Peter Cheyney

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This article is about the writer. For the Canadian journalist, see Peter Cheney.
Peter Cheyney
Born (1896-02-22)22 February 1896
London, UK
Died 26 June 1951(1951-06-26) (aged 55)
London, UK
Occupation Policeman and novelist
Nationality British
Period 1925–1951
Genre Crime

Reginald Evelyn Peter Southouse Cheyney (22 February 1896 – 26 June 1951), known as Peter Cheyney, was a British crime fiction writer who flourished between 1936 and 1951. Cheyney is perhaps best-known for his short stories and novels about agent/detective Lemmy Caution, which, starting in 1953, were adapted into a series of French movies, all starring Eddie Constantine (however, the most well-known of these – the 1965 science fiction film Alphaville – was not directly based on a Cheyney novel).

Although out of print for many years, Cheyney's novels have never been difficult to find second-hand. Several of them have recently been made available as e-books.

Early life[edit]

Peter Cheyney was born in 1896, the youngest of five children, and educated at the Mercers' School in the City of London.[1] He began to write skits for the theatre as a teenager, but this ended when the First World War began. In 1915 he enlisted in the British Army as a volunteer, in 1916 was wounded on active service and published two volumes of poetry, Poems of Love and War and To Corona and Other Poems. The next year, 1917, his military service ended.[2]

Starting in the late 1920s, Cheyney worked for the Metropolitan Police as a police reporter and crime investigator. Until he became successful as a crime novelist, he was often quite poor. It is said that he got his start through a bet; when Cheyney remarked that anyone could write a book in the idiom of the American thriller, he was wagered five pounds that he could not. Cheyney sold his first story as the result of this bet.[3]

Career[edit]

Cheyney wrote his first novel, the Lemmy Caution thriller This Man Is Dangerous in 1936 and followed it with the first Slim Callaghan novel, The Urgent Hangman in 1938. The immediate success of these two novels assured a flourishing new career, and Cheyney abandoned his work as a freelance investigator. Sales were brisk; in 1946 alone, 1,524,785 copies of Cheyney books were sold worldwide.[3]

A meticulous researcher, Cheyney kept a massive set of files on criminal activity in London until they were destroyed during the Blitz in 1941; he soon began to replace his collection of clippings. Cheyney dictated his work. Typically Cheyney would "act out" his stories for his secretary, Miss Sprauge, who would copy them down in shorthand and type them up later.

The Caution books read very much like what they are: pulp stories written in ersatz American by a British writer. With private detective Slim Callaghan he invented a non-American who is based in Cheyney's home territory of London.

Callaghan starts out in Marlowe-mode in the first book in a shabby office (in Chancery Lane). Things are not going well for him and he has difficulty paying the bills. However, unlike Marlowe, Callaghan is upwardly mobile and after some detecting success helping a rich (female) client he is able to make the step up to having his own agency with a fancy office and pretty secretary in swanky Berkeley Square.

Subsequent novels in the series follow very much the tried and tested pattern. Callaghan's services are sought by rich and attractive female client. Lady in question is naturally involved in upsetting business (often blackmail) that precludes going to police. Callaghan meets lady, likes what he sees (Cheyney appears to have studied women's fashion for he never fails to describe in detail the every lady's clothes and jewellery), is nonchalant and impudent, which simultaneously upsets and attracts lady. Lady of course is either afraid to tell all facts or is being deliberately misleading and Callaghan must work out truth for himself.

Calaghan begins his investigating, in Marlowe-style, by putting himself about and stirring up trouble, which attracts attention of people (including at least one shady nightclubowner) involved in puzzle who supply him with enough pieces to get whole picture and to plan strategy.

During case (usually a period of days) he will push himself to limit, getting no sleep, drinking continually ('three fingers of straight whisky') driving Jaguar down to Torquay or Weymouth to visit refined client and driving back to London same night if necessary to overall plan. A string of attractive women will throw themselves at him during narrative but he only has eyes for refined client. He will hand out and receive beatings, he will tamper with evidence and outsmart both criminals and police until case is solved and refined client extricated from trouble and danger. Only then (to chagrin of secretary who has long-standing crush) will he reap dual reward of favours of refined client accompanied by substantial check.

Two polished, black granite headstones surrounded by other gravestones
The graves of Peter Cheyney and his third wife Lauretta at Putney Vale Cemetery, London, in 2015

Cheyney's "Dark" series was widely praised during World War II for bringing more realism to espionage fiction. In their casual brutality and general "grubbiness," the "Dark" novels seem to have foreshadowed much of the Cold War fiction of the mid to late 1960s. Anthony Boucher placed these later works in the context of Graham Greene and Joseph Conrad.

The characterisation of Ernest Guelvada in the "Dark" series is one of the high points of Cheyney's career. A cheerfully sadistic war operative whose objective is to deplete the ranks of opposing forces in a leisurely but thorough fashion, the loquacious Guelvada still finds the time to dress immaculately, drink immoderate amounts of alcohol and remain a counter agent.

Cheyney published one volume of short stories, advice to critics and a few poems in No Ordinary Cheyney (London: Faber and Faber, 1948).

Cheyney died at age 55, after having fallen into a coma. He was buried at Putney Vale Cemetery in London.

Personal life[edit]

From all accounts, Cheyney lived much like his characters, working too hard, living the fast and careless life with a breathtaking abandon that eventually caught up with him. In addition to his literary skills, "he was a fencer of repute, a golfer, a crack pistol-shot, and a jiu-jitsu expert."[3]

Cheyney was married three times: in 1919 to the stage actress Dorma Leigh, in 1934 to Kathleen Nora Walter Taberer, and in 1948 to Lauretta Singer Groves.[2] He had no children.

List of works[edit]

Lemmy Caution[edit]

Slim Callaghan[edit]

The Dark Series[edit]

Other novels[edit]

  • Another Little Drink (1940), also as Premeditated Murder and A Trap for Bellamy
  • Night Club (1945), also as Dressed to Kill
  • Dance without Music (1947)
  • Try Anything Twice (1948), also as Undressed to Kill
  • One of Those Things (1949), also as Mistress Murder
  • You Can Call It a Day (1949), also as The Man Nobody Saw
  • Lady, Behave! (1950), also as Lady Beware
  • Ladies Won't Wait (1951), also as Cocktails and the Killer

Short Story Collections[edit]

  • You Can't Hit a Woman (1937)
  • Knave Takes Queen (1939; enlarged edition, 1950)
  • Mr. Caution – Mr. Callaghan (1941)
  • Making Crime Pay (1944), collected stories, articles, radio plays
  • The Curiosity of Etienne MacGregor (1947), also as The Sweetheart of the Razors
  • No Ordinary Cheyney (1948)
  • Velvet Johnnie (1952)
  • G-man at the Yard (1953)
  • Calling Mr. Callaghan (1953)
  • The Adventures of Julia (1954), US title: The Killing Game
  • He Walked in Her Sleep (1954), also as MacTavish
  • The Mystery Blues (1954), also as Fast Work

Biographies and memoirs[edit]

A 1954 biography of Cheyney, Peter Cheyney: Prince of Hokum, was written by Michael Harrison. (London: N. Spearman, 1954.)

Cheyney published a semi-autobiographical volume, Making Crime Pay and after his death at least two biographical essays appeared in posthumous collections. An essay by Viola Garvin, "Peter Cheyney" appears in Velvet Johnnie a posthumous collection of Cheyney's short stories (London: Collins, 1952, pages 7–32). The other essay is anonymous. It appears in the Cheyney collection Calling Mr. Callaghan (London: Todd, 1953, pages 7–16).

External links[edit]

References[edit]