Perfect Strangers (TV series)
|Created by||Dale McRaven|
|Theme music composer||Jesse Frederick
|Opening theme||"Nothing's Gonna Stop Me Now", performed by David Pomeranz|
|Ending theme||"Nothing's Gonna Stop Me Now" (instrumental), composed by
Jesse Frederick &
Bennett Salvay (seasons 1-7)
|Composer(s)||Jesse Frederick &
Bennett Salvay (seasons 1-2; alternating, seasons 3-7)
(alternating, seasons 3-8)
(alternating, seasons 7-8)
|Country of origin||United States|
|No. of seasons||8|
|No. of episodes||150 (List of episodes)|
|Executive producer(s)||Thomas L. Miller
Robert L. Boyett (entire run)
Dale McRaven (season 1; executive consultant afterwards)
Michael Warren (seasons 6-8)
Paula A. Roth (seasons 7–8)
|Camera setup||Film; Multi-camera|
|Running time||approx. 24½ minutes|
|Production company(s)||Miller-Boyett Productions
Lorimar Television (1988-1993)
|Distributor||Warner Bros. Television|
|Picture format||480i (SDTV)|
|Original run||March 25, 1986– August 6, 1993|
|Followed by||Family Matters (1989–98)|
Perfect Strangers is an American sitcom that ran for eight seasons from March 25, 1986, to August 6, 1993, on the ABC television network. Created by Dale McRaven, the series chronicles the rocky coexistence of midwestern American Larry Appleton (Mark Linn-Baker) and his distant cousin from eastern Mediterranean Europe, Balki Bartokomous (Bronson Pinchot).
Originally airing on Tuesdays for the short six-episode first season in the spring of 1986, it moved to Wednesdays in prime time in the fall of 1986. It remained on Wednesdays until March 1988, when it was moved to Fridays. The show found its niche there as the anchor for ABC's original TGIF Friday-night lineup, though it aired on Saturdays for a short time in 1992.
The series chronicles the relationship of Larry Appleton (Mark Linn-Baker) and his distant cousin Balki Bartokomous (Bronson Pinchot). Larry, a Wisconsin native from a large family, has just moved into his first apartment in Chicago, Illinois and is savoring his first taste of privacy when Balki, a hitherto-unknown cousin from a Mediterranean island, Mypos, arrives intending to move in with him. Balki, who was a shepherd on Mypos, interprets what little he knows about the United States by relying on his own (often out-of-context) recollections of American pop culture ("America: Land of my dreams and home of the Whopper"). Balki's signature is his "Dance of Joy", a cross between the dosado and the hokey pokey that he performs (with Larry) to celebrate good fortune. He debuts it in the third episode, "First Date," at a singles bar when he realizes that the song the band is playing sounds like the "Dance of Joy".
After initially gently rebuffing his cousin's request to stay at his apartment, aspiring-photographer Larry decides to take Balki under his wing and teach him about American life. However, the neurotic Larry frequently proves to be as inept as Balki, if not more so, and often gets the pair into situations that only Balki can set right. Major influences on the show include "buddy sitcoms" such as Laverne & Shirley and Mork & Mindy, both of which were produced by the Perfect Strangers team. Balki's famous quote was "Don't be ridiculous" and Larry's was "Watch and learn." Often when Larry says no to something Balki had set his mind on, Balki would cry until Larry feels sorry for him and gives in.
The series was the brainchild of Dale McRaven (co-creator of Mork & Mindy) and producers Tom Miller and Robert Boyett. Miller claimed that the series' inspiration came in the wake of the 1984 Summer Olympics in Los Angeles, when America experienced a wave of renewed patriotic sentiment. Their idea for a comedy about an immigrant in America was initially rejected by all 3 major television networks.
In December 1984, Bronson Pinchot garnered notice for his role in Beverly Hills Cop as Serge, an effeminate art-gallery employee with an unplaceable foreign accent. When Miller and company pitched Pinchot as the star of their immigrant show, ABC signed on to the project, originally entitled The Greenhorn. By this time, however, Pinchot had become unavailable, as he had taken the role of a gay attorney in the NBC series Sara alongside star Geena Davis.
