Phoebe Anna Traquair
Peter Induni, Phoebe Traquair, 1927
|Spouse(s)||Ramsay Heatley Traquair|
Phoebe Traquair was born Phoebe Anna Moss in County Dublin, and married the Scottish palaeontologist Ramsay Heatley Traquair on 5 June 1873. The family moved to Edinburgh, and some of her work was palaeontological drawing related to her husband's research. Their children were Ramsay, Henry (Harry) Moss and Hilda. Ramsay was an eminent architectural academic and Henry was an ophthalmologist.
Traquair painted the interiors of four Edinburgh buildings between 1885 and 1901. Her wall painting include the chapels of the Royal Hospital for Sick Children (1885–1886 and 1896–1898) which includes the mortuary murals, painted 1885 at Meadowside House and transferred to the new site. Influenced by John Ruskin's writing, Traquair made a portrait of Ruskin from a photograph. His image appears in a mural that Traquair created in 1885 and 1886 for the Sick Children's Mortuary Chapel in Edinburgh. The mural is of Three Maidens (Divine Powers) which is bordered by images within lunettes of other writers, artists and critics, like Edward Burne-Jones, William Bell Scott, and Noel Paton. This was her first work as a professional artist. The mortuary was a small windowless coal house where bodies could be left "reverently and lovingly" until the children were taken by the parents for burial. The paintings illustrated the redemption of mankind.
The song school of St Mary's Cathedral (1888–92) won Traquair national recognition. Within a tunnel-vaulted interior, the east wall depicts the cathedral clergy and choir. The south wall depicts Traquair's admired contemporaries such as Dante Gabriel Rossetti, William Holman Hunt, and George Frederic Watts. On the north wall birds and choristers sing together, and the west wall shows the four beasts singing the Sanctus. The Song School is still used daily for practice by the Choristers. Her best-known work is in the vast former Catholic Apostolic Church (1893–1901) on East London Street at the foot of Broughton Street, which has been called "Edinburgh’s Sistine Chapel", and "a jewelled crown". It was this work which helped to confirm her international recognition.
Her most "public" work can be viewed in the Thistle Chapel of St Giles Cathedral where she designed the enamel armorial panels over the knights' seats. Another of her major works is the illuminated manuscript of Sonnets from the Portuguese by the Victorian poet Elizabeth Barrett Browning, a key Arts and Crafts manuscript. This is held by the National Library of Scotland and a version is available on the NLS Digital Library.
- John Sutherland Black (1890). Dante Illustrations and Notes. Phoebe A. Traquair, illustrator. Edinburgh: T.& A. Constable (private printer). OCLC 805029900.
- Dante Gabriel Rossetti (1904). The House of Life. Phoebe A. Traquair, illustrator. Edinburgh: William J. Hay.
- National Library of Scotland Retrieved 2009-11-04
- Royal Hospital for Sick Children, Listed Building report Retrieved 2009-11-04
- James S. Dearden (1999). John Ruskin: A Life in Pictures. A&C Black. p. 136. ISBN 978-1-84127-045-6.
- St Mary's Cathedral Retrieved 2009-11-04
- Oxford Dictionary of National Biography Retrieved 2009-11-04
- Gifford et al. (1984) Edinburgh The Buildings of Scotland, p.366
- Phoebe Anna Traquair (1852–1936) Mansfield Traquair Trust. Retrieved 2009-11-04
- Buildings of Scotland: Edinburgh, by Gifford McWilliam and Walker
- Sonnets from the Portuguese at the National Library of Scotland
- Fiona Allardyce; Rosemary Mann (2007). Conservation of Phoebe Anna Traquair Murals at Mansfield Traquair Centre, Edinburgh. Historic Scotland. ISBN 978-1-904966-50-0.
- Elizabeth Cumming (January 2005). Phoebe Anna Traquair: 1852-1936. National Galleries of Scotland. ISBN 978-1-903278-65-9.
Media related to Phoebe Anna Traquair at Wikimedia Commons