Perun

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This article is about a Slavic god. For historical money, see Perun (money).
Perun
spring, east, fertility, atmosphere, thunderbolt
Perun i Veles.JPG
Veles is defeated by Perun[citation needed], Žrnovnica, Croatia, probably 8th century
Symbol fire, oak, iris, eagle, axe
Consort Perunika or Mokosh
Roman equivalent Jupiter
Christian equivalent Elijah
Slavic equivalent Porenut?

In Slavic mythology, Perun (Cyrillic: Перун) is the highest god of the pantheon and the god of thunder and lightning. His other attributes were fire, mountains, the oak, iris, eagle, firmament (in Indo-European languages, this was joined with the notion of the sky of stone), horses and carts, weapons (the hammer, axe (Axe of Perun), and arrow), and war. He was first associated with weapons made of stone and later with those of metal.

Perun is described as a rugged man with a copper beard. He rides in a chariot pulled by a goat buck and carries a mighty axe, or sometimes a hammer. The axe is hurled at evil people and spirits and will always return to his hand.

Wooden statue of Perun in Kyiv, Ukraine, erected in 2009, destroyed in 2012 by unknowns.
Wooden statue of Perun made in Russia
Gromoviti znaci or thunder marks such as these are ancient symbols of Perun, which are often engraved upon roof beams of village houses, particularly in Eastern Slavic populations, to protect them from lightning bolts. It is conjectured their circular shape symbolises ball lightning.
Drawings of Slavic axe amulets based on archaeological findings dating between the 11th and 12th century.

Sources[edit]

Of all historic records describing Slavic gods, those mentioning Perun are the most numerous. As early as the 6th century, he was mentioned in De Bello Gothico, a historical source written by the Byzantine historian Procopius. A short note describing beliefs of a certain South Slavic tribe states they acknowledge that one god, creator of lightning, is the only lord of all: to him do they sacrifice an ox and all sacrificial animals. While the name of the god is not mentioned here explicitly, the fact that the word Perun in a number of Slavic languages today simply means "thunder," or "lightning bolt," credibly suggests that this was a reference of him.

In 980, when prince Vladimir the Great came to the throne of Kiev, he erected statues of five pagan gods in front of his palace. Perun was chief among these, represented with a silver head and a golden moustache. Vladimir's uncle Dobrinja also had a shrine of Perun established in his city of Novgorod. After the Christianization of Kievan Rus, this place became a monastery, which, quite remarkably, continued to bear the name of Perun.

Perun is not mentioned directly in any of the records of Western Slavic traditional religion, but a reference to him is perhaps made in a short note in Helmod's Chronica Slavorum, written in the latter half of the 12th century, which states (quite similarly to Procopius some six centuries earlier) that Slavic tribes, even though they worship many various gods, all agree there is a supreme god in heaven which rules over all other on earth. This could be a reference to Perun, but since he is not named, nor any of his chief attributes (thunder or lightning) mentioned, we cannot be certain.

Moreover, the name of Perun is also commonly found in Southern Slavic toponymy. The Macedonian and Bulgarian people believe that the name of the mountain Pirin, one of the highest mountains of the Balkan Peninsula, was named after Perun. There are also places called: Perun (the famous mountain in Bosnia Herzegovina, Vareš), Perunac, Perunovac, Perunika, Perunička Glava, Peruni Vrh, Perunja Ves, Peruna Dubrava, Perunuša, Perušice, Perudina and Perutovac. These names today mostly represent mountain tops, but in medieval times, large oaks, sacred groves and even entire villages or citadels were named Perun. Also, as mentioned already, in Ukrainian perun and in Polish piorun means "thunderbolt". Among South Slavs, a mountain plant Iris germanica is known in folklore as perunika ("Perun's plant") and sometimes also as bogisha, ("god's plant"), and was believed to grow from ground that had been struck by lightning. Also the Serbian surname Peruničić is derived from Perun.

Etymology[edit]

Main article: Perkwunos

Perun is strongly correlated with the near-identical Perkūnas/Pērkons from Baltic mythology, suggesting either a common derivative of the Proto-Indo European thunder god whose original name has been reconstructed as Perkwunos, or it's possible one of these cultures borrowed the deity from the other. The root *perkwu originally probably meant oak, but in Proto-Slavic this evolved into per- meaning "to strike, to slay". Lithuanian word "Perkūnas" has two meanings: the thunder and the god of thunder and lightning.