Sara failed to find an audience, and was canceled by May 1985. With Pinchot now available, Miller and Boyett began to develop the show in earnest. By November, comedian Louie Anderson was cast as the immigrant's American cousin. A pilot episode was put into production, but in the end Anderson was not considered right for the role.
Development was placed into overdrive when ABC President Brandon Stoddard offered the producers a prime tryout slot for the spring of 1986 between the hit shows Who's The Boss? and Moonlighting on Tuesday nights. After running through several actors for the part of Balki's cousin, the producers settled on Mark Linn-Baker, whom they had recently seen in a guest appearance on Moonlighting. Linn-Baker displayed immediate chemistry with Pinchot, and the series raced into production under the new title Perfect Strangers. It premiered on ABC on March 25, 1986.
Season 1 (1986)
The series commences with Larry living alone in an apartment in Chicago. In the pilot episode, Balki unexpectedly shows up at Larry's door claiming to be his distant cousin. Balki joined Larry as a clerk at the Ritz Discount Store, located on the ground level of their apartment building. Their boss is Donald "Twinkie" Twinkacetti (Ernie Sabella), an unscrupulous miser who is also their landlord. Twinkacetti's incessant berating of his two employees (he calls Balki "Turnip" and Larry "Yo-Yo") is occasionally alleviated by his wife Edwina (Belita Moreno). In the first season, upstairs neighbor Susan Campbell (Lise Cutter) is Larry's platonic friend.
Airing in the coveted timeslot between Who's The Boss? and Moonlighting, Perfect Strangers was an instant ratings hit in the spring of 1986, landing in the season's top 10 highest-rated shows.
Season 2 (1986–87)
For its second season, Perfect Strangers was moved to Wednesday nights at 8:00 p.m. as a lead-in to the new ABC sitcom Head of the Class.
Susan's character was phased out early in this season. Larry began dating Jennifer Lyons (Melanie Wilson) and Balki began dating Mary Anne Spencer (Rebeca Arthur), after meeting them through a local gym. In later episodes, we learn that both women are flight attendants who live in Larry and Balki's building.
Season 3 (1987–1988)
The start of season 3 in fall 1987 found Larry and Balki in a new, larger apartment where Balki had his own room instead of sleeping on a fold-out sofa. External shots clearly depict a new apartment building. According to season 6, episode 13, Larry and Balki's address is 711 Coldwell Street, Apt #209, Chicago, Illinois. The characters never made reference to the move, and Jennifer and Mary Anne were still co-tenants in the new surroundings.
Larry acquires a reporter job working out of the basement of the Chicago Chronicle, a fictional metropolitan newspaper, and helps Balki get a mail room job. They are overseen by demanding city editor Harry Burns (Eugene Roche). Burns is phased out of the show by the end of season 3; by the 5th season, the paper's publisher, Mr. Wainwright (F.J. O'Neill), takes over as Larry and Balki's boss, appearing through season 7. Balki's immediate supervisor is mail room head Sam Gorpley (Sam Anderson who had portrayed a bank clerk in the season one episode "Check This" in which Balki opens his first bank account), who never warms to "the Mypiot" and constantly plots to get Balki fired. Lydia Markham is the Chronicle's thin-skinned, multi-phobic advice columnist; she's played by Belita Moreno, who had previously played Edwina Twinkacetti. Although Larry physically remains at his typewriter in the basement, he joins the investigative team of Marshall & Walpole (loosely-based on the famed Washington Post duo of Woodward and Bernstein) in season 4. Larry's relationship with Jennifer matures as well.
Working as an elevator operator is Harriette Winslow (Jo Marie Payton-France). Her husband Carl (Reginald VelJohnson) is introduced in the 4th-season episode "Crimebusters," in which the couple moves into Larry and Balki's apartment building.
In March 1988, midway through the season, ABC moved Perfect Strangers from its successful Wednesday-night slot to Friday nights at 8:00 p.m. before Full House. This was a key development in the formation of the ABC Friday-night comedy block that would later become known as TGIF. Later moving to the 9/8c slot on Friday nights in the fall of 1989, Perfect Strangers would remain an anchor of ABC's Friday-night programming until it was unsuccessfully moved to Saturday nights in February 1992.
