Pigs Is Pigs (1937 film)

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Not to be confused with Pigs Is Pigs (1954 film).
Pigs is Pigs
Merrie Melodies (Piggy) series
PigsisPigs003.JPG
Directed by Friz Freleng
Produced by Leon Schlesinger
Voices by Billy Bletcher
Music by Carl W. Stalling
Animation by Bob McKimson
Paul J. Smith
Distributed by Warner Bros. Pictures
The Vitaphone Corporation
Release date(s) January 30, 1937 U.S. premiere
Color process Technicolor
Running time 7 minutes
Language English

Pigs Is Pigs, is a 1936-produced, 1937-released Merrie Melodies cartoon that featured Piggy and the Hamhock family, in what would be Piggy's final appearance in the Merrie Melodies and Looney Tunes repertory in the Golden Age of American animation.

Synopsis[edit]

Piggy Hamhock (not to be confused with Porky Pig) is always hungry, thinking of food, eating, and stealing food when he can. And no matter how much he eats, he never fills up.

When his mother leaves a pair of pies out to cool, Piggy swipes a pie from the windowsill and spins it around his finger as he eats it; he tries to eat a second pie in the same manner, but his mother catches him in time and he accidentally chomps on his bare fingers. He is scolded by his mother, but he ignores her and begins daydreaming about food. That afternoon, his mother serves spaghetti for dinner. While the family says grace, he ties all of their spaghetti strands together, so that he can devour all the spaghetti (enough to feed a family of eight) in a single slurp. His mother scolds him again, but he takes no heed.

As the other pigs sleep, he is awake, in deep thought of food, then falls asleep. The next morning, he finds himself invited into the home of a kindly, hiccuping old man (voiced by Billy Bletcher, better known for the voice of Paw Bear in some later Warners toons and of Pete in the Disney cartoons). The old man asks Piggy if he is hungry and presents Piggy with a table laid out with a full-blown feast – complete with a roasted turkey. Overjoyed at the man's generosity, Piggy sits down, rubbing his belly in anticipation. At that moment the man shoves the table of food out of Piggy's reach as the cover of the chair is pulled out from under him. A leather belt across his arms and chest straps him in place as a robotic arm swings around to take hold of his nose. The man shows himself to be some sort of mad scientist declaring, "So, it's food you want!? Ha, ha! (Hic) We'll give you plenty of it!"

The scene switches to the basement, revealing the Feed-A-Matic; a bizarre machine built for the sole purpose of force-feeding hungry little kids like Piggy (not that he would need any forcing) in order to make them really fat. The scientist rushes down to activate the controls, yelling, "So, you love food, (hic) eh?", and goes straight to his work.

The chair Piggy is strapped into first carries him to a huge vat (labeled "SUPER SOUP FEEDER") filling with gallons of soup from cans; the mechanical arm then pulls on Piggy's nose forcing his mouth open to let in a torrent of soup through a feeder shaped like a Pelton wheel but with spoons as buckets. He is then fed bananas popped out of their skins down his throat like bullets. Next to follow are stops at a gumball machine that doles out olives and at a conveyor belt of ice cream cones dispensing ice cream via a bellows. Then comes the main course, a sandwich as big as a king-sized bed (featuring the first appearance of Freleng’s "hold the onions" gag), followed by dessert dispensed from the "PIE-A-TROPE" -- pies spinning on the spindle of a converted jukebox.

Laughing maniacally, the scientist—in various montages— continues forcing more and more food into Piggy. After an entire day of the business, the pig is returned from the Feed-A-Matic machine to the mad scientist's laboratory, transformed into an extremely obese, food-packed ball. Fed like never before in his life, Piggy is clearly happy with what has happened to him. Smiling at the sight of Piggy’s new-found obesity, the scientist pokes his obese guest twice and kindly asks "Have enough, my boy?" To which Piggy replies "Y-y-y-yes sir!" The scientist then unstraps him, commenting "Why, you're not half full!" and laughs evilly as he watches the newly and extremely greatly obese pig leave.

With the sun setting, Piggy waddles to the door, passing by the food the scientist had laid out to bait him earlier. Looking at the turkey he delights at the prospect of more food. He pulls off a drumstick, takes a bite, and explodes.

Or rather, he wakes up screaming in his own bed – it was only a dream. Then hearing the sound of his mother calling him to breakfast, he dashes downstairs and starts eating with more gusto than ever before.

Pigs Is Pigs in other works[edit]

Over the years, various writers have incorporated themes and settings similar to Pigs is Pigs into their works.

Andy Panda[edit]

In "Apple Andy" (1946, Walter Lantz Studio), Andy Panda is tempted by the Devil to cross a fence to eat apples in an orchard. An angel appears to remind him of what might happen if he follows the devil. After giving in to temptation, Andy dreams that he has gone to hell and is strapped into the Feed-A-Matic machine, with the devil operating the controls. A turning lathe force-feeds red apples to him, followed by a worm shoving fistfuls of applesauce into his mouth, and a dead apple tree pouring apple cider down his throat.

Little Audrey[edit]

Near to the end of "Butterscotch and Soda", in which Little Audrey gathered so much candy that she got sick to her stomach. The bag, where she gathered the candy in, came to life and sang "The Tummyache Blues". Various candy came to life to torture her, and they strap her to a chair and force candy down her throat.

The Gumby Show[edit]

Art Clokey did a full re-imaging of this cartoon in 1967 as part of The Gumby Show. "Grub Grabber Gumby" recast Gumby in Piggy’s role. Like Piggy, Gumby has been developing a liking for eating, and he starts the day by eating almost all the cookies on the kitchen table. Then he eats Pokey's sandwich and steals one of the pies Mrs. Applebee left out to cool (as Piggy did at the beginning). With a full stomach, he falls asleep and later awakes to find himself in the clutches of a bipedal equine named "Mr. Stuff".

