Miró created it for Wichita State University's Edwin A. Ulrich Museum of Art,Kansas. The mural is one of Miró's largest two-dimensional projects, undertaken when he was 79 and completed when he was 85 years of age. Fabrication of the mural was completed in 1977, but Miró did not consider it finished until the installation was complete.
The glass mosaic was a first for Miró, and although he hoped to create others, he died before achieving this goal. Intending to come to the dedication of the mural in 1978, he fell at his studio in Palma (Majorca, Spain), and was unable to travel to the event. The entire south wall of the Ulrich Museum is the foundation for the 28 ft by 52 ft (8.53 m x 15.85 m) mural, composed of one million pieces of marble and Venetian glass mounted on specially treated wood, attached to the concrete wall on an aluminum grid. A gift of the artist, donor groups paid for the fabrication by Ateliers Loire of Chartres, France, and for its installation. The Ulrich Museum also acquired the 5 ½ ft by 12 ft (1.7 m x 3.7 m ) oil on canvas maquette for the mural, but it has since been sold to establish a fund to support the museum's acquisitions and any repairs needed to the mural. The entire mural was originally assembled by an artisan at Ateliers Loire using Miró's maquette as a guide. Fabricated under Miró's personal direction and completed in 1977, the 80 panels comprising the mural were shipped to WSU, and the mural was installed on the Ulrich Museum's façade in 1978. Although it has received little recognition, the mural is a unique late work in the artist's career, being one of Miró's largest two-dimensional works in North America and his only one in this medium.
In 2011 it was announced that the mural would be taken down. The mural which had been losing tesserae was the subject of a two year study to work out how it could be conserved. The mural is to be taken apart and recreated with a stainless steel backing. This conservation will cost three million dollars and will take 5 years.