Seasons 4-6 (1988–1991)
In the fall of 1989, after two seasons on Perfect Strangers, Harriette's character was given her own spin-off series, Family Matters. Joining Perfect Strangers in the TGIF lineup, Family Matters would eventually run longer than its parent show. Harriette was not seen again on Perfect Strangers, although an early Family Matters episode explained that she had been fired as the elevator operator, only to be re-hired as chief of security at the Chronicle. Carl became a main character on Family Matters.
Shortly after the sixth season opened, the producers attempted to add a child character to the show. Tess Holland, as played by Alisan Porter (who had starred on ABC's short-lived Chicken Soup the previous fall), was introduced as the troublemaking-but-immensely-cute little girl who lived upstairs from Larry and Balki. Tess appeared in the season's second episode, "New Kid on the Block", when Balki agrees to babysit her, causing an uproar both at home and at the Chronicle. While Porter was supposed to be on full-time, and even credited in the opening title sequence of the episode, she was suddenly dropped, never to be seen again. The experiment of adding a child to the cast was partially influenced by the network as well, since ABC's TGIF lineup was wishing to incorporate the child-and-preteen demographic into its audience. While the content of Perfect Strangers could often appeal to the family as a whole, it had never had children in the regular cast. A similar infusion happened a few months later on sister show Going Places, which had also started with a more adult tone.
While Larry and Jennifer's romance blossomed, Balki and Mary Anne's relationship moved more slowly: the pair would get very close, but then back off after fleeting moments of passion, then drift back into affection. Many viewers' predictions came true in the spring of 1991 when Larry proposed to Jennifer, after feeling competition from her old flame who was trying to woo her back. Jennifer accepted, and they started planning a wedding. As the 1990-91 season closed, it was clear that despite Larry's impending marriage, he and Balki's relationship would somehow remain a focal point of the show.
Season 7 (1991–92)
At season seven's beginning in September 1991, Larry and Jennifer's marriage meant that Perfect Strangers would move in a different direction. Larry and Jennifer buy a large Victorian house, then discover that they cannot afford it without additional roommates: Balki and Mary Anne. At midseason, Balki receives a promotion at the Chronicle, drawing a weekly comic strip based on his stuffed sheep, Dimitri. Gorpley and Lydia make occasional appearances throughout the season, but are gradually phased out as they have little relevance to Larry and Balki's new career paths.
With Larry and Jennifer happily married, the series turns toward Balki and Mary Anne's relationship. In the season's last several episodes, Mary Anne stops seeing Balki and moves out of the house. In the April 1992 season finale, Balki and Mary Anne resolve their differences and suddenly marry; the episode and season conclude with the two couples on their way to an extended honeymoon in Mypos—and with Jennifer telling Larry that they are expecting.
Season 8 (1993)
The first episode of season eight picked up several months after the end of season seven, by which time Jennifer is visibly pregnant. Balki and Mary Anne returned from Mypos, revealing that Mary Anne was also well into a pregnancy. For the eighth season, the Chronicle storylines were phased out, with the series shifting its full attention to the home life of the characters. The series ended with a two-part episode "Up In The Air", with each heralding the birth of a baby (first Robespierre, son of Balki and Mary Anne, and then Tucker, son of Larry and Jennifer). The last scene segues in and out of a musical montage of memorable scenes from the series to the tune of "Unforgettable" by Nat King Cole. The closing credits showed the cast bowing before the studio audience, with co-stars Pinchot and Linn-Baker doing the "Dance of Joy" one last time.
