Phil Keaggy

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Phil Keaggy
Background information
Born	March 23, 1951 (1951-03-23) (age 58)
Genre(s)	Contemporary Christian Progressive rock
Instrument(s)	Guitar, vocals
Years active	1966 - present
Website	www.philkeaggy.com

Philip Tyler Keaggy (born March 23, 1951 in Youngstown, Ohio^[1]) is an American acoustic and electric guitarist and vocalist who has released more than 50 albums and contributed to many more recordings in both the contemporary Christian music and mainstream markets. He is a seven-time recipient of the GMA Dove Award for Instrumental Album of the Year, and was twice nominated for a Grammy Award for Best Rock Gospel Album. He has frequently been listed as one of the world's top-3 "fingerstyle" as well as "fingerpicking" guitarists by Guitar Player Magazine readers' polls.

Contents 1 Career 1.1 Early life 1.2 1960s 1.3 1970s 1.4 1980s 1.5 1990s 1.6 2000s 1.7 The Question: "Who is the best guitarist in the world?" 2 Discography 3 References 4 External links

[edit] Career

[edit] Early life

Keaggy was raised in a small farmhouse in Hubbard, Ohio with nine brothers and sisters, and began playing guitar at age ten on a Sears Silvertone guitar. He went to high school in Austintown, Ohio graduating in 1970. He is missing half of the middle finger on his right hand due to a childhood accident at age 4 involving a water pump.^[2]

[edit] 1960s

Phil Keaggy was a member of a mid-1960s garage rock band called the Squires; one of their songs, which he co-wrote, appears on a compilation album called Highs in the Mid-Sixties, Volume 9.

Keaggy began professionally playing music in the late 1960s with drummer John Sferra. The two longtime friends, with the addition of bassist Daniel Pecchio, formed a band called Glass Harp in 1968.^[1] A major turning point for the trio was their winning of an Ohio area's "Battle of the Bands." One of event's judges happened to be an associate of the celebrated producer Lewis Merenstein, whom he alerted to the hot young threesome. At the time, Merenstein was fresh from producing albums for many successful artists including The Spencer Davis Group, Turley Richards and Van Morrison's Moondance (Merenstein produced Astral Weeks as well) and had just been voted Producer of the Year by Rolling Stone. Merenstein was persuaded to fly down from New York to see what the fuss was all about. Upon hearing the band perform, Merenstein was so inspired that Decca Records signed Glass Harp to a multi-record deal. A short time later, the band found itself in New York's Greenwich Village recording its first album at Jimi Hendrix' Electric Lady Studios with Lewis Merenstein as producer. As a Decca Records artist, the band began to open for such artists as Iron Butterfly, Yes, Traffic, and Chicago.^[1] At one point, future James Gang and Eagles guitarist Joe Walsh was being considered to join New Hudson Exit (the band Phil Keaggy was in prior to the formation of Glass Harp) but the other members of the band felt Walsh's style was too dynamic. Years later, Amboy Dukes guitar player Ted Nugent was quoted as saying "I don't know what happened to that Phil Keaggy. He could have saved the world with his guitar" in Guitar Player Magazine^{[citation needed]}.

[edit] 1970s

On Valentines Day in 1970, Keaggy's mother was involved in a fatal car accident.^[1] He was heavily involved in drugs at the time, and that same day was badly hurt by an LSD trip.^[1] In the midst of this tragedy his sister told him about Jesus, and he became a Christian.

Having recorded three albums with Glass Harp, Keaggy left the band in 1972 and released his first solo album the following year entitled What A Day. Keaggy married his wife Bernadette the following summer. He then took a brief vacation from recording on his own and only toured in support of other artists like Love Song, 2nd Chapter of Acts, Paul Clark, and Nancy Honeytree. Keaggy returned to the studio in 1976 with Love Broke Thru which included his version of the Randy Stonehill/Keith Green/Todd Fishkind classic song of the same name, which at Keith Green's insistence was the first released recording of the song. During the summer of 1977 Keaggy went on an eighteen-city tour of the western United States with 2nd Chapter of Acts and "a band called David". This was captured in the live triple album How the West Was One. The only release of the Phil Keaggy Band also occurred in 1977, Emerging. The Phil Keaggy Band consisted of Keaggy, Lynn Nichols, Phil Madeira, Dan Cunningham and Terry Andersen. In 1978, Keaggy released his first critically acclaimed instrumental album entitled Master and the Musician.

