg in Woodstock, New York. That same summer she was engaged to American painter Alexander Brook and the two married on May 4, 1920. After marrying, Bacon and Brook moved to London for a year, where their daughter Belinda was born. When they returned, the family divided their time between Greenwich Village in New York City and Woodstock, New York, two vibrant artist communities. In 1922 a son, Sandy, was born in Woodstock. In 1940 Bacon and her husband divorced.
Bacon was a very prolific artist. In 1919, at the age of 24, she wrote and illustrated her first book, The True Philosopher and Other Cat Tales. She went on to illustrate over 60 books, 19 of which she also wrote, including a successful mystery book, The Inward Eye, which was nominated for an Edgar Allan Poe award in 1952 for best novel. Bacon's popular drawings appeared in magazines such as The New Yorker, New Republic, Fortune, and Vanity Fair and she exhibited in galleries and museums frequently. Bacon had over thirty solo exhibitions at such venues as Montross Gallery, Alfred Stieglitz's Intimate Gallery, and the Downtown Gallery. In 1934 Bacon was awarded the Guggenheim Fellowship for creative work in the graphic arts. During her time as a fellow she completed 35 satirical portraits of art world figures for a collection called Off With Their Heads!, which was published that same year by Robert M. McBride & Company. In 1942 she was granted an award from the American Academy of Arts and Letters and in 1980 the Academy awarded her a gold medal for her lifelong contribution to illustration and graphic art. In 1947, Bacon was elected into the National Academy of Design as an Associate member, and became a full member in 1969. In December 1975, the National Collection of Fine Arts, now the National Museum of American Art, honored Bacon with a yearlong retrospective exhibition titled, "Peggy Bacon: Personalities and Places." 
In addition to her artistic career, Bacon taught extensively during the 1930s and 1940s at various institutions, including the Feildston School, the Art Students League, Hunter College, the Corcoran Gallery in Washington DC, and summers at the School of Music and Art in Stowe, Vermont.
Later life and legacy
- Tarbell, Roberta. "Peggy Bacon's Pastel and Charcoal Caricature Portraits". Woman's Art Journal 9 (2, Autumn 1988 - Winter 1989): 32–37. doi:10.2307/1358318. Retrieved 10 July 2012.
- "Untitled manuscript on caricature," Bacon papers, George Arents Research library, Syracuse University, cited in: 1992. American Art 6 (4): 17. Retrieved 9 July 2012.
- "Oral history interview with Peggy Bacon, 1973 May 8". Archives of American Art, Smithsonian Institution. Retrieved 10 July 2012.
- "Peggy Bacon papers, 1893-1973, bulk 1900-1963". Finding Aid. Archives of American Art, Smithsonian Institution.
- "Catalogue of the First Annual Exhibition of the Society of Independent Artists, April 10-May 6, 1917". Retrieved 1 February 2014.
- Tarbell, Roberta. "Peggy Bacon". Grove Art Online. Oxford Art Online. Retrieved 10 July 2012.
- Available to read online via the Internet Archive on Openlibrary.org|http://www.archive.org/stream/truephilosophero00baco#page/n7/mode/2up
- The Edgars. "Edgar Awards throughout time".
- John Simon Guggenheim Memorial Foundation. "Fellows". Retrieved 26 July 2012.
- American Academy of Arts and Letters. "Awards Program".
- Smithsonian Institution Archives. ""Peggy Bacon" opens at the NCFA". Retrieved 26 July 2012.
- McQuiston, John (7 January 1987). "Peggy Bacon, 91, Illustrator and Author of Gentle Satires". New York Times. Retrieved 26 July 2012.