- Bronson Pinchot - Balki Bartokomous
- Mark Linn-Baker - Larry Appleton
- Melanie Wilson - Jennifer Lyons (seasons 2-8)
- Rebeca Arthur - Mary Anne Spencer (seasons 2-8)
- Belita Moreno - Edwina Twinkacetti (seasons 1-2)
- Belita Moreno - Lydia Markham (seasons 3-7)
- Ernie Sabella - Donald Twinkacetti (seasons 1-2)
- Lise Cutter - Susan Campbell (seasons 1-2)
- Sam Anderson - Sam Gorpley (seasons 3-7)
- Jo Marie Payton - Harriette Winslow (seasons 3-4)
- F.J. O'Neil - Mr. Wainwright (seasons 3-7)
- Eugene Roche - Harry Burns (season 3)
Perfect Strangers was produced by Miller-Boyett Productions in association with Lorimar-Telepictures, which later became Lorimar Television in 1988. The show, for its entire run, was executive produced by Thomas L. Miller and Robert L. Boyett, and series creator Dale McRaven was executive producer with them for the first two seasons, becoming an executive consultant thereafter. William Bickley and Michael Warren, who became longtime associates of Miller and Boyett, were supervising producers during seasons one through four, elevating to co-executive producers in season five and finally executive producers with Miller and Boyett from seasons six through eight. Chip and Doug Keyes, who also served as producers on Miller and Boyett's first project under Lorimar, Valerie (later The Hogan Family), were producers on Perfect Strangers during its first season. Others who joined or remained on the production staff for several seasons included Paula A. Roth (who eventually became a principal showrunner in the seventh season alongside the senior executive producers), Alan Plotkin, Terry Hart, James O'Keefe, and the team of Barry O'Brien & Cheryl Alu.
Robert Griffard and Howard Adler, who joined the show in its third season as writers and executive story consultants, were promoted to co-producers in season five. At the end of the 1989-90 season, Griffard and Adler launched pre-production on their own series developed by Miller/Boyett, Going Places, which followed Perfect Strangers on TGIF the following season. Later seasons saw the arrival of such producers as Shari Hearn and Tom Devanney.
In 1991, Bickley and Warren launched their own production plate, Bickley-Warren Productions, as associates to Miller/Boyett. The Bickley-Warren Productions entity oversaw Family Matters, Step by Step and Getting By for Miller/Boyett, and alone were later the producers of Hangin' With Mr. Cooper and Kirk, both of which were produced by Warner Bros. Television (which absorbed Lorimar Television in 1993). Despite the existence of the Bickley-Warren plate during the final two seasons of Perfect Strangers, and the fact that Bickley and Warren were still active as producers on Strangers, the Bickley-Warren logo was never added to the show's closing credits as an associate production company.
Within a year after Perfect Strangers finished production, many of its existing production staff (namely O'Brien & Alu, Plotkin, co-producer Michael J. Morris and executive story consultant Scott Spencer Gorden) were all assigned to sister series Getting By at the start of its second season (1993–94).
Theme song and opening sequence
The show's theme song, "Nothing's Gonna Stop Me Now," was written by Jesse Frederick and Bennett Salvay, who had composed the themes for other Miller-Boyett series, including Full House, Step by Step and Perfect Strangers spin-off Family Matters. Frederick and Salvay also composed the show's musical score for the entire first two seasons; for the remaining seasons, the score compositions rotated between Frederick and Salvay, Steven Chesne and/or Gary Boren. The theme was performed by David Pomeranz. The music was rearranged and the lyrics re-recorded for season three and the music was rearranged slightly in season five. The full opening theme used for season one and most episodes of season two lasted 90 seconds. Starting with season three, the repeat of the second chorus near the end of the theme was cut to allow more airtime, reducing it to 72 seconds.
Two additional shortened versions were also used occasionally when episodes ran over the allotted time: the version used in a few episodes of season two cut half of the first stanza and the entire second, going directly to the first chorus following the verse, "Sometimes you just get a feeling/Like you need some kind of change...", reducing the length to 65 seconds, but the version used from season three onward used all but the second stanza, reducing the length to 48 seconds; the season four short version added a shorter harmonica portion near the end, which was absent in the season three short version. It has been a common misconception that the theme was reduced to the 48-second version from season three onward but that version was only used in syndicated reruns to allow stations added commercial time. The 72-second version was used for all episodes originally broadcast on ABC from seasons 3–8, with exceptions where ABC airings used the 48-second version when episodes ran over the allotted time. A shorter instrumental version of the theme, also composed by Frederick and Salvay, was also used as a closing theme in all but a few episodes (and was dropped entirely for season eight), which was rearranged in season three to sound nearly identical to the main theme, with another rearrangement for season five that saw it elongated from 30 seconds to 40 seconds.