[edit] 1980s

The Keaggy family then moved to Leawood, Kansas in August,1979. Their first daughter, Alicia, was born there in March, 1980. The Keaggys left Leawood in 1983 and settled in Costa Mesa, California. Their second daughter, Olivia, was born on February 14, 1984, and their son, Ian, was born in 1987.

Keaggy was signed to the Contemporary Christian music label Sparrow Records in the 1980s, where he released a string of albums including Town to Town, Ph'lip Side, and Play Thru Me. In 1988, Keaggy would team up with Stonehill, drummer Joe English (who had previously played with Paul McCartney and Wings) , singer Margaret Becker, and others for the Compassion All Star Band's album One by One.

In 1988, Keaggy won his first Dove Award for his second instrumental project, The Wind and the Wheat. Keaggy's second Dove Award came in 1992 for his Celtic-influenced Beyond Nature. From 1998 to 2001, Keaggy dominated the "Instrumental Record" category in the Dove Awards winning awards for Invention, Acoustic Sketches, Majesty and Wonder, and Lights of Madrid.

In 1989, Keaggy teamed up with Randy Stonehill, Russ Taff, Derri Daugherty, Mark Heard, Steve Taylor, Rick Cua and other musicians to create Phil Keaggy and Sunday's Child: a tribute of sorts to 1960s bands like The Beatles. That same year, Keaggy would hit the road with Stonehill for a tour by The Keaggy/Stonehill Band, which included Swirling Eddie David Raven on drums and Daniel Amos bassist Tim Chandler. In the fall of 1989 the Keaggys relocated once again, leaving the sunny shores and crowded freeways of southern California behind and moved to Nashville, Tennessee where they reside currently. A few years later, Keaggy would perform at former Beatle Paul McCartney's sister-in-law's wedding. Keaggy had met Laura Eastman, sister of Linda McCartney, while the former worked at CBN. After the wedding, Keaggy fulfilled a lifelong dream by jamming with McCartney in a bedroom at the Eastman family estate, site of the wedding.

[edit] 1990s

Keaggy followed Sunday's Child in 1990 with all-out rock album Find Me In These Fields.

In 1992, Keaggy released what has become a landmark accoustic instrumental album, Beyond Nature.

The following year saw the release of Crimson and Blue, a bluesy rock album geared to the Christian market that included a cover of Van Morrison's "When Will I Ever Learn to Live in God". That album was released simultaneously in the mainstream market as Blue, with a modified tracklist and some reworked songs. The most significant differences are the inclusion of three different songs (Keaggy's cover of the Badfinger song, "Baby Blue"; "All Our Wishes"; and "The Further Adventures of..." and the exclusion of five songs from Crimson and Blue ("Love Divine," "Reunion Of Friends," "Stone Eyes," "I Will Be There," and "Nothing But The Blood.") Once again, an impressive list of musicians joined Keaggy for these releases, including Steve Taylor, Rick Cua, Phil Madeira, Charlie Peacock, Sam Bush, John Mark Painter (of Fleming and John), Ashley Cleveland, Jimmy Abegg, fellow 1970s Keaggy Band members Lynn Nichols and Phil Madeira, and John Sferra of Glass Harp. The band that toured in support of the album featured Madeira on Hammond B-3 organ, Sferra on drums, and Wade Jaynes (of Chagall Guevara) on bass.

In 1994, Phil released a heavily revised version of his 1986 album Way Back Home.

1995 saw the release of a two volume compilation project: Time: 1970-1995. The collection was released as two separate albums. The anthology featured selections from throughout Keaggy's career, including several classic instrumentals. Several unreleased tracks were featured, including a live version of "Do Lord" with Glass Harp, a live version of "Shouts of Joy" from the "Crimson and Blue" tour and "We'll Meet Again," a song Phil wrote and recorded as a teenager. Alternate versions of "Time" and "I Will Be There" were also included as was a new solo recording of the Glass Harp song "The Answer."

