Pianomania

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Pianomania
Pianomania poster German.jpg
Directed by Lilian Franck
Robert Cibis
Produced by Vincent Lucassen, Ebba Sinzinger, Robert Cibis, Lilian Franck
Written by Lilian Franck, Robert Cibis
Starring Stefan Knüpfer
Pierre-Laurent Aimard
Alfred Brendel
Rudolf Buchbinder
Julius Drake
Till Fellner
Lang Lang
Igudesman & Joo
Cinematography Jerzy Palacz, Robert Cibis
Edited by Michèle Barbin
Production
company
Release dates 2009
Running time 93 minutes
Country Germany, Austria
Language German & English

Pianomania is a 2009 German-Austrian documentary film by directors Lilian Franck and Robert Cibis. The film presents Stefan Knüpfer, a virtuoso piano tuner from the piano company Steinway & Sons, in his work with pianists such as Lang Lang, Alfred Brendel and Pierre-Laurent Aimard.

Synopsis[edit]

The collaborative work between Pierre-Laurent Aimard and Stefan Knüpfer is at the center of the film. Bach's The Art of Fugue is to be recorded. Pierre-Laurent Aimard has decided in favor of concert grand piano Nr. 109 for the Bach recording. The film begins one year before the recording.

Knüpfer wants to study instruments from the time of Bach for Aimard. He experiments with sound absorbers made from felt and with glass sound mirrors. But as fate will have it, the number 109 grand piano is sold to Australia a few months later; and that is not the last obstacle that gets in their way. Knüpfer and Aimard meet regularly, and when the tension is so thick it can be cut with a knife, Knüpfer saves the day with his sense of humor. The road toward the pianist’s longed for “bravo” is long.

One afternoon, a rather sleepy artist in jeans and sneakers shows up. It is the Chinese star pianist Lang Lang, who will be giving a guest performance in the Viennese concert hall. Still suffering from jet lag, he has to choose an instrument to play. His overcrowded tour calendar leaves little time for individual settings. Instead, and almost shyly, he asks for a heavy bench that will hold up through his extroverted style of playing without sliding around. The piano superstar completes his performance in the large hall in a dark suit and wild hairstyle. The bench holds up, and he receives thunderous applause.

The sketches of the comedy duo Igudesman & Joo always parody the elitist music world. Together with Knüpfer they come up with some of the craziest scenarios for the next show.

One of Alfred Brendel's last concerts takes place at the Grafenegg Music Festival. Knüpfer prepares the piano for him while the star pianist gives his directions humorously.

Technical aspects[edit]

Corresponding to the struggle of the protagonists to find the perfect sound, the sound recording of the film itself was made with great efforts. All the scenes were recorded in Dolby Surround quality and on up to 90 separate sound tracks.

Nominations, awards and prizes[edit]

Official selection in international festivals in 2010[edit]

  • The Magnificent 7, Serbia
  • Internationales Filmwochenende Würzburg, Germany
  • Göteborg International Film Festival, Sweden
  • Internationale Filmfestspiele Berlin (Berlinale), Germany
  • Jameson Dublin IFF, Ireland
  • Zagrebdox, Croatia
  • Sofia International Film Festival, Bulgaria
  • 34th Hong Kong International Film Festival, China
  • Macau International Film Festival, China
  • BAFICI – Festival International de Cinema Independiente Buenos Aires, Argentina
  • St. Paul International Film Festival Minneapolis, USA
  • Doc Outlook-Market, Switzerland
  • San Francisco International Festival, USA
  • DOK.Fest München, Germany
  • Planet Doc Review Film Festival, Poland
  • Moscow International Film Festival, Russia
  • Melbourne International Film Festival, Australia
  • New Zealand International Film Festival, New Zealand
  • Semana de Cine Aleman in Cinemateca Nacional Mexico City, Mexico
  • Austrian Cultural Forum in Washington DC, USA
  • Flickers – Rhode Island International Film Festival, USA
  • Jecheon International Music & Film Festival, South Korea
  • Ghent Film Festival, Belgium
  • Berlin & Beyond Festival San Francisco, USA
  • Golden Horse Film Festival, Taiwan
  • Canberra Film Festival, Australia
  • St. George Brisbane International Film Festival, Australia
  • PIANO-PAM! Internationales Festival für Neue Klaviermusik Uster, Switzerland
  • IDOCS International Documentary Forum Beijing, China

Official selection in international festivals in 2009[edit]

  • International Documentary Film Festival (IDFA), Netherlands
  • Max-Ophüls-Preis, Germany
  • Kinofest Lünen, Germany
  • International Hof Film Days, Germany
  • Unerhört Hamburg, Germany
  • Diagonale, Austria
  • Cork Festival, Ireland
  • Locarno International Film Festival, Switzerland
  • Zurich Film Festival, Switzerland
  • Valladolid International Film Festival, Spain
  • Sheffield Doc/Fest, Great Britain
  • SoNoRo Bucharest, Romania

Directors biography[edit]

  • Lilian Franck studied at the Film Academy Baden-Württemberg and at Le Fresnoy, the National Studio of Contemporary Arts in France. In 2002, she received the French-German prize for Young Journalism for the humorous documentary “Half a Chance,” which she co-directed with Robert Cibis. After this collaboration, the pair founded the filmmaking company OVAL Filmemacher in Berlin, Germany. OVAL produces social and scientific documentaries for international broadcasters. OVAL has produced for a wide range of television networks worldwide, and excel at meeting the needs of documentary broadcasters. Topics have included religious fundamentalism (JESUS LOVES YOU), the medicating of children diagnosed with ADHD and bipolar disorder (KIDS ON PILLS), the globalization of labor (HUMAN CAPITAL) and many more. In 2009, Lilian Franck co-directed the award-winning Pianomania which takes the viewer into the secret world of sounds—a place where passion and the pursuit of perfection collide with artistic obsession and a little bit of madness. Pianomania premiered theatrically in more than 20 countries and was awarded, among others, the prize of “Semaine de la critique” at the Locarno International Film Festival, the Golden Gate Award at the San Francisco International Film Festival and the German Deutscher Filmpreis “Lola” for Best Sound.
  • Robert Cibis studied at the Film Academy Baden-Württemberg, FÉMIS, École Nationale Supérieure des Métiers de l'Image et du Son and Le Sorbonne Nouvelle. In 2002, he received the French-German prize for Young Journalism for the humorous documentary “Half a Chance,” which he co-directed with Lilian Franck. After this collaboration, the pair founded the filmmaking company OVAL Filmemacher in Berlin, Germany. Since, he has produced scientific documentaries for television on the theme of health. PREYING ON PATIENT uncovers how billions of Euros are spent on health in Germany and France. In 2007, Robert Cibis and Michaela Kirst received the Slovenian Festival Prize “EKOTOPFILM” for their project DISGUSTINGLY HEALTHY which uncovered the use of maggots, called maggot therapy, in the medical field. OVAL has produced for a wide range of television networks worldwide, and excel at meeting the needs of documentary broadcasters. In 2009, Robert Cibis co-directed the award-winning Pianomania which takes the viewer into the secret world of sounds—a place where passion and the pursuit of perfection collide with artistic obsession and a little bit of madness. Pianomania premiered theatrically in more than 20 countries and was awarded, among others, the prize of “Semaine de la critique” at the Locarno International Film Festival, the Golden Gate Award at the San Francisco International Film Festival and the German Deutscher Filmpreis “Lola” for Best Sound.

Played tracks in the movie and artists[edit]

References[edit]

External links[edit]