First version (seasons one and two)
During seasons one and two, the opening sequence begins with images of Balki and Larry wiping sideways from opposite sides of the screen to meet in the middle, with the series title superimposed on top. Larry is shown saying good-bye to his family as he leaves his home in Wisconsin, and drives to Chicago in his old red Ford Mustang. The sequence then shifts to Balki, who is shown making his own farewells on Mypos before being driven off on the back of a horsecart, sitting alongside a box mislabeled "America or Burst". Balki is next seen on the tramp steamer as he sights the Statue of Liberty, then on a bus, presumably making his way to Chicago. After a brief shot of Larry driving under a "Welcome to Chicago" sign (actually located outside O'Hare Airport), the sequence ends with the same shot of Balki and Larry together that began the sequence. The first season featured a script font for the series title and credits. For the second season, the show's title appears more similar to later seasons, and the script font is replaced with the fonts similar to that used in the remaining seasons. The Lake Shore Drive footage is now shown correctly. Additionally, the Larry and Balki sequences are shortened so that brief clips from some of the early episodes could be shown.
Second version (seasons three through eight)
For season three, the opening sequence was overhauled. The sequence begins with a close-up on Larry and Balki on the back of a tour boat heading east down the Chicago River, then zooming out to show them traveling under the Irv Kupcinet Bridge (the Wrigley Building and the now-demolished Sun-Times building can be seen in the background). A much larger version of the second season series title is superimposed on this image. During the third season only, light sparkles across this title. The sequence briefly recaps Larry and Balki's journeys to Chicago using footage from the earlier seasons. When Larry passes under the "Welcome to Chicago" sign this time, the sequence cuts to new footage of Larry and Balki around Chicago, including jogging in Lincoln Park, braving a wind gust on a city street, attending a Chicago Cubs game at Wrigley Field, and messing around in a revolving door. After a view of an El train moving over the city street, the sequence concludes with Larry and Balki emerging from the subway to attend the Chicago Theater. The theater marquee shows, appropriately enough, Neil Simon's The Odd Couple. The new location shots were filmed on September 11 and 12, 1987. This sequence remained the same from season three through the end of the series in season eight.
As a brief salute to its parent series, in the early-season opening credits of the spin-off series Family Matters, the Winslow family is shown riding bicycles over the Irv Kupcinet Bridge, as seen from exactly the same vantage point as in the opening Perfect Strangers sequence.
Exterior shot locations
First apartment building
The building used for the exterior shots of Larry and Balki's apartment for the first two seasons was the now non-existent Santa Rita Hotel, located at the south corner of S. Main St. and E. 11th St. in downtown Los Angeles, California. Since the series, the building has been remodeled and the upper stories removed. What remains of the building now houses several small shops and importers.
Second apartment building
The apartment building seen in the exterior shots from seasons three through six is located at the northwest corner of West Dickens Avenue and North Clark Street in Lincoln Park, Chicago, and little has changed in appearance today.
There were a total of eight seasons in the series. The first and last seasons were six episodes each, and the second through seventh seasons had between 22 and 24 episodes each. There were a total of 150 episodes in the series.
Perfect Strangers' ratings remained steady throughout its long run, usually ranking among Nielsen's top 40 programs for its first six seasons. It was never a massive hit, but consistently in a comfortable spot in the ratings, and it usually won its time slot on Friday nights.
By the fall of 1991, ABC had been reaping the rewards of the successful TGIF and wanted to capitalize on the preteen-and-younger demographic for the lineup. An industry insider reported that ABC was looking for a reason to cancel Perfect Strangers, because it was becoming too costly to produce and was considered an aging program that did not fit into the new TGIF target demographic. ABC also believed that the only reason Perfect Strangers' ratings had increased in the last three seasons, not experiencing the typical decline that most network series do as they age, was because of its scheduling that followed Full House and Family Matters. The plan was to cancel Perfect Strangers and replace it with another "youth-oriented" program that would be a better fit with the other shows. However, ABC knew that Perfect Strangers' ratings were still too high to justify its cancellation.