Mr. Stuff: Hee, hee, hee -- so, you're the boy who likes to eat!
Gumby: Who are you?
Mr. Stuff: Don't worry, just call me Mr. Stuff. I'm going to do you a favor; how'd you like to have all the goodies you can hold?

Like Piggy, Gumby's face lights up with joy at the offer. Mr. Stuff is true to his word, using a conveyor belt to cram thousands of scoops of vanilla ice cream into Gumby's eagerly waiting mouth. After that a tank car of soda pop is brought over and its contents is pumped into his stomach, followed by a large batch of hamburgers. This all leaves it swollen and bloated; However, Mr. Stuff won't quit until Gumby is totally stuffed.

Too Much Martha[edit]

In the Martha Speaks episode, "Too Much Martha", Martha's constant pursuit of snacks has added some extra pounds and the vet says she needs to lose some weight. The family resolves to help Martha control her portions and maintain a balanced diet, but when Martha learns what this means, she's pretty fed up. No more late night pizza?

Just Desserts[edit]

In the Arthur episode, "Just Desserts", Arthur must not eat too many sweets. But when he ate the cake, Arthur gets a stomach ache and a crazy dream that he was in Fairy Tale Land.

The Lost Saucer[edit]

In Sid and Marty Krofft's series The Lost Saucer, the episode "Fatropolis" has Jerry and his babysitter Alice wander into a city where fat is the law. The Mayor declares them guilty of breaking the law, and sentences them to the "Fattenarium" until they each weigh 500 pounds.

Sitting Ducks[edit]

In the Sitting Ducks episode "Aldo the Duck", Aldo must not eat ducks because "ducks are friends, not food". So with a help of Cecil, Aldo uses duck hormones to stop cravings. But when Aldo takes too many of them, he gets turn into a duck.

Just One Bite[edit]

In the SpongeBob SquarePants episode, "Just One Bite", Squidward does not like Krabby Patties. So SpongeBob wants him to try it. But when Squidward ate the Krabby Patty. He lies to SpongeBob and sneaks into the Krusty Krab at night. Until SpongeBob caught him, Squidward quickly ran into the Patty Vault and ate 1 million krabby patties. But SpongeBob warned him because it will go right to his thighs, blew up, and get send to the hospital

Treehouse of Horror IV[edit]

In The Simpsons fourth Halloween episode segment "The Devil and Homer Simpson," Homer Simpson spends a day in Hell. In the "Ironic Punishment Department," a demon has Homer strapped in the Feed-A-Matic chair (recreated in exact detail) forcing him to eat "all the doughnuts in the world!" The punishment fails, however, when Homer does eat all the doughnuts in the world, and still asks for more. The demon says "I don't understand it. James Coco went mad in fifteen minutes!" Simpsons creator Matt Groening has gone to say on record (according to the season five DVD set audio commentaries) that the torture sequence in "Pigs is Pigs" is his favorite scene in all of animation and his inspiration for the sequence in this episode of The Simpsons.

Notes[edit]

  • The animation appears crude by later Warner standards and contains some goofs.
    • Piggy’s design includes a set of distinctive birthmarks on him; in the beginning, he has 3 – one on his head, one on his rear-end, and one on his right knee. Throughout the rest of the film, he has only the ones on his head and rear-end.
    • During the scene where Piggy and his family are having dinner, when they first sit down at the table, all of the plates on it are empty. When the family says grace, however, the plates are filled with spaghetti.
    • The birthmark on his head keeps changing sides.
    • At the end, when the scientist is letting him go, he is standing behind Piggy, yet (for a moment) his toe is in front of Piggy’s fat belly.
  • This film was the second (and last) featuring the Family Hamhock, which Friz Freleng had apparently intended as a series of recurring characters. They made their first appearance in At Your Service Madame[1] – this presented Mrs. Hamhock as a widow to whom her late husband had left a sizable inheritance. Rooted in the concept of morality, each of her 7 children embodied one of the Seven Deadly Sins; Piggy, of course, represented gluttony and was a clean freak. Leon Schlesinger didn't like this idea and Mrs. Hamhock's children would never appear again after this film. Mrs. Hamhock herself would make one last appearance in what would have been the next short in the series, "Wholly Smoke" (1938), with Porky Pig cast as her only child.
  • The scene at the end of Piggy leaping out of bed to dash downstairs to breakfast was reused footage of the shot that first introduced him in "At Your Service Madame".
  • Pigs Is Pigs is considered significant because it is the first ever appearance of Freleng "hold the onions" gag.
  • Some aspects of Piggy and his family were revived by Steven Spielberg in his Tiny Toon Adventures animated series. The character of Hamton J. Pig and his parents are a clear reflection of the Hamhocks. Like Piggy, Hamton has an incessant appetite and is a clean freak.
  • This short appears in the laser disc collection "The Golden Age of Looney Tunes", volume 3 and the DVD collection "Looney Tunes Golden Collection: Volume 3".
  • A clip of this short was seen as a Toonami montage for its 10th anniversary.

See also[edit]

References[edit]

  1. ^ Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Holt Paperbacks. 1989. ISBN 978-0-8050-0894-4. 
  • Schneider, Steve (1990). That's All Folks!: The Art of Warner Bros. Animation. Henry Holt & Co.
  • Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to the Warner Bros. Cartoons. Holt Paperbacks. 1989. ISBN 978-0-8050-0894-4. 

External links[edit]