That same year, Phil released what has become one of his best-selling albums, True Believer. The album's slick radio-friendly production style was a departure for Keaggy, but several songs have transcended this issue, including concert favorties such as the title track, Salvation Army Band, and Noah's Song. The album also features "And On That Day," a stirring Advent song composed with Glass Harp drummer John Sferra.

The following year Keaggy released another landmark instrumental album, Accoustic Sketches. Comprised mainly of Keaggy originals, the album features a cover of "Swing Low, Sweet Chairot." A second instrumental album, 220, was also released, and featured an electic mix of styles, ranging from progressive rock, blues and an accoustic ballad.

Keaggy's musicianship was further highlighted on 1997's On the Fly, arguably his most ambitious instrumental album to date. Highlights includes the Spanish-flavored "Praise Dance," the hypnotic groove "Firewalker," and the six-part epic, "Way of the Pilgrim."

Phil Keaggy, Phil's last vocal album of the decade came in 1998. Several songs reflected a Beatles influence, including "Days Like This," Phil's last single to receive considerable radio airplay.

1999 saw a flurry of Keaggy releases, all of them instrumental. The double album Premium Jams is a stunning collection of electric jams, including several bluesy originals. Majesty and Wonder, a Christmas album recorded with the London Festival Orchestra, feature Keaggy's take on standards such as "Oh Holy Night" as well as a three part original, "Nativity Suite." Phil also released the four disc collection Music to Paint By. The project was comprised of Still Life,'Electric Blue, Splash, and Brushstrokes.

[edit] 2000s

The new decade has proved to be one of Keaggy's most prolific and creative periods. In 2000, Phil Keaggy released two vocal albums: Inseparable and Uncle Duke. Inseparable featured "Chalice," a collaboration with Glass Harp drummer John Sferra as well as a cover of Paul McCartney's "Motor of Love." The Uncle Duke project was a collaboration with Phil's uncle Dave Keaggy, with Phil setting his uncle's eclectic poetry to music. 2000 also marked the release of Lights of Madrid, an album of Spanish-flavored instrumentals that included a re-recording of "Praise Dance" from 1996's On the Fly.

In October, Keaggy, John Sferra and Daniel Pecchio reunited as Glass Harp for a concert in their hometown of Youngstown, Ohio at a sold out Powers Auditorium. Joining the band for the occasion was conductor Isaiah Jackson and members of the Youngstown Symphony. The following year saw the commercial release of the reunion concert in the form of the live album Strings Attached. Although the album is largely devoted to the band's previous work, it also includes Glass Harp's take on several songs from Phil's solo career such as "Tender Love," "Chalice," "From the Beginning" and a solo accoustic version of "The True Believers."

In 2001 Keaggy released two albums: In the Quiet Hours and Cinemascapes. Both consisted of selections from the 1999 four disc project Music to Paint By. In the Quiet Hours showcased a new composition "As It Is In Heaven," while Cinemascapes includes three previously unreleased songs: "The Road Home," "Lighthouse," and "For the Love." The song "Spring" was previously released on 2000's Uncle Duke as "Interlude."

2002 saw the release of "Hymnsongs," Phil's instrumental collection of hymns. The album included "Nothing But the Blood," a song that Phil had previously recorded with vocals for 1992's "Crimson and Blue" project.

The next year Keaggy released "It's Personal," an album in which he set poetry by Keith Moore to music. He also released "Special Occasions," a collection of music focusing on birthdays and holidays. The album consisted primarily of Keaggy originals and also featured a re-recording of "Here and Now" from 1986's Way Back Home, as well as covers of the Beatles tune "When I'm 64" and Elton John's "The Greatest Discovery." 2003 also saw the release of Hourglass, the first album of new material by Glass Harp since 1972. Stark Raving Jams, a triple disc collection of live performances spanning from 1970 to 2003, was released the following year. Like Strings Attached, this collection also featured performances of some of Phil's solo material. Also in 2004 Keaggy guest performed with the indie band Dispatch for several songs during The Last Dispatch. It was to be the band's last performance together and became the largest concert in independent music history.^{[citation needed]} Two years later, Keaggy released Freehand, the sequel to Accoustic Sketches. That same year Keaggy and longtime friend Randy Stonehill released "Together Live!". He also guest performed on two songs of Rufus Tree's album "Dying To Live".