In late December 1991, ABC came up with an effective way to fulfill their agenda. Youth-oriented sitcom Baby Talk, which had aired in the 9:30 TGIF slot for the most part since its March 1991 premiere, had continued to see weak ratings, even after the show was revamped with a new cast. Wanting to utilize the new hit TGIF sitcom Step By Step even further, ABC moved Baby Talk to 9/8c in early January 1992, so it might benefit from a Step By Step lead-in. For what ended up being a four-week period, Perfect Strangers moved into the 9:30/8:30 slot. This shift cost the show some viewers as it dropped to #42 for the half season (September 1991 to January 1992), from the previous season's #32 ranking.
In late January, the network rolled out plans to launch a similar family-friendly comedy block for Saturday, also helmed by TGIF creator Jim Janicek. It was announced that Perfect Strangers would move from TGIF to join this new lineup to help it take off. On February 1, 1992, Perfect Strangers began airing in the 9 p.m. slot of I Love Saturday Night, the new TGIF sister lineup. It was then that the series experienced a drastic decline in ratings. It dropped to #65 for the remainder of the season, as it was the direct competition of timeslot winner Empty Nest over on NBC. In July 1992, ABC moved Perfect Strangers back to Fridays at 9:30 p.m. ET to fill the timeslot with reruns until the new TGIF season began. The reruns that were aired won their timeslot as they had before.
In its six-episode final season, which was filmed during August and September 1992 but broadcast from July 9 to August 6, 1993, it was rated in the top 20 with its series finale attracting 15 million households and rated #11 for the week of August 1, 1993. The average Nielsen ratings for the entire run of eight seasons was #27. For the abbreviated eighth season, Perfect Strangers once again aired Fridays at 9:30/8:30c.
|Season||Episodes||First airdate||Last airdate||Nielsen ranking|
|Season 1||6||March 25, 1986||April 29, 1986||#13|
|Season 2||22||September 17, 1986||May 6, 1987||#31|
|Season 3||22||September 23, 1987||May 6, 1988||#48|
|Season 4||22||October 14, 1988||May 5, 1989||#38|
|Season 5||24||September 22, 1989||May 4, 1990||#34|
|Season 6||24||September 28, 1990||May 3, 1991||#32|
|Season 7||24||September 20, 1991||April 18, 1992||#61|
|Season 8||6||July 9, 1993||August 6, 1993||#19|
From August 28, 1989 to July 13, 1990, reruns of the first four seasons of Perfect Strangers aired on ABC's daytime program block. Warner Bros. Domestic Television Distribution (former sister company to series production company Lorimar Television) distributed the series for broadcast television syndication from September 1990 to September 1997. USA Network aired reruns of the show from September 1997 to September 11, 1998. The WB 100+ carried the series from September 17, 2001 to December 2002.
The series aired on Nick at Nite, first with a 6-episode marathon on July 14, 2000, and then a special airing in November 2000; the series aired regularly in late nights from February 3 to September 20, 2003. TV Land aired reruns from August 2, 2002 to September 28, 2002 and January 3 to February 1, 2003 as part of its now-defunct "TV Land Kitschen" weekend late night block, though special episodes aired on the channel in December 2000, April and December 2001, December 2002, January and December 2003 and June 2005. From October 1 to November 1, 2007, ION Television aired reruns of Perfect Strangers on its primetime lineup Monday-Thursday nights at 8:30 p.m. (ET/PT). It is not currently broadcast on either broadcast or cable television in the U.S..
Various episodes were seen on AOL's In2TV video-on-demand service starting in March 2006, though after AOL's June 2009 announcement of its split with Time Warner, the series was moved to the AOL Video site.
Outside of the United States, the series aired in the Netherlands by public TV, in Turkey by the Turkish Radio and Television Corporation dubbed in Turkish. In Pakistan, reruns were carried by Pakistan Television Corporation in its original form. In Bangladesh, reruns were carried by BTV in its original form. The series aired in the United Kingdom (on BBC1), Australia and New Zealand (on Channel 2, now called TV2) in its original form; reruns aired in Australia on 7TWO between March and October 2011. The series aired in Bulgaria by BTV and in the Bulgarian language; Bulgarians know Balki mostly as a Greek. It aired in the Philippines by RPN 9 in its original form, it aired with Arabic subtitles in Kuwait on KTV2 and in Lebanon on Télé Liban (TL). The series aired in Ireland by RTÉ on Network 2 in its original form.