Myth[edit]

In Slavic mythology, much like in Norse and Baltic mythologies, the world was represented by a sacred tree, usually an oak, whose branches and trunk represented the living world of heavens and mortals, whilst its roots represented the underworld, i.e. the realm of the dead. Perun was a ruler of the living world, sky and earth, and was often symbolised by an eagle sitting on the top of the tallest branch of the tree, from which he kept watch over the entire world. Deep down in the roots of the tree was the place of his enemy, symbolised by a serpent or a dragon: this was Veles, watery god of the underworld, who continually provoked Perun by stealing his cattle, children, or wife. Perun pursued Veles around the earth, attacking him with his lightning bolts from the sky. Veles fled from him by transforming himself into various animals, or hiding behind trees, houses, or people; wherever a lightning bolt struck, it was believed, this was because Veles hid from Perun under or behind that particular place. In the end, Perun managed to kill Veles, or to chase him back down into his watery underworld. The supreme god thus reestablished the order in the world which had been disrupted by his chaotic enemy. He then returned to the top of the World tree and proudly informed his opponent down in the roots: Ну, там твое место, там сабе будь! (Nu, tam tvoje mjesto, tam sabje bud'! "Well, there is your place, remain there!"). This line came from a Belarusian folk tale of great antiquity. To the Slavs, the mythological symbolism of a supreme heavenly god who battles with his underworldly enemy through storms and thunder was extremely significant, and from Perun and Veles, this idea of cosmic battle was passed onto God and the Devil following Christianization.

While the exact pantheon characterization differed between the Slavic tribes, Perun is generally believed to have been considered as the supreme god by the majority, or perhaps nearly all Slavs, at least towards the end of Slavic paganism. The earliest supreme god was probably Rod; it is unclear precisely how and why his worship as the head of the pantheon evolved into the worship of Perun. Another candidate for supreme deity among at least some Slavs is Svarog.

Weapons[edit]

In the classification scheme of Georges Dumézil, Perun was the god of the second function (physical and military power), a god of war, and as such, he was armed with several fantastic weapons. Perun's lightning bolts were believed to be stones and stone arrows. According to folk beliefs, fulgurites, belemnites, and sometimes even the remains of prehistoric stone tools found in the ground are remains of these weapons. Various Slavic countries also call these deposits "Perun's stones", "thunderbolt stones", "thunderbolt wedges" and "Perun's arrow"; other unrelated names for these include "devil's finger", "God's finger", and "Mother of God finger", and in Lithuania, "Berkun's finger".[citation needed] These thunderbolt stones were sometimes said to be transferred back to the sky by the wind after being under earth for a period of seven years. The weapons of Perun protected against bad luck, evil magic, disease, and — naturally enough — lightning itself.

Perun also had another type of weapon in his arsenal, as destructive as his firestone arrows, but even more unusual: mythical golden apples. While this may not seem to be much of a weapon, in many[citation needed] Slavic folk accounts, the golden apple appears as a talisman of ultimate destruction. An example from a folk song from Montenegro[citation needed] with strong mythical elements relates:

…Te izvadi tri jabuke zlatne
I baci ih nebu u visine...
…Tri munje od neba pukoše
Jedna gađa dva djevera mlada,
Druga gađa pašu na dorinu,
Treća gađa svata šest stotina,
Ne uteče oka za svjedoka,
Ni da kaže, kako pogiboše.

"…He grabbed three golden apples
And threw them high into the sky...
…Three lightning bolts burst from the sky,
The first struck at two young grooms,
The second struck a horse in a stall,
The third struck six hundred wedding guests,
Not an eyewitness left
Not even to say how they died."

It is conjectured[by whom?] that the mythical golden apples of Perun were symbols of a rare but notorious form of atmospheric discharge, ball lightning. The same is probably true[citation needed] for the thunder marks of East Slavic folklore, of which two examples are shown above.

Characteristics[edit]

Remains of an ancient shrine to Perun discovered beneath medieval Peryn skete in Novgorod consisted of a wide circular platform centred around a statue, encircled by a trench with eight apses, which contained sacrificial altars and possibly additional statues. The overall plan of the shrine shows clear symbolism of the number nine. This is sometimes interpreted that Perun, in fact, had nine sons (or eight sons, with himself, the father, being the ninth Perun). It should also be noted that in some Slavic folk songs, nine unnamed brothers are mentioned.