The following year saw Keaggy release three additional instrumental albums: Jammed! was a one disc collection of songs featured previously on 1999's double album Premium Jams. The album also included a new rendering of "Ode to Joy" titled "Joyphil" and "Prehistrobie K-18," a previously unreleased song that Phil wrote and recorded as a teenager. The album Roundabout, was a collection of pre-concert warm up jams while Two of Us is a joint effort with guitarist Mike Pachelli. Also in 2006 Phil released a vocal album, Dream Again. He also recorded a duet "That's the Way It Goes" with Randy Stonehill for Stonehill's Edge of the World album.

In 2007 Keaggy was inducted into the Gospel Music Hall Of Fame. He also released "Acoustic Cafe," an album, that with the exception of "You Have My Heart," is a collection of covers ranging from Bob Dylan to Cindi Lauper. Many of the songs are duets, such as the Beatles' "In My Life" with with Randy Stonehill and the Everly Brothers "All I Have to Do is Dream" with Jeremy Casella. Later that year Keaggy released another acoustic instrumental album: The Song Within. 2007 also marked the 30th anniversary of the landmark instrumental album, 1978's The Master and the Musician. The album was re-released with a bonus disc of outtakes, alternate takes and a recent interview. Keaggy also toured in support of the album's anniversary with a band that featured Glass Harp drummer John Sferra. The next year Keaggy released Phantasmagorical: Master and Musician 2, the sequel to his 1978 masterpiece.

In June 2009 Keaggy and Randy Stonehill released a new studio album titled "Mystery Highway." Highlights include a remake of the Keaggy/Stonehill classic "Sunday's Child," a cover of Mark Heard's "Love is Not the Only Thing," and "We'll Meet Again"--a song that Phil wrote and recorded as a teenager.

Keaggy continues to record and tour regularly. He is an avid supporter and spokesman for Compassion International, a Christian child advocacy ministry that helps more than 1 million children in 25 countries. Keaggy is also currently working on a record with former P.O.D. guitarist Jason Truby.^[3]

[edit] The Question: "Who is the best guitarist in the world?"

Rumors have followed Keaggy for years that Jimi Hendrix had supposedly named him as his answer to the question Johnny Carson asked him, "who is the best guitarist in the world?" while making an appearance on The Tonight Show. Another version of the story goes something like, "Jimi, how does it feel to be the world's greatest guitar player?" To which Jimi supposedly replied, "I don't know, you'll have to ask Phil Keaggy!" which according to some was from an interview in Rolling Stone or Guitar Player Magazine. Sometimes, the rumor is that it was Eric Clapton, or that it was on the Dick Cavett show. A recent variant has it that it was Eddie Van Halen on Letterman or with Barbara Walters who was asked the question. During live performances, Keaggy has mentioned it but personally thinks the rumors are untrue. However, because many of these shows did not keep archives of many of their early shows, it is nearly impossible to either confirm or disprove the rumors completely. Some fans have claimed to have seen the show in question, or read the interview but to date, no one has presented a tape, a magazine article or any kind of evidence to confirm it. Phil was asked this at one of his guitar clinics he held in California a few years ago and his answer was simply, "I don't think there is anything to it at all. I doubt that Jimi ever heard me play as he had died in England before I recorded with Glass Harp at his Electric Ladyland Studios in New York City. Someone told me years ago that when asked that question he replied, 'Phil Keaggy is the shortest guitarist in the world,' which is more believable." (See this Snopes article regarding the "Tonight Show" appearance.)

[edit] Discography

[edit] References

• Guitar Jam Daily Interview With Phil Keaggy

[edit] External links

• PhilKeaggy.com
• PKFans.com, The Official Phil Keaggy Fan Site
• Dave's PK Tablature
• Way Back Home (tablature, interviews, and more)
• Video of Phil describing the water pump incident (WMV format)
• Phil plays "Time" in Switzerland
• GUITAR GODS: Phil Keaggy Interview (2008)
• Exurban Adventures interviews Phil Keaggy Exurban Adventures, June 21, 2008