Perfect Strangers had a spin-off series, the highly rated, long-running family sitcom Family Matters, which aired from September 22, 1989, to July 17, 1998. The series was centered around Harriette Winslow (Jo Marie Payton) in the role she originated on Perfect Strangers (Harriette was played by Judyann Elder for the second half of season nine after Payton's departure), her cop husband Carl (Reginald VelJohnson, the character was initially introduced on Perfect Strangers in the fourth season episode "Crimebusters") and their family. The series, which initially garnered modest ratings for most of its first season, became a ratings hit after the Winslow's annoying, accident-prone, budding inventor next-door neighbor Steve Urkel (Jaleel White), was introduced midway through the show's first season.
Neither Family Matters nor Perfect Strangers featured a crossover with the other, though Mark Linn-Baker and Melanie Wilson each guest starred on the show, as a different character, and Linn-Baker directed another episode.
The season four episode "Maid to Order" was released as part of a limited edition bonus disc of the complete first season DVD of Night Court on February 8, 2005 by Warner Home Video.
In an article on TVShowsOnDVD.com regarding TV series with stalled DVD releases, it was mentioned that the main hold-up for any subsequent releases of Perfect Strangers is not poor sales but rather high music licensing costs. It is noted that the series sometimes featured popular songs within certain episodes, though the versions by the artists who originally performed them were usually not used, instead they were commonly sung acapella by Mark Linn-Baker and/or Bronson Pinchot's characters whenever the script called for Balki and/or Larry to sing within the episode.
|DVD Name||Ep #||Release dates|
|Region 1||Region 2 (GER)||Region 4|
|The Complete First and Second Seasons||28||February 5, 2008||March 14, 2008||September 3, 2008|
- When the show was aired in Brazil, Balki was renamed "Zeca" (a Brazilian nickname) and his nationality was changed to Brazilian, specifically from the state of Minas Gerais, in a blatant adulteration of the character and the storyline itself. The show was called Primo Cruzado (Cousin Cruzado, where "cruzado" was the name of Brazilian currency from that time). Even today the public in that country is mostly unaware of the show's and Balki's original backgrounds.
- In the fall of 2006, the Russian TV station REN TV launched a remake of Perfect Strangers featuring Andrei, from a remote former Soviet republic, who moves in with his cousin Ivan, a Moscow resident.
- The show was aired 1988 until 1994 on TVRI Indonesia
- From the late 1980s into the mid-1990s, the show was aired by Channel 2 in Saudi Arabia
- In the German dubbing, Balki was said to be an actual Greek and Mypos a Greek island. Even the show was called Ein Grieche erobert Chicago (A Greek conquers Chicago) and in the opening credits Balki said that he became bored with his sheep in Greece so he went to America to visit his cousin. In the German version, Balki has no foreign accent and speaks the same native-accented German as Larry.
- Other translations of the title were: Barki e Larry - Due Perfetti Americani (Italy), Dos Perfectos Desconocidos (Latin America), Larry et Balki (France), Primos Lejanos (Spain), Vărul Din Strainatate (Romania), Napulno Nepoznati (Bulgaria), Perfektni Pribuzni (Slovakia), Potpuni stranci (Croatia), Muhteşem İkili (Turkey).and "Krovim rechokim meod (very distant relatives)" (Israel).
- Hodges, Ann (August 3, 1986), "ABC gets perfect series from two "Perfect Strangers"", Houston Chronicle
- Gendel, Morgan (November 30, 1985), "'Tis the mid-season for new TV series", Los Angeles Times
- TV Guide, September 27, 1986
- Bawden, Jim (August 15, 1987), "TV repairs", Toronto Globe
- "Perfect Strangers - Warner's Press Release For Seasons 1 & 2 Mentions YOUR 'TSoD' Votes!".
- TVShowsOnDVD.com - The "What's The Hold-up?" FAQ
- Perfect Strangers at the Internet Movie Database
- Perfect Strangers at TV.com
- Perfect Strangers Online
- Perfect Strangers on AOL Video