Similarly to Perkūnas of Baltic mythology, Perun was considered to have multiple aspects. In one Lithuanian song, it is said there are in fact nine versions of Perkūnas. From comparison to the Baltic mythology, and also from additional sources in Slavic folklore, it can also be shown that Perun was married to the Sun. He, however, shared his wife with his enemy Veles, as each night the Sun was thought of as diving behind the horizon and into the underworld, the realm of the dead over which Veles ruled.

Like many other Indo-European thunder gods, Perun's vegetative hypostasis was the oak, especially a particularly distinctive or prominent one. In Southern Slavic traditions, marked oaks stood on country borders; communities at these positions were visited during village holidays in the late spring and during the summer. Shrines of Perun were located either on top of mountains or hills, or in sacred groves underneath ancient oaks. These were a general place of worship and holding of sacrifices (with a bull, an ox, a ram, and eggs).

In addition to the tree association, Perun had a day association (Thursday) as well as the material association (tin).[1]

Post-Christian Perun[edit]

With the arrival of Christianity, various churches had a difficult time trying to overcome the worship of the old supreme deities of the Slavs. In the East, the Eastern Orthodox Church gradually managed to pass much of Perun's characteristics on to a new Christian saint, Elijah the Thunderer, based upon the Old Testament prophet Elijah, who was separated from his servant by a fiery chariot from the heavens and then swept up by a whirlwind; this seemed a good enough approximation of the old thunder god with his fiery bolts. In the west, the Roman Catholic Church offered St. Michael the Archangel, who, as a commander of heavenly armies and vanquisher of the Devil, was also a fitting replacement for Perun. It is also possible that on a local level Perun was replaced with St. Vitus, where this saint did not, due to similarities in names, replace another important Slavic god, Svantovit; however, it is also possible that already in pagan times, the worship of Perun was challenged by a growing cult of Svetovid (Svantovit). On some levels of folklore and popular Christianity, some of Perun's characteristics were passed on to the Christian God Himself.

Cultural references[edit]

M. Presnyakov (1998). Perun.
  • Robert Jordan's Wheel of Time character Perrin Aybara is largely based on Perun. In addition to the name similarity Perrin's choice of weapons include the axe, hammer, and bow. Like the god, Perrin can speak with wolves. Additionally, in texts that allude to Slavic mythology Perun's name is usually replaced with St. Elias; in the Wheel of time, Elyas Machera is yet another character that can speak to wolves.
  • Folk Metal band Turisas makes references to Perun in their song "A Portage to the Unknown," as well as describing the general look of one of the ancient symbols of Perun.
  • French technical death metal band Gorod reference Perun in their song "Elements and Spirit" as the only one "worthy to bear the name of God."
  • Ukrainian Black Metal band Nokturnal Mortum tell about Perun in their song "Perun's Celestial Silver," with references to arrows, lightning, and the punishment of thieves.
  • In Marvel Comics a member of the Soviet super-group, The People's Protectorate is named Perun,
  • Also in Marvel Comics, in the alternate continuity of Ultimates 2, the terrorist group The Liberators has a member named Perun. He is described as a Soviet Thor.
  • Perun appears in the Hellboy limited series Darkness Calls, in which he aids Hellboy before being killed by the Baba Yaga.
  • Perun is a major character in The Iron Druid Chronicles novel, Hammered by Kevin Hearne.

See also[edit]

References[edit]

  • Perun: The God of Thunder by Mark Yoffe and Joseph Krafczik; Peter Lang Publishing (April 2003)
  • Graves, Robert: New Larousse Encyclopedia Of Mythology (Hardcover), Crescent (December 16, 1987)
  • Ryan, W. F.:The Bathhouse at Midnight: An Historical Survey of Magic and Divination in Russia (Magic in History Series) (Paperback), Pennsylvania State University Press (September 1999)
  • Znayenko, Myroslava T.: The gods of the ancient Slavs: Tatishchev and the beginnings of Slavic mythology (Paperback), Slavica (1980)
  • Yoffe, Mark; Krafczik, Joseph: Perun: The God of Thunder (Studies in the Humanities (New York, N.Y.), V. 43.) (Hardcover), Peter Lang Publishing (April 2003)

External links[edit]

Notes[edit]